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“Some field days can be tough. I've worked inside fuel tanks with 3 foot ceilings, in -42 to +42 Celsius temperatures, in snow and smoke and hail, and I've dug through snow and ice and pavement to find legal evidence. I've worked clear through the night by headlamp, and I've flown in a rickety long-islander with propane tanks strapped into the other seats. I've jury-rigged missing equipment, broken into my own truck, and cut out an emergency helicopter pad with a machete. I've been hungry, cold, tired, lost, injured, and downright hopeless!”

“I am completely and utterly hooked to all the great shows on A&E and Court TV that are about small town murder. These shows like Forensic Files, City Confidential, I just can't get enough of them. It's always the same sort of deal. You know that they interview the actual people that lived through the experience. I miss Paul Winfield as the host of City Confidential, may he rest in peace.”

“You can't expect everyone to laugh or applaud you for doing edgy things. Sometimes you'll miss. But I think comedians are artists and there's a value in failure. It kind of works both ways between comedians and audiences. The audience has to understand that comedians are going to sometimes tell a joke that doesn't work out with dark subjects, and the comedian has to understand that sometimes they 'll fail and it's not the audience's fault for not getting it or loving it.”

“We're down in Mexico. It's for a bachelor party, so we go into a Mexican strip club... I go back with this woman down a murky hallway, and then without missing a beat - these ladies are all business - she goes, 'Go ahead, take out your dong.' 'I'm not taking out my dong. And by the way, who uses the word dong? If you want to be hip to the lingo, they're not using the word dong up in the States.”

“Nudity in photography, whether involving adults or children, is a subject sinking under a freight of political and moral disapproval it could never hope to support, and this is not the place for me to get out the bilge pump. I will only say that critics who tremble so fiercely at the thought of the voyeuristic male gaze miss the point that distance generates mystery and enchantment, and expresses the awe with which the male imagination regards all women.”

“I was repelled by the sleazy reality of the totalitarian countries: politicians were shameless. There were corruption, pollution, shoddy goods, long lines, and suicide everywhere, but the leaders kept boasting about their great achievements and bright tomorrows. I saw all this and tried to show it in my pictures as simply and straightforwardly as I could. All I wanted to do was record how all these poor people adapted to lies and suffering, how they got used to it, how, in fact they were bound to miss it when it was over.”

“We sometimes think that being grateful is what we do after our problems are solved, but how terribly shortsighted that is. How much of life do we miss by waiting to see the rainbow before thanking God that there is rain? Being grateful in times of distress does not mean that we are pleased with our circumstances. It does mean that through the eyes of faith we look beyond our present-day challenges. This is not a gratitude of the lips but of the soul. It is a gratitude that heals the heart and expands the mind.”

“At least to look back over their own lives, as I have looked back over mine, for certain themes and patterns and signals that are so easy to miss when you're caught up in the process of living them. If God speaks to us at all other than through such official channels as the Bible and the church, then I think he speaks to us largely through what happens to us, so listen to what has happened to you-for the sound, above all else, of his voice.”

“Life and work are not things apart. Work is more than gaining privileges and possessions; it is ongoing, ecstatic, LIVING experience. When we tap into living experience, we no longer feel as though we must be king. We can just be ALIVE at work! When we live in the bliss, there is no difficulty which is insurmountable. If we miss the bliss, there is no compensation which is adequate.”

“On rare occasions there comes along a profound original, an odd little book that appears out of nowhere, from the pen of some obscure storyteller, and once you have read it, you will never go completely back to where you were before. The kind of book you may hesitate to lend for fear you might miss its company. The kind of book that echoes from the heart of some ancient knowing, and whispers from time's forgotten cave that life may be more than it seems, and less.”

“What Paul is clearly saying is that if anyone is worthy of being saved, they will be saved. At that point many Christians get very anxious, saying that absolutely no one is worthy of being saved. The implication of that is that a person can be almost totally good, but miss the message about Jesus, and be sent to hell. What kind of a God would do that? I am not going to stand in the way of anyone whom God wants to save. I am not going to say 'he can't save them.' I am happy for God to save anyone he wants in any way he can. It is possible for someone who does not know Jesus to be saved.”

“It is often said that the Buddha's teaching is only a raft to help you cross the river, a finger pointing to the moon. Don't maistake the finger for the moon. The raft is not the shore. If we cling to the raft, if we cling to the finger, we miss everything. We cannot, in the name of the finger or the raft kill each other. Human life is more precious than any ideology, any doctrine.”

“The prophet who misses it occasionally in his prophecies may be ignorant, immature, or presumptuous, or he may be ministering with too much zeal and too little wisdom and anointing. But this does not prove him a false prophet. It is certainly possible for a true prophet to be inaccurate.”

“Unfortunately, you don't get artist development anymore. Record companies have become a huge corporate thing. It used to be you'd meet someone [in the business] and they'd have a little history of music. Some people in the companies now don't even like music. It's just a job. So I miss the days when someone would go out on a limb and pick a band that was different. I just don't see that anymore. It's the same with the film industry.”