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“Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.”

“Do you know I had the best time on 'Loose Women' and I'm very, very fond of the show still. I know everybody who's on it and it's a great open door to go back if I need to. Everybody on there is lovely and I've got a great relationship with them - the new ones and the old ones. It's been a big part of my life over the years, so it's nice I can nip back. I do miss everybody on it, but we're all on What'sApp, so I know what everybody is up to.”

“People grow up learning to be silent about their sexuality, so where are they going to learn to talk about it when they are in a relationship? Shame, guilt, ignorance, reservation, prudishness, all kinds of different cultural systems and social stereotypes shroud sexuality in secrecy and in silence. And there's the romantic notion. "If I say in the beginning, that I am missing something, you are instantly going to think that means you are not enough."”

“As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.”

“I loved the work. I missed it for years after I was arrested. I couldn't drive past 100 Centre New York City Criminal Court, that whole area, without crying, seeing people going to court and knowing I couldn't do that anymore. I still do miss it. I don't think I could ever go back. Maybe I could consider second-seating my son or someone else whose work I respect. But I could not take on any responsibility. I'm out of step; I haven't kept up.”

“I met a retired police detective. And he said to me that the interesting thing about heatwaves, from a police perspective, is that the number of people who just walk out of their lives when the weather gets unbearable is astronomic. He said the police prepare themselves for it - for a huge rise in the instances of missing persons. People choose to disappear when it's hot. It was fascinating.”

“The earth has continued to change, from rapid climatic changes that have caused the glaciers and the ice sheets to basically bulldoze the landscape and cause species compression in the tropics and cause mass species extinction - you know, all these huge changes. In terms of evolution, every species is doomed to eventual extinction. The natural world is constantly changing. So, to deal with "environmental problems," in quotes, totally misses the issue. That is not the way we want to define our problem if we're going to find our solution.”

“By sixteen I thought, "Ah, this is all crap, you're all sheep, I'm not going to church, leave me alone." And then at a certain point in my teens I started to go to Catholic churches, by myself. Not because I wanted to be Catholic, but because I wanted to light a candle and say something like a prayer and just sit there. There was something I was missing or trying to reconnect with. But it was a secret at the time. I'd developed this cynical persona and the last thing I wanted to admit was that I was skulking around churches in my spare time.”

“Healthy things grow, and growing things change. If we allow fear or doubt or shame or insecurity to hold us back from something new God is calling us to do, we may miss out on his greatest purpose for our life. As believers, we go from strength to strength, from glory to glory. And in order to keep expanding God's kingdom, we have to keep growing and trying new things.”

“I never wanted to write about Bulgaria. When I was still living there I did my absolute best to never write a story with a Bulgarian character with a Bulgarian name, and only after I came to the US and I was far away and missing it a great deal did I realize that writing about could be my way of returning back home. I think it was only through my writing that I fell in love with the country and with the history.”

“I find it weird that people who claim to speak for the prisoners basically want to keep them in cages all the time - and then they'll fight for better prison libraries or whatever. It's like they're missing the big picture. If I were in prison, of course I would prefer to be outside doing physical labour. It's not physical labour but prison life that kills a person. It's so bad inside that the outside jobs are often sought after. So, yeah, call them work crews and let them do it. At the same time the retributive side can feel the cons are being punished.”

“We're missing a lot of the real-life stories of what people's work looks like. Those are the people that I want sitting on the zoning board meetings, on the zoning commissions. Those are the people I want participating in business improvement in their own industry. The gentrification processes that often happen in cities so often manifest in street sweeps of sex workers. How do you get sex workers on neighborhood associations, regarded as members of the neighborhood?”

“I'll tell you that the dog whistle politics is badly missing the mark. Because, you know, as I've been speaking about it, sure, I've got some racists who come and complain about it. That happens. Right? But I have been absolutely overwhelmed - absolutely overwhelmed - by the number of everyday people who have contacted me with one simple question: what can I do to help?”

“Photography was increasingly being seen as something outside the art world. As a sort of illustration. They just fired the director of photography at the Sunday Times Magazine - that's where everyone went with their photo essays in the '60s, '70s, and '80s. It was the place to get published. It is an issue. And I feel it. There's no budget. The budget-holders are very often people who've been to the professional colleges where art is not taught. So art as a part of education is something that's missing - since Thatcher's day, anyway.”

“The hardest stories we tell are always about ourselves. How do you explain that you have been missing your mother for 20 years? I don't know how to explain that to you. I wasn't even sure I wanted to film that, because I don't know how I felt about it. I didn't want to put her through it, and I frankly wasn't ready. Because since I was 16, I just had created my own life for myself, you know? I left when I was 12. I'm 32. And I have gotten to know my mother more through editing her and looking and watching and editing her footage, you know.”

“The best advice I've got was - "All you have is the process. All you have is the journey of making something. Once you're done you have absolutely no control on how it's received, or if people like it or hate it, or what is done with it. As long as you enjoy the process, then you'll always be happy." I really feel like that's important advice. Sometimes we get so focused on the results that we miss doing it - we miss the adventure of being in the midst of something because we're looking too far ahead.”

“From Richard Holbrooke - and I miss him every day - I learned two things. One, prioritization: Never take your eye off the longer-term reforms. The other thing is, he was a hell of a schmoozer! So I should take advantage of my Irish love of beer and gift of the gab, and build relationships. That's a cherished part of the job, asking someone, "How did you get to be the Rwandan ambassador?" I try to take advantage of the fact that I hope to be here at least until the president's term ends getting to know my colleagues.”

“I see things in hardcopy that I miss if I only see words on screen. I do get sick of the words, but I like to see everything spread out because I get a sense of scale that is missing from screen. Going over each sentence many, many, many times gives me incredible intimacy with sentences, especially their rhythm. The rhythm and music of words matter a lot to me and it only takes one misplaced word to spoil the music.”

“I keep telling my American friends, "If you think of Donald Trump as only something that is happening inside the United States, you're missing it." Because there are Trump-like events happening across the Western world, in Warsaw Pact countries, in France, Germany, Austria, the Netherlands. As we speak, the second-largest party in the Dutch legislature - who's more level-headed than the Dutch? - is Geert Wilders's party, which is a very Trump-like party, and they've got 33 out of 150 seats.”

“Before I published my first book, I worked for a while as a documentary and wedding/bar mitzvah videographer, and a part of me still mourns the lost filmmaker I'll never be. Working on a documentary is nearly the opposite artistic process to writing: as a writer you are always trying to fill out a world to fit your story, but as a documentarian your work is to carve a story out of the world. Sometimes, when I'm feeling particularly blocked at my computer, I miss the days when I could just point my camera at something interesting and wait to see what happens.”

“I became a good pitcher when I stopped trying to make them miss the ball and started trying to make them hit it.”