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Towns Quotes

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Towns Quotes

“I went back to a small town in Poland where my dad grew up. It was a very traumatic experience for me as a young man to know that my father's family were killed by Nazis, killed by Hitler. And that left, you know, if not intellectually, at least an emotional part of me which said, God, we have got to do everything we can to end this kind of horrific racism or anti-Semitism. And I have spent much of my life trying to fight that.”

“People always - I think were surprised about me connecting with folks in small town Iowa. And the reason I did was - first of all, I had the benefit that at the time nobody expected me to win. And so I wasn't viewed through this prism of Fox News and conservative media making me scary. At the time, I didn't think seem scary, other than just having a funny name. I seemed young.”

“If I'd grown up in Atlanta and then gone to Ottumwa, Iowa it may have been culture shock, but I was used to being in a small town and used to seeing the same people all the time and going to the same grocery store every day, so it wasn't that big of a deal for me. I was just excited to be on TV. I was just jumping for joy when I got there. I wasn't making any money, but I was sure happy.”

“I got a little bit of a sense for the subculture, which is the equivalent of any subculture, really. The stakes are high, even if you live in a small town. It's like the annual bass fishing contests, or whatever it is. The stakes are always absurdly high, and this is no different. The competition at this butter carving things, from what I understand, is not that far off from what we're depicting in the movie.”

“When I was a kid, I felt like I could do anything and play anything. I just felt super-confident. And then, once I started to play music professionally, maybe it's from being from a small town, but you grow up and then you're suddenly a big fish in a small pond, and I realized that there were a billion other drummers out there that could play as good as you or better, and everybody wants that job.”

“I am completely and utterly hooked to all the great shows on A&E and Court TV that are about small town murder. These shows like Forensic Files, City Confidential, I just can't get enough of them. It's always the same sort of deal. You know that they interview the actual people that lived through the experience. I miss Paul Winfield as the host of City Confidential, may he rest in peace.”

“[William] Eggleston's photographs look like they were taken by a Martian who lost the ticket for his flight home and ended up working at a gun shop in a small town near Memphis. On the weekend he searches for the ticket - it must be somewhere - with a haphazard thoroughness that confounds established methods of investigation.”

“My parents were real classic rock freaks, so I heard a lot of Zeppelin, Stones, Hendrix stuff. Thankfully, they were also into lots of old soul, too, so we listened to Stevie Wonder, Earth Wind & Fire and War. I was so isolated where I grew up (a small town in Pennsylvania) that there was literally no culture.”

“The most dangerous thing I've ever encountered was a run-in with Boko Haram around 2007 in a small town in Nigeria. I got caught along with the photographer I was working with, the same one I worked with on the Afghanistan book, Seamus Murphy. We were caught in an attack by a mob after Friday prayers. And the level of violence was so extreme. It was more violent than any other mob violence I have ever seen.”

“I both loved and hated South Pasadena. On the one hand, it was so diverse - all my closest friends were immigrants or had immigrant parents. On the other hand, it was a bit conservative - in a sort of wholesome, Midwestern, small-town sense. I never met a single writer until I moved to New York City for college.”

“When I was sixteen, I began to think outside the box of my small town. Not that the people in my small town are in a box - they're not! There's a brilliant college there, and I had brilliant teachers from that college. But in terms of a conservative upbringing, which I did have within my own family, I just began to question things and to think for myself.”

“In my class was an Annapolis graduate, several engineers, and most recent president of the University of Alabama.These were all small-town people who had good values. The families were tight. The schools reaffirmed the families and reaffirmed the church values that you were taught. I guess it was just one of those swell times to be a part of.”

“I once gave a workshop and I asked the women poets there, If you went back to that little town you've come from - these were from small towns - would you say, I'm a poet? And one of them said, If I said I was a poet in that town, they'd think I didn't wash my windows. And that stayed with me for so long, the sense of the collective responsibility of someone as against the individual thing it takes to be a poet.”