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Noir Quotes

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Noir Quotes

“Dash shoved his hands on his hips and looked down into the bowl. ‘You gave my fish pink rocks?’ he said as he turned to face her. Joy shrugged. ‘I didn’t really look at the colour I just grabbed the nearest bag.’ ‘It had to be pink?’ ‘There’s some blue as well.’ He looked into the bowl again. ‘Not really.’ Joy couldn’t believe she was having a conversation about pink rocks when the bigger question of what the hell he’d found out about the robberies was still unanswered. ‘You think it’s going to turn Ralph gay?’ she asked sweetly. ‘Given that he’s living his life out solo it’s kind of a moot question, don’t you think?’ ‘You’re right, I think he needs a girlfriend. Or a boyfriend.’ ‘With those rocks? I think he needs Fishtank Barbie in there.’ ‘Is your masculinity threatened because your fish has pink rocks?’ Dash folded his arms. ‘He’s a bloke. He doesn’t do pink.’ Joy glanced at the bowl. ‘It works,’ she said. ‘It...blends.’ ‘He’s orange,’ Dash said. ‘Since when have pink and orange gone together?”

“The Ballad of Harry Lime by Stewart Stafford Harry found existence overrated, And its shadow, morality, so outdated, Scurrying rats down here in the sewer, Porcine gluttons in punished manure. Grand aspirations from primordial slime, Lifting up the rock from time to time, Samson, destroying a temple of hypocrisy, And every pillar - hope, faith and charity, They'd had him from baptism's font, Trapped before wording his wants, A heel dipped in brackish liturgy, Silent collusion in mass duplicity. For those who remained in smoky rubble? Rudely awakened from a cocoon bubble: An obelisk erected to grotesque finance, Charon’s fee for a Stygian dance. © Stewart Stafford, 2023. All rights reserved.”

“Horror hostess, bondage goddess, Charles Addams cartoon comes to life, Vampire was every first-generation fanboy's wet dream. Scott Poole takes us on an unforgettable ride through the overlapping underworlds of B&D magazines, Hollywood noir, and early political liberation movements that inspired actress Maila Nurmi to challenge a postwar culture bent on stifling women's choices, bodies, and desires. This book is a subversive masterpiece.”

“In alchemical treatises, the formula L'Oeuvre au Noir ... designates what is said to be the most difficult phase of the alchemist's process, the separation and dissolution of substance. It is still not clear whether the term applied to daring experiments on matter itself, or whether it was understood to symbolize trials of the mind in discarding all forms of routine and prejudice. Doubtless it signified one or the other meaning alternately, or perhaps both at the same time.”

“Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.”

“You would kill or enslave everyone? There is so much beauty in the world that they’d destroy. How do you not see it? (Delphine) Spoken like someone who has only lived in the cushioned world of dreams. You have no idea what the real world is like. What people will do to you when they know they can get away with it. People are absolutely cruel and I say more power to Noir for tearing it down. (Jericho)”

“We have certain demons who are motivated by the smell of food. They tend to get rather violent whenever they smell it. I personally wouldn’t be caught eating anything because I would end up dead. You might not. But you’d still have to fight them, and since some of them are rather ugly and really, really smelly, it might spoil your appetite. Then again, maybe not. Doesn’t spoil Noir’s. I think it makes him hungrier, especially when he guts them. Sick, but true. (Asmodeus)”

“It's tucked away in a quiet corner, shadowed and obscured, no part of the Nightside's usual bright gaudy neon noir. It doesn't advertise and it doesn't care if you habitually pass by on the other side. It's just there for when you need it. Dedicated to the patron saint of lost causes, St. Jude's is an old old place... St. Jude's isn't a place for comfort for frills and fancies and the trappings of religion. just a place where you can talk to your god and sometimes get an answer.”