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“As an emerging photojournalist in the early 70s, my focus was on trying to create stories for magazines to the exclusion of almost everything else. I wish someone had told me then that the most personally important pictures you’ll ever make are those about you and your life. I’m glad I had the chance to work for some great magazines, but I really miss those little everyday images, the ones that take place in and around your own life, which will never make the news. Don’t sell yourself short: photograph your own life, not just everyone else’s.”

“The relative ease of most driving lures us into thinking we can get away with doing other things. Indeed, those other things, like listening to the radio, can help when driving itself is threatening to cause fatigue. But we buy into the myth of multitasking with little actual knowledge of how much we can really add in or, as with the television news, how much we are missing. As the inner life of the driver begins to come into focus, it is becoming clear not only that distraction is the single biggest problem on the road but that we have little concept of just how distracted we are.”

“In my view, Jan Masaryk was thoroughly corrupt, who bumped himself off because he saw at last where his moral cowardice and ideological 'Playboyery' had led him. I vividly remember visiting him in Washington, fat, slightly tight, coming into the room looking like a broken-down butler with his master, the little Communist, Clementis, - and saying in a loud voice: 'Has anyone seen an Iron Curtain? I haven't.' Well, he has now.”

“Who should regulate the media? Who should control the press? The commentariat agonises, as if the choice was between state control through some autocratic press law or a new Press Complaints Commission redecorated with false teeth. But there is another way. Let journalists regulate themselves.... Let's have a little democracy in the media. Even in the Murdoch papers, the number of journalists who are irretrievably lawless and callous is quite small. Most of the disasters at the News of the World happened because its editors treated their staff in the style of Muammar Gaddafi.”

“I've never really been interested in the vintage photos people pay lots of money for -- civil war tintypes or old daguerrotypes of famous people. Nor do I have any interest in the really gross, dark stuff that some people pay top-dollar, like post-mortem photos of babies (yuck) or press photos of old murder scenes or whatever. I collect in these little niches most other people don't care about -- dark-and-weird-but-fun -- and photos that have been written on, which a lot of sellers think hurts their value. All of which is good news for me!”

“Here's a news flash--writers are selfish people. Truth is, creative types like me are driven by one impulse--to make up a world in which we get to control everything and everyone. We decide who enters and who exits, what the weather will be, who will hook up with whom, who will win and who will lose. It makes us feel powerful and, in all honesty, has relatively little to do with thinking about what will make anyone else happy.”

“The good thing about life is that you can research anywhere you are. I'm just constantly gathering little bits of information all the time. I'm always grabbing something out of the headlines, out of the news or reading a book about astronomy and just trying to figure out how to get my head around the facts but the bigger stress is trying to connect those facts to normal life situations and our relationship with God.”

“The decimation of Lebanon was showing up in Chicago as a series of restaurants and little shops, just as the destruction of Vietnam had been visible here a decade earlier. If you never read the news but ate out a lot you should be able to tell who was getting beaten up around the world.”

“One of my strengths is I have a pretty even temperament. I don't get too high when it's high and I don't get too low when it's low. And what I found during the course of the presidency, and I suppose this is true in life, is that investments and work that you make back here sometimes take a little longer than the 24-hour news cycle to bear fruit.”

“For most of my adult life, I have been an emotional hit-and- run driver--that is, a reporter. I made people like me, trust me, open their hearts and their minds to me, and cry and bleed on to the pages of my neat little notebooks, and then I went back to a safe place and made a story out of it.”

“If conservatives come to control the White House and both Houses of Congress, there will be very little change in Hollywood, the network evening news, universities, church bureaucracies, the New York Times, or the Washington Post. Institutions that are overwhelmingly left-liberal will continue to misinform the public and distort public discourse.”

“I always wanted to be a comedian, even when I was a little kid. I had a funny father who was in the news business, by the way. He was a radio news guy. So the news was always in my house, and funny was always in my house. It was sort of just baked into the DNA that I would do this for a living, but I can remember being less than 10 years old and dreaming about being a comedian.”

“When I'm through with the Lee Greenwood Theatre, I won't do anything else in entertainment. Maybe I'll become an ambassador for the United States maybe I'll get into television, some news anchoring or something in a major city. Certainly the visibility would interest me a little bit. But someplace that would allow me to sit still certainly.”

“It's always made me feel odd when I'd get a Dove Award for an instrumental album that has nothing to do with gospel. When I think of gospel music, I think of spreading the Good News with words. But maybe it's just because I was heralded once upon a time as one of theirs. The category of instrumental music seems sort of important to the big picture, but I felt a little embarrassed at the same time.”

“No news conferences? Interviews now only with friendly journalists? You can't be president or vice president and govern in that style, as a sequestered figure. This has been Mr. Bush's style the past few years, and see where it got us. You must address America in its entirety, not as a sliver or a series of slivers but as a full and whole entity, a great nation trying to hold together. When you don't, when you play only to your little piece, you contribute to its fracturing.”

“For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.”