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“Making this movie as a period piece about a period that was very recent in people's minds. I was in Taiwan [during the 1970s], so I hope I did all right. Otherwise, it could be the biggest embarrassment of my life. Also, the story is not linear, it's patchy, like a cubist painting, and there is always the possibility it will not hold together, it will fall apart. The tone is part satire, part serious drama, part tragedy, all mixed together, and it has to hit an emotional core. That's also very scary.”

“Towards orthodox religion, father's own attitude remained one of tolerance. He looked upon the New Testament as the noble story of a human being which, because of ignorance and the lack of printing presses, had become exaggerated. He maintained that religions served their purpose; some people depended on them all their lives to make them honest. Others did not need to be so held in line. But subjection to any church was a reflection on strength and character. You should be able to get from yourself what you had to go go church for.”

“It's really a lot of fun to see that this music can actually survive, that it can be concert music. My solo shows are already going along that path. You have the freedom to basically push to party, or you can tell a story from nothing with soundscapes, moving images, to a real party mood. At some concerts, people get out of their seats and start dancing after a while.”

“Adaptation is always the same process for me, which is some version of throwing the book at the wall and seeing what pages fall out. It is trying to imagine, remember the story, read it, put it down, and then write sort of an outline without the book in front of you with some hope that what you like about it will be filtered and distilled out through your memory and then that will be similar to what other people like about it.”

“Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.”

“I really don't want to produce artwork that does not have meaning beyond simple decorative values. I want to use public space to create a public voice, and a public consciousness about the presence of people who are, in fact, the majority of the population but who are not represented in any visual way. By telling their stories we are giving voice to the voiceless and visualizing the whole of the American story.”

“Im drawn to stories about ordinary people who get tangled up in an extraordinary event or idea or emotion. Im not saying I dont love films about super-people or super-doctors, but my preference is for stories about how we get through this life, what it is to be human, because Im always struggling with it myself.”

“In a business that has exploited and ignored our people I have only found dead-ends. We need romantic comedies, gross-out and mockery comedies, horror and thrillers, teen movies and love-stories. All these and more will be a positive step towards the future of Native Americans in the world and film industry; an industry that that offers us not only the chance to play the parts of heroes, love interests and warriors, but also of villains, dorks and dangerous, brokenhearted products of circumstance.”

“Many people seem to think that art is a luxury to be imported and tacked on to life. Art springs out of the very stuff that life is made of. Most of our young authors start to write a story and make a few observations from nature to add local color. The results are invariably false and hollow. Art must spring out of the fullness and richness of life.”

“It's always seemed to me that black people's grace has been with what they do with language. In Lorrain, Ohio, when I was a child, I went to school with and heard the stories of Mexicans, Italians, and Greeks, and I listened. I remember their language, and a lot of it is marvelous. But when I think of things my mother or father or aunts used to say, it seems the most absolutely striking thing in the world.”

“As anyone who has received or dispensed psychotherapy knows, it's a profession whose mainspring is love. Nearly everyone who visits a therapist has a love disorder of one sort or another, and each has a story to tell - of love lost or denied, love twisted or betrayed, love perverted or shackled to violence. Broken attachments litter the office floors like pick-up sticks. People appear with frayed seams and spilling pockets.”

“The inside operation of Congress - the deals, the compromises, the selling out, the co-opting, the unprincipled manipulating, the self-serving career-building - is a story of such monumental decadence that I believe if people find out about it they will demand an end to it.”

“Vanity is a strong temptation to lying; it makes people magnify their merit, over flourish their family, and tell strange stories of their interest and acquaintance.”

“The plot of a movie is its motor. It is not an accident that people call pictures 'vehicles' for stars. A vehicle has to move. A plotless story is like an expensive car with a wonderful body design, luxurious seats, upholstery, headlights (production, direction, cast) - and no motor under its hood. That is why it gets nowhere.”

“Science fiction properly conceived, like all serious fiction, however funny, is a way of trying to describe what is in fact going on, what people actually do and feel, how people relate to everything else in this vast sack, this belly of the universe, this womb of things to be and tomb of things that were, this unending story.”

“Los Angeles people are incapable of passively mainlining TV and movies. Here you have to read who produced or directed every episode, who wrote it, who had guests shots and whether you know them personally and if they like you. You have to figure out who everybody's agent is and whether yours is better. You not only know but deeply care about the difference between such job titles as Producer, Supervising Producer, and Executive Story Editor. ... So while the rest of the country is lying stupid in a media-induced coma, people in L.A. are in constant withdrawal.”

“There are people accusing me that I'm sick, that I'm a danger to morals, western civilization and basically everything under the sun. And they've got these wild stories about me, completely off the wall, completely untrue. They thought them up and it makes you wonder what goes on in their brain, but of course, they don't consider themselves sick. They think they're normal because they don't dress like I do.”

“Someone responding to the story said 'real spies do not speak like that'. Well, I am a spy and that is how they talk. Whenever we had a debate in the office on how to handle crimes, they do not defend due process - they defend decisive action. They say it is better to kick someone out of a plane than let these people have a day in court. It is an authoritarian mindset in general.”

“The conventional wisdom is - people say this all the time - you should only write something when you're far enough away from it that you can have a perspective. But that's not true. That's a story that you're telling. The truth of it is here, right now. It's the only truth that we ever know. And I'm interested in that truth and the confusion being part of the experience and sorting it your way through and figuring it out.”

“If we [black people] do not show up and support the march towards cinematic equality, the march towards being on a level at - we don't even have to be higher than whites, but to be viewed in the same common thread of this is a professional, these are stories that people are interested in, instead of being fed the same old BS dogma that's been fed and the studios have used.”