Best objects & passion Quotes | Short & Famous Sayings

“Other passions have objects to flatter them, and seem to content and satisfy them for a while; there is power in ambition, pleasure in luxury, and pelf in covetousness; but envy can gain nothing but vexation.”

“The difference is as great between The optics seeing as the objects seen. All manners take a tincture from our own; Or come discolor'd through out passions shown; Or fancy's beam enlarges, multiplies, Contracts, inverts, and gives ten thousand dyes.”

Giving Passion Differences Seeing Objects Thousand Ten Manners Fancy Contracts Beam Optics Invert

Book:An Essay on Man: In Four Epistles to H. St. John (Lord Bolingbroke). To which are Added, The Universal Prayer, An Essay on the Knowledge and Character of Men, and Other Pieces, with Notes

Source: An Essay on Man: In Four Epistles to H. St. John (Lord Bolingbroke). To which are Added, The Universal Prayer, An Essay on the Knowledge and Character of Men, and Other Pieces, with Notes

“People try to reconcile you to a disappointment in love by asking why you should cherish a passion for an object that has proved itself worthless. Had you known this before, you would not have encouraged the passion; but that having been once formed, knowledge does not destroy it. If we have drank poison, finding it out does not prevent its being in our veins: so passion leaves its poison in the mind!”

Source: The Round Table. A collection of Essays ... By W. H. and Leigh Hunt

“Whatever is placed beyond the reach of sense and knowledge, whatever is imperfectly discerned, the fancy pieces out at its leisure; and all but the present moment, but the present spot, passion claims for its own, and brooding over it with wings outspread, stamps it with an image of itself. Passion is lord of infinite space, and distant objects please because they border on its confines and are moulded by its touch.”

Source: Delphi Collected Works of William Hazlitt (Illustrated)

“It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiæ of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence.”

“A people contending for life and liberty are seldom disposed to look with a favorable eye upon either men or measures whose passions, interests or consequences will clash with those inestimable objects.”

People Men Looks Eye Passion Interest Liberty Objects Revolution Consequence Clash Contending

Book:The writings of George Washington from the original manuscript sources, 1745-1799: prepared under the direction of the United States George Washington bicentennial commission and published by authority of Congress

Source: The writings of George Washington from the original manuscript sources, 1745-1799: prepared under the direction of the United States George Washington bicentennial commission and published by authority of Congress

“I say then, that belief is nothing but a more vivid, lively, forcible, firm, steady conception of an object, than what the imagination alone is ever able to attain. This variety of terms, which may seem so unphilosophical, is intended only to express that act of the mind, which renders realities, or what is taken for such, more present to us than fictions, causes them to weigh more in the thought, and gives them a superior influence on the passions and imagination.”

Source: Essays and Treatises on several subjects, etc. New edition

“Reflection brakes men cowards. There is no object that can be put in competition with life, unless it is viewed through the medium of passion, and we are hurried away by the impulse of the moment.”

Men Moments Passion Objects Reflection Competition Mediums Impulse Coward Brake

Author:William Hazlitt

“Never yet did there exist a full faith in the Divine Word (by whom light as well as immortality was brought into the world) which did not expand the intellect, while it purified the heart--which did not multiply the aims and objects of the understanding, while it fixed and simplified those of the desires and passions.”

World Wells Heart Light Desire Faith Passion Understanding Objects Divine Aim Intellect Immortality Fixed

Book:The Complete Works of Samuel Taylor Coleridge: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition): The Entire Opus of the English poet, literary critic and philosopher, including The Rime of the Ancient Mariner, Kubla Khan, Christabel, Lyrical Ballads, Conversation Poems and Biographia Literaria

Source: The Complete Works of Samuel Taylor Coleridge: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition): The Entire Opus of the English poet, literary critic and philosopher, including The Rime of the Ancient Mariner, Kubla Khan, Christabel, Lyrical Ballads, Conversation Poems and Biographia Literaria

“Friendship is far more delicate than love. Quarrels and fretful complaints are attractive in the last, offensive in the first. And the very things which heap fewel on the fire of ardent passion, choke and extinguish sober and true regard. On the other hand, time, which is sure to destroy that love of which half certainly depends on desire, is as sure to increase a friendship founded on talents, warm with esteem, and ambitious of success for the object of it.”

Source: The Intimate Letters of Piozzi and Pennington

“Exalt your passion by directing and settling it upon an object the due con-templation of whose loveliness may cure perfectly all hurts received from mortal beauty.”

May Passion Hurt Beauty Objects Dues Cures Mortals Settling Loveliness

Author:Robert Boyle

“This may be the very nature of love, a passion as fickle as the sea, full of certainty when the object of desire is absent, yet dubious when confronted again with the lover's presence.”

May Desire Passion Sea Objects Lovers Certainty Absent Fickle Dubious Objects Of Desire

Author:Tobsha Learner

“Theodosius was chaste and temperate; he enjoyed, without excess, the sensual and social pleasures of the table, and the warmth of his amorous passions was never diverted from their lawful objects. The proud titles of Imperial greatness were adorned by the tender names of a faithful husband, an indulgent father; his uncle was raised, by his affectionate esteem, to the rank of a second parent.”

