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Show Me Quotes

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Show Me Quotes

“The very first thing the President [Truman] did was to show me the new Presidential Seal, which he had just redesigned. He explained, 'The seal has to go everywhere the President goes. It must be displayed upon the lectern when he speaks. The eagle used to face the arrows but I have re-designed it so that it now faces the olive branches ... what do you think?' I said, 'Mr. President, with the greatest respect, I would prefer the American eagle's neck to be on a swivel so that it could face the olive branches or the arrows, as the occasion might demand.'”

“(on Marilyn Monroe) I was walking down Broadway with her and nobody was stopping us. She was going to (Stella Adler's) actors' studio, and she was taking me to show me what it was all about. And I said to her: "How come nobody is taking your picture?" She said: "Well, watch." She took her scarf off, straightened her shoulders, and draped something another way, and we were surrounded. It must have been 400 people. And I said: "Now I know why!"”

“It took me quite a long time to realise that my maleness was cutting off certain areas for Yoko [Ono]. She's a red hot liberationistand was quick to show me where I was going wrong, even though it seemed to me that I was just acting naturally. That's why I'm always interested to know how people who claim to be radical treat women.”

“Books are attracted to me. They make a beeline for me, and stick to me. I have been so fond of them that at last they have begun to reciprocate. In my hands books burst like ripe fruit. Like magic flowers they unfold their petals to show me the vital thought, the suggestive word, the confirming quotation, the decisive illustration.”

“I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes”

“I've had it for about 13 years, and I don't see any reason to change, I find that the violin just keeps responding really well. It changes itself every year; it ages, it goes through all these different environmental changes, and of course, the travelling...It develops on its own, just as any performer does. It's a very stable instrument, so I can rely on it, but at the same time it always shows me a different side of things than I expect.”