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M Quotes

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All M Quotes

“Margot’s off shopping for new boots with her friend Casey, Daddy’s at work, and Kitty and I are lazing about watching TV when my phone buzzes next to me. It’s a text from Peter. "Movie tonight?" I text back yes, exclamation point. Then I delete the exclamation point for sounding too eager. Though without the exclamation point, the yes seems completely unenthused. I settle on a smiley face and press send before I can obsess over it further.”

“Margot thought: oh, no. But the thought of what it would take to stop what she had set in motion was overwhelming; it would require an amount of tact and gentleness that she felt was impossible to summon. It wasn't that she was scared he would try to force her to do something against her will but that insisting they stop now, after everything she'd done to push this forward, would make her seem spoiled and capricious, as if she'd ordered something at a restaurant and then, once the food arrived, had changed her mind and sent it back.”

“MARGRETHE [...] Glaubst du an Gott? FAUST Mein Liebchen, wer darf sagen: Ich glaub' an Gott? Magst Priester oder Weise fragen, Und ihre Antwort scheint nur Spott Über den Frager zu sein. MARGRETHE So glaubst du nicht? FAUST Mißhör' mich nicht, du holdes Angesicht! Wer darf ihn nennen? Und wer bekennen: Ich glaub' ihn? Wer empfinden Und sich unterwinden Zu sagen: Ich glaub' ihn nicht? Der Allumfasser, Der Allerhalter, Fasst und erhält er nicht Dich, mich, sich selbst? Wölbt sich der Himmel nicht da droben? Liegt die Erde nicht hierunten fest? Und steigen freundlich blickend Ewige Sterne nicht herauf? Schau' ich nicht Aug' in Auge dir, Und drängt nicht alles Nach Haupt und Herzen dir, Und webt in ewigem Geheimnis Unsichtbar sichtbar neben dir? Erfüll' davon dein Herz, so groß es ist, Und wenn du ganz in dem Gefühle selig bist, Nenn' es dann, wie du willst, Nenn's Glück! Herz! Liebe! Gott! Ich habe keinen Namen Dafür! Gefühl ist alles; Name ist Schall und Rauch, Umnebelnd Himmelsglut. MARGRETHE Das ist alles recht schön und gut; Ungefähr sagt das der Pfarrer auch, Nur mit ein bisschen andern Worten. FAUST Es sagen's aller Orten Alle Herzen unter dem himmlischen Tage, Jedes in seiner Sprache; Warum nicht ich in der meinen?”

“Margrethe Mather, a photographer from Los Angeles, came to his studio in Glendale, California called Tropico, where Weston asked her to be his studio assistant. It didn’t take long before the two developed a passionate, lustful, relationship. Both Weston and Mather became active in the growing bohemian cultural scene in the greater Los Angeles area. She was extremely outgoing and artistic in a most flamboyant way. Her bohemian sexual values were new to Weston’s conventional thinking, but Mather excited him and presented him with a new outlook that he found enticing. Mather was beautiful, and being bisexual and having been a high-class prostitute, was delightfully worldly. Mather's uninhibited lifestyle became irresistible to Weston and her photography took him into a new and exciting art form. As Mather worked and overtly played with him, she presented a lifestyle that was in stark contrast to Weston’s conventional home life, and he soon came to see his wife Flora as a person with whom he had little in common.”

“Mari berkenalan... Aku adalah aku yang tak bernama Aku bisa jadi teman mu, tak kunjung akrab karena kau tak tahu namaku, Aku bisa jadi presiden kalian tak akan mendemo ku, karena kalian tak tahu namaku, Aku bisa jadi pelacur para bourjois, tapi tak ada yg memakai ku, karena kalian tak tahu namaku, Aku ada di kaum bolshevik, mengangkat senjata, menembaki rahim ibu kalian... Bungkam kalian tanpa membalas, karena tak tahu namaku, Aku memang seperti itu ... Tak bernama,,, Tak bernama,,, Tak bernyawa,,, Tak bernama,,, Aku bisa jadi bos properti perumahan, nanti kalian ku usir hingga memelas mencari namaku,,, Aku bisa menjadi ojek, lalu ku tabrak adikmu yang bersekolah itu,,, Aku mampu duduk sejajar,dengan ayah mu di kursi DPR. menggorok leher nya saat pulas tertidur, Menjadi supertor bola pun tak terhitung, mengutuk hakim garis karena tak mahir bercinta, Tak ada yang menuntutku, palu hakim tak berbunyi di hadapanku, mereka tak tahu namaku, Gadis cantik berkulit putih itu pun esok menjanda setelah ku beri anak ku pergi, Akan ku buat ktp dengan mngosongkan kolom nama, maklumi saja karena aku tak suka kau tahu dan sebut namaku”

“Mari— Interglactic beings have watched Earth envelop itself in darkness for millennia. But in every shroud of darkness, there are small beings such as yourself who, when dealt a cruel hand by fate, still carry the strength to smile. Your smile breaks through the dark. Your pain is where the light enters you. And your kindness is a guiding light for others. And that holds a power that even we fear. Small being, no matter what happens, never let that power go.”

