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“The pre-war empire had been sufficiently informal and sufficiently cheap for Parliament to claim authority over it without having to concern itself too much about what this authority entailed. The post-war empire necessitated a much greater investment in administrative machinery and military force. This build-up of control had to be paid for, either by British taxpayers or by their colonists.”

“Steve Coogan picks up enough to lecture an interviewer: This is a postmodern novel before there was any modernism to be post about. Later it's claimed that Tristram Shandy was No. 8 on the Observer's list of the greatest novels, which cheers everyone until they discover the list was chronological.”

“I don't think you ever want to be too settled, because once you become settled, you lose a lot of your drive. I mean, I am settled off the court; the business side of things, the papers, contracts and all of that, but there are a lot things that I need to work on, on the court, like my free-throw shooting, which has been terrible. I need to work on being more demanding in the post. My teammates are going to come to me and I just need to go out there and score in the post, which will open up things for our guards.”

“The great thing about Twitter is, you get a lot back, and I read through a lot, and I want my fans to know that I do read a lot, and it's why I do respond or retweet clever posts, and I'm constantly amazed by the cleverness of people on Twitter. I just think it's a really great tool to communicate with fans and influence conversations and raise awareness about things I'm interested in, that I think deserve some attention.”

“Things change when you learn to loosen your grip. I think one way and the future is desperate. I think another way everything is in sight. Trees bend so branches don't have to break. We mend the wounds of our last mistake... I live one way holding onto the fence post. I live another way sliding off into space. Each life is loosely assembled... Birds swim, fish do fly. Proud man begins to cry. Birds swim, fish do fly. Things change, so why can't I?”

“Every year, in the deep midwinter, there descends upon this world a terrible fortnight. ... every shop is a choked mass of humanity ... nerves are jangled and frayed, purses emptied to no purposes, all amusements and all occupations suspended in favor of frightful businesses with brown paper, string, letters, cards, stamps, and crammed post offices. This period is doubtless a foretaste of whatever purgatory lies in store for human creatures.”

“There's no such thing as post-feminism. It's like saying post-democracy, excuse me, what does that mean? We're nowhere near equality, so the very idea of post-feminism is ridiculous. The same people who 30-40 years ago said the women's movement is not necessary, 'it's going against nature, my wife is not interested' [are] the same people now saying 'well it used to be necessary but not anymore.' The very invention of the word post-feminism is the current form of resistance.”

“Near yonder thorn, that lifts its head on high, Where once the sign-post caught the passing eye, Low lies that house where nut-brown draughts inspired, Where graybeard mirth and smiling toil retired, Where village statesmen talk'd with looks profound, And news much older than their ale went round.”

“In How to Be an American Housewife Margaret Dilloway creates an irresistible heroine. Shoko is stubborn, contrary, proud, a wonderful housewife and full of deeply conflicted feelings. I wanted to shake her, even as I was cheering her on, and this cunningly structured novel allowed me to do both. It also took me on two intricate journeys, from post-war Japan and the shadow of Nagasaki to contemporary California, and from motherhood to daughterhood and back again. A profound and suspenseful debut.”

“[Mary Wortley Montagu] wrote more letters, with fewer punctuation marks, than any Englishwoman of her day; and her nephew, the fourth Baron Rokeby, nearly blinded himself in deciphering the two volumes of undated correspondence which were printed in 1810. Two more followed in 1813, after which the gallant Baron either died at his post or was smitten with despair; for sixty-eight cases of letters lay undisturbed ... 'Les morts n'écrivent point,' said Madame de Maintenon hopefully; but of what benefit is this inactivity, when we still continue to receive their letters?”

“Letters crossing in the post, unfamiliar tunes heard three times in one day, the way that blows of fate descend upon the same bowed shoulders, and the beams of good fortune glow perpetually upon the blessed. Fairy tales, as I said, are lived out daily. There is far more going on in the world than we ever imagine.”

“I don't think it is always necessary to take up the anti-colonial -- or is it post-colonial? -- cudgels against English. What seems to me to be happening is that those people who were once colonized by the language are now rapidly remaking it, domesticating it, becoming more and more relaxed about the way they use it -- assisted by the English language's enormous flexibility and size, they are carving out large territories for themselves within its frontiers.”

“When a new post-war generation has grown to puberty and to youth and to manhood and womanhood, it should read, and it should be realistically told, of the futility, the idiocy, the utter depravity of war. For that matter, this instruction could begin at the age of six with the taking of those toy guns out of those toy holsters and throwing them in the ash-cans where they belong.”

“Wages? You want to be wage slaves? Answer me that! Of course not. What is it that makes wage slaves? Wages! I want you to be free. Strike off your chains! Strike up the band! Strike three you're out! Remember, there's nothing like Liberty, except Colliers and The Saturday Evening Post. Be free, now and forever. One and individual. One for all and all for me, and tea for two and six for a quarter.”