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“We artists can only go so far as the people can follow us. We are not alone, we are part of the system. We can take risks, but if you want to go to the peak of your consciousness, you may very well find yourself alone. Even if you know how to translate what you see, maybe only ten people will be able to understand what you tell. But, if you have faith in your vision, and retell it again and again, you will start noticing that, after a time, more people will begin to catch up with you.”

“I remember when being a 'a company man' was a badge of honor; today in Silicon Valley it may brand you a loser or, in the best case scenario, someone afraid to take risks. Ten years ago, if you saw a resume that had multiple jobs in ten years, you would be worried about the capability of the individual. Not so now.”

“I was much an enemy to monarchies before I came to Europe. I am ten thousand times more so, since I have seen what they are. There is scarcely an evil known in these countries, which may not be traced to their king, as its source, nor a good, which is not derived from the small fibres of republicanism existing among them.”

“When modernist poetry, or what not so long ago passed for modernist poetry, can reach the stage where the following piece by Mr. Ezra Pound is seriously offered as a poem, there is some justification for the plain reader and orthodox critic who shrinks from anything that may be labelled 'modernist' either in terms of condemnation or approbation. Better he thinks, that ten authentic poets should be left for posterity to discover than one charlatan should be allowed to steal into the Temple of Fame.”

“Science may be weird and incomprehensible--more weird and less comprehensible than any theology--but science works. It gets results. It can fly you to Saturn, slingshotting you around Venus and Jupiter on the way. We may not understand quantum theory (heaven knows, I don't), but a theory that predicts the real world to ten decimal places cannot in any straightforward sense be wrong.”

“In heaven there is laid up a pattern which he who chooses may behold, and beholding, set his own house in order. The time has now arrived at which they must raise the eye of the soul to the Universal Light which lightens all things. With the eye ever directed toward things fixed and immutable which neither injure nor are injured - these they cannot help imitating. But I quite admit the difficulty of believing that in every man there is an eye of the soul which by the right direction is re-illumined, and is more precious far than ten thousand bodily eyes.”

“A man may be a great statesman, and yet dislike his wife, and like somebody else's. A man may be a great hero, and yet he may have an unseemly passion, or an unpaid tailor. But the British public does not understand this. ... It thinks, unhappily or happily as you may choose to consider, that genius should keep the whole ten commandments. Now, genius is conspicuous for breaking them.”

“Decades have a delusive edge to them. They are not, of course, really periods at all, except as any other ten years may be. But we, looking at them, are caught by the different name each bears, and give them different attributes, and tie labels on them, as if they were flowers in a border.”

“Pride is as loud a beggar as want, and a great deal more saucy. When you have bought one fine thing, you must buy ten more, that your appearance may be all of a piece; but it is easier to suppress the first desire than to satisfy all that follow it.”

“There are stages in bread-making quite similar to the stages of writing. You begin with something shapeless, which sticks to your fingers, a kind of paste. Gradually that paste becomes more and more firm. Then there comes a point when it turns rubbery. Finally, you sense that the yeast has begun to do its work: the dough is alive. Then all you have to do is let it rest. But in the case of a book the work may take ten years.”

“Most People are wretched more by the Fears of what may come, than what they endure at present. ... a manifest Contradiction to good Sense; for who, with the right use of that, wou'd lose the Enjoyment of a present Comfort, to lament a Misfortune only in Supposition; which ten to one never comes to pass.”

“Nevertheless, hateful as saying 'No' always is to an imaginative person, and certain as the offence may be that it will cause to individuals whose own work does not require isolated effort, the writer who is engaged on a book must learn to say it. He must say it consistently to all interrupters; to the numerous callers and correspondents who want him to speak, open bazaars, see them for 'only' ten minutes, attend literary parties, put people up, or read, correct and find publishers for semi-literate manuscripts by his personal friends.”

