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O Quotes

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All O Quotes

“One of the problems with industrialism is that it's based on the premise of more and more. It has to keep expanding to keep going. More and more television sets. More and more cars. More and more steel, and more and more pollution. We don't question whether we need any more or what we'll do with them. We just have to keep on making more and more if we are to keep going. Sooner or later it's going to collapse. ... Look what we have done already with the principle of more and more when it comes to nuclear weapons.”

“One of the problems with the kill-or-capture metric is that it has often been to the exclusion of having a deeper, richer understanding of the movement, its origins, and our adversaries' mindset. The nuances are absolutely critical. Our adversaries are wedded to the ideology that informs and fuels their struggle, and, by not paying attention, we risk not knowing our enemy.”

“One of the problems with the media covering this place is that there are stereotypes of news, one of which is "war rages" and the other is "peace dawns." And there isn't much in between. When I talk to foreign journalists, often they are gritting their teeth because they've been asked for a piece about how shops are reopening and restaurants are reopening and so forth - happy pieces. And it just ain't so.”

“One of the problems with traditional anti-capitalist thought is that it defines capitalism as a totality, which encourages us to imagine another totality, socialism, which we can try to replace it with. This totalizing perspective has colonized the imagination of anti-capitalism and left us waiting for a revolution we can never have.”

“One of the problems with trying to help underdogs, especially with government programs, is that they and everyone else start to think of them as underdogs, focusing on their problems rather than their opportunities. Thinking of themselves as underdogs can also dissipate their energies in resentments of others, rather than spending that energy making the most of their own possibilities.”

“One of the problems with watching TV is that you've got a fairly low level of language operating all the time. Quite a small vocabulary and really no conceptual or abstract thinking. That's an issue. If you've got a wide vocabulary, you can learn. The complexities of grammar, in themselves, force you to think about time in a particular way. Force you to widen your outlook on the world.”

“One of the problems, and it's one which is obviously going to get worse, is that all the people at the party are either the children or the grandchildren or the great-grandchildren of the people who wouldn't leave in the first place, and because of all the business about selective breeding and regressive genes and so on, it means that all the people now at the party are either absolutely fanatical partygoers, or gibbering idiots, or, more and more frequently, both.”

“One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.”

“One of the promising indications of a renewal in the Church's missionary consciousness in recent decades, has been the growing desire of many lay men and women [...] to cooperate generously in the 'missio ad gentes.' As Vatican Council II stressed, the work of evangelization is a fundamental duty incumbent upon the whole People of God.”

“One of the proud joys of the man of letters - if that man of letters is an artist - is to feel within himself the power to immortalize at will anything he chooses to immortalize. Insignificant though he may be, he is conscious of possessing a creative divinity. God creates lives; the man of imagination creates fictional lives which may make a profound and as it were more living impression on the world's memory.”

“One of the proudest things I see is, now, 25 years after I graduated, when I go to a Syracuse sporting event, there's a senior or a junior from WAER broadcasting sports just the way we did, and just the way it happened a couple generations before us. That's a great legacy for the university and a great tradition that still continues to this day, and makes those of us who were a small part of it very very proud.”

“One of the proven ways of getting workers more involved with their jobs is by dovetailing employee profit-sharing and stock ownership plans with greater responsibility sharing... Trade unions in this country should... consider these arrangements much more carefully than they have up to now... Expanded employee profit participation and stock ownership would provide workers with a greater measure of economic and social independence, thus stimulating increased productivity.”

“One of the purest souls ever to live on this fallen planet was Nicholas Herman, known as Brother Lawrence. He wrote very little, but what he wrote has seemed to several generations of Christians to be so rare and so beautiful as to deserve a place near the top among the world's great books of devotion. The writings of Brother Lawrence are the ultimate in simplicity; ideas woven like costly threads to make a pattern of great beauty.”

“One of the qualities essential to being good at reading poetry is also one of the qualities essential to being good at life: a capacity for surprise. It’s easy to become so mired in our likes or dislikes that we can no longer recall that person who once responded to poems—and to people—without any preconceived notions of what we wanted them to be.”

“One of the qualities of writing that is not much stressed is its problem-solving aspect, having to do with the presentation of material: how to structure it, what sort of sentences (direct, elliptical, simple or compound, syntactically elaborate), what tone (in art, "tone" is everything), pacing. Paragraphing is a way of dramatization, as the look of a poem on a page is dramatic; where to break lines, where to end sentences.”