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“I think the part of media that romanticizes criminal behavior, things that a person will say against women, profanity, being gangster, having multiple children with multiple men and women and not wanting to is prevalent. When you look at the majority of shows on television they placate that kind of behavior. If you go through a weekly Monday through Friday, it's all there. It's in how people on the sitcoms and cop shows talk to each other.”

“America's the great conundrum and the great dream and the great fascination: the new land, the new world, the new temple, the new city, and the great mess. The most handguns, bombs, weaponry, violence, the cop of the world etcetera. All the contradictions. Mediocrity versus something like indigenous jazz, one of the most evolved sophisticated musical forms on the planet.”

“Years ago when I started doing TV and making appearances in big arenas, the place would put security guys up there and I said, "Please don't do that. It's very distracting to see ten cops in front of the stage. Everybody's looking at the officers instead of me. I don't want that." I also found that people will dare to break a barricade. If they have a barricade, somebody will always try to jump over it. I've found that the more open I am, the better.”

“I don't make comparisons between any movies. I compare characters. All my actions, performances, all my films, they are driven by the characteristic. If I'm playing a cop, then I give him a particular style - I may not know that style, but as an actor I have to be responsible to do your homework and do your research and training and stuff like that.”

“You do your job every day. When things go right, there's never any coverage. But when certain things happen, boy, the world descends on you and they plug you into a narrative that has been established that you're either a pig, you're a racist, you're a hater, and that's why you joined the cops and so forth. The good work you do - it's kind of like the CIA, every success nobody can ever know. You guys, not that your work is clandestine, but it's not news when you save a kid.”

“Every time a militant Islamist terrorist shoots somebody up, what does Barack Obama do and the Democrats? They come out and they demand that there be no backlash against Muslims. So any time a police officer shoots a black suspect - without knowing why, without knowing the circumstances - why doesn't Obama stand up and warn against a backlash against cops? If we are to guard against backlash against Muslim shooters, where is the sameness?”

“American cops didn't create that atmosphere, they're the ones though who have to live with it on a daily basis. These are generalisations; you can't make generalisations about hundreds of thousands of people. The New York Police Department, for instance, has 38,000 police officers in it. But most cops, when I talk to them, desperately care about the victims of gun violence. They see it, they experience it.”

“American cops are the ones who are in the emergency rooms. They're the ones who go to the morgues. They're the ones who have to go tell the families that their son is not coming back, their husband, their wife, is not coming home that night. So when we talk about guns and gun violence and police, let's understand that as well. No one wants guns off the streets more than cops because cops are killed by those guns.”

“Look at the facts, look at the circumstances if you choose to have an open mind and understand and care deeply about the safety of children in this country in schools.Schools are a weak spot. Bad guys know that they are gun-free zones, because they prey on it. So why can't we be honest about what's going on and do something to help save kids, whether it's having teachers that are trained and carry weapons, dogs in the classrooms, like canines for cops?I think it's very good.”

“Almost everything we do is automatic, yet we're not aware of that. We feel like there's a circle of light. We're like the drunk who lost his keys and is looking under the streetlight, and the cop says, "Where'd you lose your keys?" You say, "Back in the alley, but the light's so much better over here." The divided self refers to the fact that we are basically animals with animal brains. These animal brains run our lives. They're very good at it.”

“We did casting in L.A. and a lot of people came against the advice of their agents. The agents said, "You shouldn't be in Postal, it will damage your career." So Zack Ward came to casting and played one of the cop parts, and then later I looked at the DVDs again and said, "This guy is Postal Dude." He's like white trailer trash. He's had a long time in the film industry, but no real success. He needs money; he's two-times divorced in real life. He said he works only to pay off his Philippine ex-wife.”

“What's interesting is, most of the people who are fans of the The Wire who black people or cops... most of the people in the industry are the crew: writers, actors and directors. And so they understand what it is that we do, so they think, "Wow, what a incredible group of amazing actors." It's funny, I think there are a couple of reasons why we have never gotten any nomination for anything except for writing.”