“Mari [Mary Magdalene] possessed a remarkably coherent understanding of what following The Way [Rahasya] meant. She believed that this spiritual philosophy taught that the world represented Man's mystic school from whence each person ultimately graduated by reaching the Enlightened State. Therefore, according to this spiritual discipline, human suffering is very subjective and manifested itself according to every person's personal karma or attitude to life. This meant that every life a person experienced imparted a certain number of spiritual lessons that may not have been experienced before in other lives. Ultimately, every experience could be relived and bring about spiritual growth, assisting the individual to move continually closer to the Enlightened State.”

“Mari remembered what she had read in the young girl's eyes the moment she had come into the refectory: fear. Fear. Veronika might feel insecurity, shyness, shame, constraint, but why fear? That was only justifiable when confronted by a real threat: ferocious animals, armed attackers, earthquakes, but not a group of people gathered together in a refectory. But human beings are like that,' she thought. 'We've replaced nearly all our emotions with fear.”

“Maria Edgeworth grumbled against vandals who ruined immortal works by quoting the life out of them. "How far our literature may in future suffer from these blighting swarms, will best be conceived by a glance at what they have already withered and blasted of the favourite productions of our most popular poets." Shakespeare, Milton, and Dryden, scissored, patched, and frayed.”

“Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.”

“Maria's blushes were brought on by shame at the laughter she knew Leonard would misunderstand. For hers was the laughter of nervous relief. She had been suddenly absolved from the pressures and rituals of seduction. She would not have to adopt a conventional role and be judged in it, and she would not be measured against other women. Her fear of being physically abused had receded. She would not be obliged to do anything she did not want. She was free, they both were free, to invent their own terms. They could be partners in invention. And she really had discovered for herself this shy Englishman with the steady gaze and the long lashes, she had him first, she would have him all to herself. These thoughts she formulated later in solitude. At the time they erupted in the single hoot of relief and hilarity which she had suppressed to a yelp.”

“Maria was frightened. “Say nothing to anybody,” she told Catalina, “not even to Uncle Domingo. I will talk to him after supper and he will decide what had better be done. Now in heaven’s name clean the carrots or we shall have no soup to eat.” Catalina was not satisfied with this, but her mother bade her be quiet and do as she was told. Presently Domingo came in. He was not drunk, but neither was he sober, and he was in high spirits. He was a man who liked to hear himself talk and, while they had supper, for Catalina’s benefit he held forth loquaciously on the events of the day.”

“Maria was married on Saturday. In all important preparations of mind she was complete, being prepared for matrimony by a hatred of home, by the misery of disappointed affection, and contempt of the man she was to marry. The bride was elegantly dressed and the two bridesmaids were duly inferior. Her mother stood with salts, expecting to be agitated, and her aunt tried to cry. Marriage is indeed a maneuvering business.”

“Maria winks at me, takes a mouthful of stuffing, and rolls her eyes in ecstasy. The next forty minutes are a festival of soul eating. I know many immigrant families incorporate their traditional dishes into the Thanksgiving feast, but not my folks. Our menu is Norman Rockwell on crack. Turkey with gravy. Homemade cranberry relish and the jellied stuff from the can. Mashed potatoes, sweet potatoes with marshmallows, green bean casserole. Cornbread stuffing and buttery yeast rolls. The only nods to our heritage are mustard-seed pickled carrots and dill-cucumber salad, to have something cool and palate-cleansing on the plate. A crazy layered Jello-O dish, with six different colors in thin stripes, looking like vintage Bakelite. Jeff and the girls show up just in time for desserts... apple pie, pumpkin pie, pecan bars, cheesecake brownies, and Maria's flan.”

“Mariam lay on the couch, hands tucked between her knees, watched the whirlpool of snow twisting and spinning outside the window. She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how people like us suffer, she'd said. How quietly we endure all that falls upon us.”