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Tree Quotes

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Tree Quotes

“When I was 12, we moved from New Jersey to Florida. The Gulf of Mexico was literally my backyard. Every day, I could see the ocean. At low tide I went out and played in seagrass meadows that used to come right up to the shore, filled with tiny seahorses, pipefish and soft corals. There was so much life! But then I witnessed the change, the loss of the shoreline, the loss of the mangrove trees, the loss of the seagrass meadows. Shallow bay areas were turned into parking lots.”

“I lived a few miles outside of a tiny town in central Oklahoma. I would often run amok though the fields of wheat, the patches of trees, along the railroad tracks, and on red dirt roads. This had a profound effect on my view of the world - vast, open-ended, full of opportunity, and ready for exploration.”

“The way to beat the Klitschkos is to get inside, under the jab, and bang to the body. Do that for two or three or four rounds and then the hands will come down and then you turn them over. It's like chopping a tree down. These guys try to headhunt when they fight them and that won't work. But you back them up, the younger brother especially, and he loses heart.”

“This is a diseased century. We diagnosed the disease and its causes with microscopic exactness, but whenever we applied the healing knife a new sore appeared. Our will was hard and pure, we should have been loved by the people, but they hate us. Why are we so odious and detested? We brought you truth and in our mouth it sounded like a lie. We brought you freedom, and it looks in our hands like a whip. We brought you the living life, and where our voice is heard the trees wither and there is a rustling of dry leaves. We brought you the promise of the future, but our tongue stammered and barked.”

“Freedom of life does not mean disorder of life, does not mean chaos, and just everyone doing anything he wants. That is not the freedom of life. The tree, when you give it a chance, protect it when it is young, will grow straight, because it has developed its own resistance; but the moment you make it delicate, then it gets crooked.”

“To me, everything is endless variations on other things. Like waves in the ocean. They continue to turn over on each other, and they're all slightly different. I don't know if originality is possible. Is it even necessary? Because everything is different than what came before, but it's all branches from the same tree. Originality is overrated, but what you do with things is always different.”

“When you organize your work and look back at your entire production, it may feel like you're looking at a straight line, but in fact it's nothing like that. The work is very experimental and most of the time it develops like branches. I usually see a capillary, like a tree shape where there are... branches that sort of move because you're not tending to them.”

“My argument for that is: Why not create urban farms that are like parks, on public land? There actually is a park that I see as a model: Dover Street Park in Oakland. They took this park that has swings and playground-type things and turned it into a farm. There's not chickens, just annual vegetables interspersed with fruit trees. And it's super cool because you see people playing with their kids and then they go pick raspberries and some greens for dinner.”

“The time came around where the label was like, "Well, if you want something to come out in early 2017, it's going to have to be done by, like, so-and-so." So I plucked some of the old songs and wrote some new ones. Everybody keeps asking me, "Is this your L.A. record?" I was doing songs in a bedroom in New York, I was doing it in a bedroom in L.A. The only difference is when I look out the window, there's palm trees instead of snow.”

“If we are ever truly going to find purpose and meaning in our lives, we first have to rise above the trees to rediscover the forest - we have to understand what God is doing in the world and how we fit in.”

“One day at Princeton, I noticed there were dead birds on the pavement between the campus buildings, where very large trees were. It turns out it was DDT. At the time, in the early '50s, no one thought DDT was dangerous to anybody but insects. I went down to the Daily Princetonian, the college paper, and tried to persuade them to do a story. They said, "Naw, there's nothing wrong." But that taught me a very important lesson. One, that newspaper people can get very jaded. Second, that you might know something, like an expert chemistry professor, you are not going to apply what you know.”

“With empathy you know in your heart that it's not a sign of weakness to attempt to understand that the people we call terrorists have placed the same label on us, and that the use of force will create a counter force, a never-ending saga of killing and hate. Ending war involves cultivating empathy in our policies and the love of God in our hearts. As the Native Americans reminded us: No tree has branches so foolish as to fight among themselves.”

“If you read about a tree, and there is a description, you have to grow that tree in your mind. So that's an active way of looking at media, whereas a movie or a TV will be passive, because they are showing you the tree. In the same way, when somebody sings a song for you, those words get so much in the foreground, that even if you take a minor key of music and then put like happy lyrics to it and people think it's a happy song. So, in a song, you are told what to feel, whereas, in an instrumental music, you get as much out of it as you are willing to put into it.”

“I am from many places. I am from a hike across Tuscany...waves of golden wheat undulating on the hills...tractors plowing new vineyards...taxi drivers yelling, "Bella!" I am from a canoe motoring through marshes in the Amazon outside Manaus, Brazil... Jacana birds taking flight as we pass houses on stilts... giant trees and lily pads...and giggling children jumping into the lake for a swim during a downpour, while I stand unbelievably drenched but baptized by a oneness of spirit.”

“The one I spend the most amount of time in is a Ford Galaxy, which my tour manager drives me around in and which I drive at the weekends. What I love about the Galaxy is the amount of space I get. I can get so much done in the back of it while we're on the road, it's like my mobile office! I've also got a Ford B-Max, which I'm a total evangelist about. It's got rear doors that slide. Now, I can't park, so those are the best things ever. You can park right up against a tree and still get out!”