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Rooms Quotes

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Rooms Quotes

“We [film supervisors] always try to encourage discussion in the room because a lot of times newer animators who are just out of school or people come from other studios, they're gonna have different points of view and we want to make sure we're vetting all the ideas to get the best ones. A lot of people are shy about speaking up if this is their first time at Pixar or if they don't have a lot of experience, so we try to encourage that.”

“I try to be careful and put things in perspective. There are people who have challenging lives and work hard physically and mentally. I consider myself a lucky person because I get to go on stage and tell jokes for an hour. If I miss a connection here and there or my room isn't ready now and then? It's not a big deal.”

“It's hard for me to play seated theaters because people tend to sit down and get a little bit complacent, so it's less energy. It's just very dry and dead. People start to feel like they're watching a movie. The environment when they walk into it, it's not standing room only, smoking and drinking and rock 'n' roll. So it's a little bit dangerous to do that.”

“We have room but for one Language here and that is the English Language, for we intend to see that the crucible turns our people out as Americans of American nationality and not as dwellers in a polyglot boarding-house.”

“It angers me that sick people have to wait for everything and everybody - doctors, nurses, callbacks, lab results, prescriptions, medications, technicians, treatment rooms. If illness is the embodiment of powerlessness, which, believe me, is true, then waiting is its temporal incarnation.”

“The Union has become not merely a physical union of states, but rather a spiritual union in common ideals of our people. Within it is room for every variety of opinion, every possible experiment in social progress. Out of such variety comes growth, but only if we preserve and maintain our spiritual solidarity.”

“The reason why so few good books are written is, that so few people that can write know anything. In general an author has always lived in a room, has read books, has cultivated science, is acquainted with the style and sentiments of the best authors, but he is out of the way of employing his own eyes and ears. He has nothing to hear and nothing to see. His life is a vacuum.”

“He knew who I was, at that time, because I had a reputation as a writer. I knew he was part of the Bush dynasty. But he was nothing, he offered nothing, and he promised nothing. He had no humor. He was insignificant in every way and consequently I didn't pay much attention to him. But when he passed out in my bathtub, then I noticed him. I'd been in another room, talking to the bright people. I had to have him taken away.”

“Most people think leadership is about being in charge. Most people think leadership is about having all the answers and being the most intelligent person or the most qualified person in the room. The irony is that it is the complete opposite. Leadership is about empowering others to achieve things they did not think possible. Leadership is about pointing in the direction, articulating a vision of the world that does not yet exist. Then asking help from others to insure that vision happens.”

“Civilization has imposed countless restrictions and conventions on each of us, with the result that the subconscious in the majority of us has become a storage room without a key. We are forced to suppress or forget so many events and ideas and thoughts that those to which we should have access are lost in the welter. However, there are people who seem capable of unlocking this part of their minds and extracting relevant information.”

“This game has taken a lot of guys over the years who would have had to work in factories and gas stations and made them prominent people. I only had a high school education, and believe me, I had to cheat to get that. There isn't a college in the world that would have me and yet in this business you can walk into a room with millionaires, doctors, professional people and get more attention than they get. I don't know any other business where you can do that.”

“When you're more mature, you do start telling the truth, in odd situations. "I'm sorry, I've broken a glass here. Is that expensive? I'll pay for it. I'm sorry." And you do that so that people in the room might go, "What a strong personality that person has. I like to have sex with people with strong personalities."”

“I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.”

“There is an exercise I teach at colleges: Get yourself a canvas and a bunch of acrylics and go into a very dimly lighted room. Dip a brush into one of the colors, slap it on the canvas, don't look, close your eyes, make a painting, don't look, turn the lights on and see what you've got. I think this releases people from the editor in their life that's always standing over their shoulder saying, "Oh, you don't have any talent; who do you think you are?"”

“It seems like I always had to work harder than other people. Those nights when everybody else is asleep, and you sit in your room trying to play scales. I just wonder where I was when the talent was being given out, like George Benson, Kenny Burrell, Eric Clapton ... oh, there's many more! I wouldn't want to be like them, you understand, but I'd like to be equal, if you will.”

“Stories have tangents; they open up and become different things. You can still have a structure, but you should leave room to dream. If you stay true to your ideas, filmmaking becomes an inside-out, honest kind of process. And if it's an honest thing for you, there's a chance that people will feel that, even if it's abstract.”

“I used to say I live my life a quarter mile at a time and I think that's why we were brothers- because you did, too. No matter where you are, whether it's a quarter mile away or half way across the world. The most important thing in life, will always be the people in this room. Salute mi familia. You'll always be with me... And you'll always be my brother.”

“A photograph is both a pseudo-presence and a token of absence. Like a wood fire in a room, photographs-especially those of people, of distant landscapes and faraway cities, of the vanished past-are incitements to reverie. The sense of the unattainable that can be evoked by photographs feeds directly into the erotic feelings of those for whom desirability is enhanced by distance.”

“I'm so grateful for Living the Questions. These progressive voices offer less rigid and more expansive approaches to Christian faith, and make room for people who practice critical thinking and question the gatekeepers. They help us see that questioning the gatekeepers is exactly what Jesus was all about.”

“That was exactly why people didn't want to give us any kind of life, because we were threatening their status quo, and they just didn't want to have room for girls playing rock 'n' roll. It bothered them. First, people just tried to get around it by saying, "Oh, wow, isn't that cute? Girls playing rock 'n' roll!," and when we said, "Yeah, right, this isn't a phase; it's what we want to do with our lives," it became, "Oh! You must be a bunch of sluts. You dykes, you whores." That's what it became. Then it became a name-calling contest.”