“Fashion is not public opinion, or the result of embodiment of public opinion. It may be that public opinion will condemn the shape of a bonnet, as it may venture to do always, and with the certainty of being right nine times in ten: but fashion will place it upon the head of every woman in America; and, were it literally a crown of thorns, she would smile contentedly beneath the imposition.”

“I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.”

“The premise of most media is that only conflict is newsworthy. And that's just not true. I think for a lot of men, too - certainly for most women - there's enough real conflict without manufacturing it. The media formula is always to have a pro and con, to say there are two sides to any issue, when in fact there may be ten sides.”

“A child is nothing like a racing car. . . . Souping up babies doesn't work that way. The child is what she is. There is a certainirreducible if elusive core. Pushing, pulling, stretching, and shrinking will not really change it. There may be spectacular interim results. The baby may say the alphabet before she walks, master two-times or even ten-times table at three. In the long run, however, this forced precocity tends to be irrelevant. . . . Whatever gains there are become unimportant. The losses can be irrevocable.”

“Your anger is like a flower. In the beginning you may not understand the nature of your anger, or why it has come up. But if you know how to embrace it with the energy of mindfulness, it will begin to open. You may be sitting, following your breathing, or you may be practicing walking meditation to generate the energy of mindfulness and embrace your anger. After ten or twenty minutes your anger will have to open herself to you, and suddenly, you will see the true nature of your anger. It may have arisen just because of a wrong perception or the lack of skillfulness.”

“One man with an idea in his head is in danger of being considered a madman: two men with the same idea in common may be foolish, but can hardly be mad; ten men sharing an idea begin to act, a hundred draw attention as fanatics, a thousand and society begins to tremble, a hundred thousand and there is war abroad, and the cause has victories tangible and real; and why only a hundred thousand? Why not a hundred million and peace upon the earth? You and I who agree together, it is we who have to answer that question.”

“Among civilized and thriving nations, on the contrary, though a great number of people do no labor at all, many of whom consume the produce of ten times, frequently of a hundred times more labour than the greater part of those who work; yet the produce of the whole labour of the society is so great, that all are often abundantly supplied, and a workman, even of the lowest and poorest order, if he is frugal and industrious, may enjoy a greater share of the necessaries and conveniencies of life than it is possible for any savage to acquire.”

“For each human being there is an optimum ratio between change and stasis. Too little change, he grows bored. Too little stability, he panics and loses his ability to adapt. One who marries six times in ten years won't change jobs. One who moves often to serve his company will maintain a stable marriage. A woman chained to one home and family may redecorate frantically or take a lover or go to many costume parties.”

“When I have a difficult subject before me - when I find the road narrow, and can see no other way of teaching a well established truth except by pleasing one intelligent man and displeasing ten thousand fools - I prefer to address myself to the one man, and to take no notice whatever of the condemnation of the multitude; I prefer to extricate that intelligent man from his embarrassment and show him the cause of his perplexity, so that he may attain perfection and be at peace.”

“You may not realize initially how many other opportunities are wrapped up inside the first one. After you go through the first door, you'll then discover more doors automatically opening behind that one. One door leads you to another door, which leads to another door, and so one. It's like ten other boxes packed inside one box. The initial door that God opens is your access to more opportunities. But you must be willing to walk through the first one to get to the other good things God has for you.”

“We are coming to the times when passive Christianity and passive Christians will cease to exist. There is a maturity, a discipline and a divine militancy coming upon the people of God. Those who have succumbed to humanistic and idealistic theologies may have a hard time with this, but we must understand that God is a military God. The title that he uses ten times more than any other is "the Lord of Hosts", or "Lord of armies". There is a martial aspect to his character that we must understand and embrace for the times and the job to which we are now coming.”

“A novel can educate to some extent, but first a novel has to entertain. That's the contract with the reader: you give me ten hours and I'll give you a reason to turn every page. I have a commitment to accessibility. I believe in plot. I want an English professor to understand the symbolism while at the same time I want the people I grew up with - who may not often read anything but the Sears catalog - to read my books.”