“You have plenty of liberals out there who are all for the cops raiding their political enemies, they're all for the cops doing whatever they have to do to get whatever goods they want on their political enemies. And yet the Patriot Act comes, oh, you can't do it, it's an invasion of privacy. And yet in some cases they don't care about other people's privacy. Privacy is irrelevant to them depending on what the target is.”

“The murder clearance rate now in my city Baltimore is almost non-existent. Nobody can solve a murder, nobody can do any actual police work, because they've learned how to do bad police work, chase drugs. Fighting vice, while being unable to respond to sin. Generations of cops have learned how not to police work by policing the drug war. Not only are they police brutal, they're ineffective. Baltimore is more violent than it has ever been in modern history.”

“Agile leaders encourage their teams to adjust and experiment constantly. In today's age of oversharing, the best leaders also have to be more open and accessible. To be effective, you also have to be aware of how others perceive you and cop to your flaws every now and then. One of the lesson to successful leadership may be quite challenging but very important. Expose yourself. Allow yourself to be vulnerable - less super and more human. These "Leadership 3.0" practices, as I call them, are critical to being an effective manager when you're getting started in today's world.”

“I did a film about child abuse with the great producer-director Richard Donner, Radio Flyer. Again, I was replacing somebody, but Lorraine Bracco was in it, and they wanted me as the cop in the thing to fall in love with Lorraine, but I said I wouldn't. I mean, I'm a cop, and she's ignoring that her kids are being beaten up by their stepfather. And we had an argument... well, not an argument, but a discussion about it. I said, "I just don't feel right. It's like you're taking everything away from the reality of the movie. Aren't you kind of idealizing this a little bit?”

“I would never take a case that had to do with abusing children. They're the true innocents. All of the rest of us, we have smears and stains, but they're helpless. I couldn't add my talent, which is prodigious, to a defense of someone even accused of hurting a child. I would never defend a cop - though I did on a few private cases, when cops were acting not as cops but as private citizens. Other than that, I represented everybody who came by.”

“I think there's over-telling sometimes, in fiction. For instance, I'm a big fan of horror movies, but I could always lose the last third of them. There's the brilliant exciting scary thing that's going on, and then they have to show you the monster, and the monster turns out to be a giant spider from space and then you push it over and it's dead. It becomes mortal and it has human needs and it always sort of feels like a shame. Maybe because of all the cop shows and such, we're a generation that needs to have problems solved for us in fiction.”

“I've moved away from writing about and describing actual experiences of sex work, whether mine or anybody else's, because the culture is obsessed with the behavior of sex workers. They want to figure out why they do what they do and who they are. What I'm trying to do is to shift the focus onto the producers of the anti-sex work discourse: the cops, the feminists, the anti-prostitution people. Those are the people whose behavior needs to change.”

“The switch has been built. Maybe you trust Barack Obama not to throw that switch, and maybe you trust George Bush not to throw that switch, but as we look towards the future, we see inequality becoming more and more acute. We're seeing more and more protests against cops and this kind of thing. We're also seeing more and more natural disasters. We're seeing more and more environmental insecurity.”

“What else is stop and frisk? These neighborhoods are unsafe not because there's not enough cops illegally frisking people. They're not safe because of economic conditions. They're not safe because of all types of things in the government that people like Mike Bloomberg and Ray Kelly should be looking to fix instead of randomly searching kids in the hood. If you go to a college campus and you do stop and frisk, you're going to find a lot of drugs there, too.”

“People don't know where to place me. Terry Gilliam used me as a quirky cop in 'Twelve Monkeys', and then he hired me again to be an effeminate hotel clerk in 'Fear and Loathing in Las Vegas'. Another time, I was shooting this indie film 'The Souler Opposite' and six days a week, I'm playing this big puppy dog, then I come to the 'NYPD Blue' set and become this scumbag.”