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M Quotes

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All M Quotes

“MURRY: Why do we even celebrate the New Year? It's just this arbitrary quirk of how we measure time in years, right? Midnight tonight is the very same transition from day to day that we do every 24 hours. But this thing in my hands, it feels real in a way the numbered calendar box never does. Why? What makes midnight tonight any different?”

“Murtagh was right about women. Sassenach, I risked my life for ye, committing theft, arson, assault, and murder into the bargain. In return for which ye call me names, insult my manhood, kick me in the ballocks and claw my face. Then I beat you half to death and tell ye all the most humiliating things have ever happened to me, and ye say ye love me." He laid his head on his knees and laughed some more. Finally he rose and held out a hand to me, wiping his eyes with the other. "You're no verra sensible, Sassenach, but I like ye fine. Let's go.”

“Musa alipokuwa mlimani kupokea Amri Kumi za Mungu kwa ajili ya Wana wa Israeli alikawia sana kurudi, kiasi cha watu kukata tamaa na kujiona wapweke wakiwa njiani kuelekea katika Nchi ya Ahadi. Kutokana na woga usio na kifani na kukata huko kwa tamaa waliamua kutosubiri tena kusikia neno kutoka kwa Mungu, au kuiona sura halisi ya Mungu kama Musa alivyokuwa amewaahidi, hivyo wakamlazimisha Haruni awatengenezee mungu kutokana na taswira ambayo tayari walishakuwa nayo vichwani mwao kuhusu mungu waliyemtaka; yaani ndama wa dhahabu, au mungu mpya ambaye angewapa chochote walichotaka muda wowote waliotaka.”

“Musa ho, isaa ho , ya khatmun-nabi Mohammad Ae aadam, ae Abraham teri aualado ke dil ki gaflate mitaa —Wajid shaikh Be you Moses, Jesus Christ, or Muhammad divine, O Adam, O Abraham, in your grace we entwine, Forgive the hearts of your kin, let your light shine.” —Wajid Shaikh Translation: "Whether you are Moses, Jesus, or the Seal of the Prophets, Muhammad, O Adam, O Abraham, erase the errors of your descendants' hearts." Explanation: This verse appears to be expressing a plea to figures from various religious traditions, such as Adam, Abraham, Moses, Jesus, and the final Prophet, Muhammad. It suggests a desire for them to help remove the mistakes or sins from the hearts of their descendants. It reflects a universal and spiritual message of seeking guidance, forgiveness, and purity in the context of different religious beliefs.”

“Muscles are in a most intimate and peculiar sense the organs of the will. They have built all the roads, cities and machines in the world, written all the books, spoken all the words, and, in fact done everything that man has accomplished with matter. Character might be a sense defined as a plexus of motor habits.”

“Muscles without strength, friendship without trust, opinion without risk, change without aesthetics, age without values, food without nourishment, power without fairness, facts without rigor, degrees without erudition, militarism without fortitude, progress without civilization, complication without depth, fluency without content; these are the sins to remember.”

“Muscular dystrophy ... was never seen until Duchenne described it in the 1850s. By 1860, after his original description, many hundreds of cases had been recognised and described, so much so that Charcot said: 'How is it that a disease so common, so widespread, and so recognisable at a glance - a disease which has doubtless always existed - how is it that it is recognised only now? Why did we need M. Duchenne to open our eyes?'”

“Musel jsem se dívat na průzory do plynových komor a sám sledovat proces smrti... Znovu a znovu se mě ptali, jak se já a moji lidé na tyto operace můžeme nepřetržitě dívat a jak jsme schopni to vydržet. Má stálá odpověď zněla, že je to otázka železného odhodlání, s jakým musíme plnit Hitlerovy rozkazy, a takové odhodlání že lze získat pouze potlačením všech lidských citů.”

“Muses are fickle, and many a writer, peering into the voice, has escaped paralysis by ascribing the creative responsibility to a talisman: a lucky charm, a brand of paper, but most often a writing instrument. Am I writing well? Thank my pen. Am I writing badly? Don't blame me blame my pen. By such displacements does the fearful imagination defend itself.”

“Museum architectural search committees have invariably included the Kimbell in their international scouting tours of exemplary art galleries (a practice pioneered by Velma Kimbell, the founder’s widow, in 1964). Those groups no doubt respond to the Kimbell with suitable reverence, but given the buildings they later commissioned, many post-Bilbao museum patrons obviously wanted something quite different. The disparity between Kahn’s museums and recent examples of that genre parallels the discrepancy he saw between postwar Modernism and ancient Classicism: “Our stuff looks tinny compared to it.” At a time when commercial values are systematically corrupting the museum - one of civilized society’s most elevating experiences - the example of Kahn, among the most courageous and successful architectural reformers of all time, seems more relevant and cautionary than ever.”

“Museums alone cannot ease the tensions that come from the debates surrounding the fluidity of national identity in the twenty-first century. Nor can any cultural institution solve the problems of poverty, racial injustice, and police violence. But museums can contribute to understanding by creating spaces where debates are spirited but reasoned. Where contemporary challenges are addressed through contextualization and education.”

“Museums are a great cultural experience, and by that I mean a great opportunity for you to repeatedly tell your children not to touch things. I find museums incredibly exhausting, and by that I mean acting like you're interested in some of those exhibits. "So this is a painting by another European painter of another unattractive European from the 1700s? Fascinating." It seems like they were only painting the sad, ugly people back then. "Hey, you're hard on the eyes, why don't I paint your portrait?”