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“What kind of motivated me to join the Black Panther Party was that I, along with some of the comrades that I was working with in New York, had heard about the Black Panther Party, and they were doing things that we wanted to do in New York, and we thought that would be a better vehicle than the vehicle that we had going on in New York. They were better organized, and they already had their Ten-Point Platform and Program, and people already heard about them. So we decided that we would join the party, when given a chance.”

“We couldn't keep ten million refugees on our soil; we couldn't tolerate such an unstable situation for who knows how long. That influx of refugees wouldn't have stopped - on the contrary. It would have gone on and on and on, until there would have been an explosion. We were no longer able to control the arrival of those people, in our own interest we had to stop it! That's what I said to Mr.[Richard] Nixon, to all the other leaders I visited in an attempt to avert the war.”

“Poverty assumes so many aspects here in India. There aren't only the poor that you see in the cities, there are the poor among the tribes, the poor who live in the forest, the poor who live on the mountains. Should we ignore them as long as the poor in the cities are better off? And better off with reference to what? To what people wanted ten years ago? Then it seemed like so much. Today it's no longer so much.”

“I think basically what The American People is about is that we've been here from the very beginning, and that has never ever been acknowledged in the history books. John Winthrop wasn't off the boat ten seconds before he passes a law that homosexuals should be hanged. And then he hung 'em, including an attempt to hang his own son when he found out he was gay.”

“Back in the Bruce Lee era, and in my era, Kung-Fu stirred up a kind of frenzy, and many people were learning martial arts from us. But about a decade ago, Hollywood began bringing in a number of our action choreographers, including two from my own stunt crew, where they became martial arts directors. Now, a decade later, Hollywood has learned it all, so when you look at the action films they're making now, they all use our action, our martial arts, and then add to that their own technology which is ten times better than ours, and it has to leave us dumbfounded: how did they film that?”

“My mind has an obsessive, neurotic quality, but I also have a very hard work ethic. I know that a lot of people think, oh, you have a wild imagination. I don't, really. If ten people are sitting around and someone says, "Hey complete this sentence in a funny way," I'm never ahead of the pack.”

“I think people are much more concerned about money now. There aren't the big advances of the past. You feel the sense of nervousness about the book industry. It's not like before. Not that I knew very much about what it was like because I was a newcomer to it, but I get that feeling that people are more conservative in their book choices and what they are going to publish and what's a sure sell. As opposed to - just like in the economy - a sense of luxury and sense of risk taking ten years ago.”

“People go to the big urban centres because they have a quality of life, a quality of intellectual inquiry in the big urban centres that you don't necessarily have in smaller, rural communities. I've got loads of friends and relatives that live there. People like living there, bringing up their kids there and all that stuff, but it'd be the death of me. I couldn't be in a small town, ten minutes I'd enjoy it, and then I'd get fed up because you're so constrained and constricted by it.”

“We were looking for someone who could get the film [Filth] made at that kind of level, with the finance we wanted, and we spoke to a lot of people. When I met James [McAvoy] in the Soho Hotel with Jon Baird, the director, he looked about ten years old. I thought there's no way he's going to be a forty-year-old divorced alcoholic cop. I thought, really lovely guy, I'll let him and John talk and see if they get on.”

“Ordinary people like you and me can achieve very little on their own. We need to build support. Even if you are a thought leader and have some good ideas on how to make the world better, and even if you write five or ten books - that won't have much effect unless you have people who are willing to support your ideas.”

“These [conservative] people, if they're Americans, look back on the last 35 years of our ecclesial experience and take heart from that. The dramatic reform of seminaries continues. The priests and bishops who take their pastoral model from John Paul II will continue to do so, perhaps learning a lesson or two from Francis along the way - and they'll be the overwhelming majority of the Church's ordained ministers ten, twenty, thirty years from now.”

“London had always been different. There is the old saying that Britain is ten years behind America, and the country as a whole is ten years behind London. If you have a Mayor of London working for jobs and growth and strong businesses, that is going to create opportunities for businesses and people in Burnley or Hull and places all over the UK.”

“I came to fantasy fairly late. For some ten years, I had been happily writing fiction and non-fiction for adults. But I always loved fantasy, whether for adults or young people; and at that particular point in my life, I wanted to try it, to understand it, as part of the process of learning to be a writer. The results were beyond anything I could have foreseen. As I've said often and elsewhere, it was the most creative and liberating experience of my life.”

“When someone says to me, do you do stand-up I say absolutely not. I like to think of it as a theatrical performance. With me the show changes maybe five to ten percent every night. Of course, whatever I see in front of me and sometimes I get on a little run about it and it changes the show. And my delivery is such that people who have seen me many times say Gee, I never heard that before. Actually, they have, but I might have changed it around.”

“I tap danced for ten years before I began to understand people don't make musicals anymore. All I wanted to do was be at MGM working for Arthur Freed or Gene Kelly or Vincent Minelli. Historical and geographical constraints made this impossible. Slowly but surely the pen became mightier than the double pick-up time step with shuffle.”

“If I'd written all the truth I knew for the past ten years, about 600 people - including me - would be rotting in prison cells from Rio to Seattle today. Absolute truth is a very rare and dangerous commodity in the context of professional journalism.”