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Dread Quotes

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Dread Quotes

“The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. ... ornament is not only a source of sensuous pleasure; it supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.”

“By about a week before the big day, you will have received less than half of your invitation response cards. Panic sets in when it occurs to you that everyone invited will actually show up. You couldn't have made it easier for your guests. You have included a card that had boxes for 'will attend' or 'will not attend.' You included a pre-addressed, stamped envelope. How inconvenient could it be for them simply to check it off and drop it in in a mailbox? Very inconvenient. You, evil bride-to-be, are confronting two basic human fears. A terror of correspondence and the dread of decision-making.”

“While all the pomp and circumstance of war animated others, it only saddened me; and all of past reflection, all of future dread, made the whole grandeur of the martial scene, and all the delusive seduction of martial music, fill my eyes frequently with tears.”

“Some feminist critics debate whether we take our meaning and sense of self from language and in that process become phallocentric ourselves, or if there is a use of language that is, or can be, feminine. Some, like myself, think that language is itself neither male nor female; it is creatively expansive enough to be of use to those who have the wit and art to wrest from it their own significance. Even the dread patriarchs have not found a way to 'own' language any more than they have found a way to 'own' earth (though many seem to believe that both are possible).”

“Our society is turning toward more and more needless consumption. It is a vicious circle that I compare to cancer . . . . Should we eliminate suffering, diseases? The idea is beautiful, but perhaps not a benefit for the long term. We should not allow our dread of diseases to endanger the future of our species. . . . In order to stabilize world population, we need to eliminate 350,000 people a day. It is a horrible thing to say, but it's just as bad not to say it.”

“A cruel joke has been played on us. We are fated always to remember what we learned but never to recall the experiences that taught us. Who can remember being born? Yet, it is possible to speculate that anxiety has its roots in this experience, that dread of abandonment, fears of separation, intolerable loneliness go back to this moment. Who can remember being cared for as an infant? ... Who can remember being toilet-trained? ... Who can remember the attachment which developed to the parent of the opposite sex? ... We cannot remember but what we have forgotten lives on dynamically.”

“The zombie threat is made worse by the fact that their victims then turn into the creature that attacked them. This too is similar to other monsters (werewolves and vampires) and also similar to the sub-genre of infection/plague films. In the case of zombies, however, this may carry a greater sense of dread and revulsion: vampires and werewolves can be seen as desirable, potent, intelligent, virile creatures whom one might like -- in some way at least -- to become; a mindless ghoul condemned to wander aimlessly across an empty, ruined earth seems much less attractive.”

“Looking up at the stars, I know quite well That, for all they care, I can go to hell, But on earth indifference is the least We have to dread from man or beast. How should we like it were stars to burn With a passion for us we could not return? If equal affection cannot be, Let the more loving one be me. Admirer as I think I am Of stars that do not give a damn, I cannot, now I see them, say I missed one terribly all day. Were all stars to disappear or die, I should learn to look at an empty sky And feel its total dark sublime, Though this might take me a little time.”

“Here! 'Not thread nor glue, not nails nor screws, will ever self and shadow wed.' Helpful, those poet-types. Perhaps this one: 'Seek the grimy queen of dread machines, if you your errant shadow miss.' Now that's quite good! As a Prophetic Utterance, Third Class (Vague Hints and Mysterious Signs), you couldn't ask for better. It's downright plain-spoken!”

“There's a terrible sense of dread filtering across America at the moment and it's not simply because of the continuing fear of terrorism and the fact that the nation is at war. It's more frightening than that. It grows out of the suspicion that we all may be passengers in a vehicle that has made a radically wrong turn and is barreling along a dark road, with its headlights off and with someone behind the wheel who may not know how to drive.”

“Genuine recollections almost invariably explain oneself to oneself. Suppose, for example, that you feel an instinctive aversion to some particular kind of wine. Try as you will, you can find no reason for it. Suppose when you explore a previous incarnation, you remember you died by a poisoned administered in a wine of that kind, your aversion is explained by the proverb: 'A burnt child dreads the fire.'”

“The nephew revenges himself for this, by holding his breath and terrifying his kinswoman with the dread belief that he has made up his mind to burst. Regardless of whispers and shakes, he swells and becomes discoloured, and yet again swells and becomes discoloured, until the aunt can bear it no longer, but leads him out, with no visible neck, and with his eyes going before him like a prawn's.”

“If a dread of not being understood be hidden in the breasts of other young people to anything like the extent to which it used to be hidden in mine - which I consider probable, as I have no particular reason to suspect myself of having been a monstrosity - it is the key to many reservations.”

“Sometimes you just have to trust the kids. The first glimpse of Wheelock Family Theatre's Shrek is a surprise. Instead of the round, green, smoothly computer-animated ogre of the movie, this Shrek is tall and hairy, with a lumpy green headpiece and mossy dreads. But as played by Christopher Chew in Wheelock's “Shrek the Musical,” this ogre was a hit with the children. they laughed and cheered and clapped in all the right places.”

“This is the blessed life-not anxious to see far in front, nor eager to choose the path, but quietly following behind the Shepherd, one step at a time. The Shepherd was always out in front of the sheep. He was down in front. Any attack upon them had to take him into account. Now God is down in front. He is in the tomorrows. It is tomorrow that fills men with dread. God is there already. All the tomorrows of our life have to pass Him before they can get to us.”

“When we think of globalization we are thinking in part of structures and institutions that have been developed over time and that have allowed us to become more interdependent and interrelated. But the development, the extraordinary development, of those structures and institutions has not fundamentally transformed our humanity. We are still those animals with fears and anxieties and insecurities in the face of death and dread and disappointment and disease.”

“Unbounded hopes were placed on each successive extension of the electoral franchise, culminating in the enfranchisement of women.These hopes have been disappointed, because the voters, male and female, being politically untrained and uneducated, have (a) no grasp of constructive measures; (b) loathe taxation as such; (c) dislike being governed at all; and (d) dread and resent any extension of official interference as an encroachment on their personal liberty.”

“Adultery is the vice of equivocation. It is not marriage but a mockery of it, a merging that mixes love and dread together like jackstraws. There is no understanding of contentment in adultery.... You belong to each other in what together you've made of a third identity that almost immediately cancels your own. There is a law in art that proves it. Two colors are proven complimentary only when forming that most desolate of all colors--neutral gray.”