Source: History of the Decline and Fall of the Roman Empire V3: the History Focus

“Careless of books, yet having felt the power Of Nature, by the gentle agency Of natural objects, led me on to feel For passions that were not my own, and think (At random and imperfectly indeed) On man, the heart of man, and human life.”

Thinking Men Feels Humans Heart Book Passion Felt Nature Natural My Own Objects Gentle Human Life Agency Humankind Careless Power Of Nature

Book:The Collected Poems of William Wordsworth

Source: The Collected Poems of William Wordsworth

“I always rejoice when I see a tribunal filled with a man of an upright and inflexible temper, who in the execution of his country's laws can overcome all private fear, resentment, solicitation, and even pity it self. Whatever passion enters into a sentence or decision, so far will there be in it a tincture of injustice. In short, justice discards party, friendship, kindred, and is therefore always represented as blind, that we may suppose her thoughts are wholly intent on the equity of a cause, without being diverted or prejudiced by objects foreign to it.”

Source: The Works of the Right Honourable Joseph Addison: The Spectator [no. 487-600] The Guardian. The Lover. The present state of the war. The trial and conviction of Count Tariff. The Whig-examiner. The Freeholder [no. 1-30

“Reason, in a strict sense, as meaning the judgment of truth and falsehood, can never, of itself, be any motive to the will, and can have no influence but so far as it touches some passion or affection. Abstract relations of ideas are the object of curiosity, not of volition. And matters of fact, where they are neither good nor evil, where they neither excite desire nor aversion, are totally indifferent, and whether known or unknown, whether mistaken or rightly apprehended, cannot be regarded as any motive to action.”

Source: A Dissertation on the Passions: The Natural History of Religion : a Critical Edition

“Nothing more powerfully excites any affection than to conceal some part of its object, by throwing it into a kind of shade, whichat the same time that it shows enough to prepossess us in favour of the object, leaves still some work for the imagination.”

Kind Stills Enough Shows Passion Imagination Objects Affection Shade Throwing Favour

Book:A Dissertation on the Passions: The Natural History of Religion : a Critical Edition

Source: A Dissertation on the Passions: The Natural History of Religion : a Critical Edition

“There is yet another kind of matrimonial dialect (which naturally succeeds this of talking at each other), which may very properlybe styled The Language Contradictory.... In the former, however plain the object of satire may be exhibited to the whole company, yet there always remains some little covering.... But in this last method, the defiance becomes more open and the impetuosity with which these contradictions are uttered (although the subjects of them are often of the most indifferent nature) evidently prove that they arise from passion.”

“I know not whether it would be too bold an assertion to say that candor makes capacity.... But in order to try the truth of any observation relating to the mind, the easiest method is to illustrate it by outward objects. If, for instance, a man was to sweat and labor all the days of his life to fill a chest which was already full, the absurdity of his vain endeavor would be glaring. In the same manner, when the human mind is filled and stuffed with notions brought thither by fallacious inclinations, there is no room for truth to enter: candor being banished, passions alone bear the sway.”

“Would that our harsh judgments could be restrained, our impatience checked, our selfishness broken down, our passions controlled, our waste of time and life in worthless or unworthy objects corrected, by the thought that there is One in whose hands we are, who cares for us with a parent's love, who will judge us hereafter without the slightest tinge of human' infirmity, the All-Merciful and the All-Just.”

“To build enormous palaces, to conquer or to mimic nature, to ransack the world in order to gratify the passions of a man, is not thought of, but to add a few yards of land to your field, to plant an orchard, or enlarge a dwelling, to always be making life more comfortable and convenient, to avoid trouble, and to satisfy the smallest wants without effort and almost without cost. These are small objects, but the soul clings to them; it dwells upon them closely and day by day, till they at last shut out the rest of the world and sometimes intervene between itself and heaven.”

“Now Art, used collectively for painting, sculpture, architecture and music, is the mediatress between, and reconciler of, nature and man. It is, therefore, the power of humanizing nature, of infusing the thoughts and passions of man into everything which is the object of his contemplation.”

Men Art Used Passion Objects Painting Music Is Architecture Contemplation Sculpture Man And Nature

Book:The Complete Works of Samuel Taylor Coleridge: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition): The Entire Opus of the English poet, literary critic and philosopher, including The Rime of the Ancient Mariner, Kubla Khan, Christabel, Lyrical Ballads, Conversation Poems and Biographia Literaria

Source: The Complete Works of Samuel Taylor Coleridge: Poetry, Plays, Literary Essays, Lectures, Autobiography and Letters (Classic Illustrated Edition): The Entire Opus of the English poet, literary critic and philosopher, including The Rime of the Ancient Mariner, Kubla Khan, Christabel, Lyrical Ballads, Conversation Poems and Biographia Literaria

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