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Goes On Quotes

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Goes On Quotes

“In three words I can sum up everything I've learned about life: it goes on.”

“I used to play Barbies with my Mormon neighbor friend; it was always, "Oh, we're going to go on a date. Ken's taking us out, and we're going with Ken on a date." And I was like, "We're parachuting behind enemy lines to save the Jews." That's how I played Barbies. I was told when I was a girl that every Jewish woman has to have five children to replace three fifths of our people that were killed. That's how I was raised.”

“about ten days ago I got started on a new book, and am completely, brazenly devoted to it: my hair is uncut, my letters are unwritten, the house is a shambles, and I sit here as happy as Mrs. Jellaby, though I am in 1836, not Africa. It won't go on like this, I shall fall over some obstacle, and wake out of my dreams with a black eye and broken shins: but while it does last, I daren't interrupt it. I haven't had such a spell of writing for nearly three years.”

“Experiencing this pain in my muscles and aching and going on and on is my challenge. The last three or four reps is what makes the muscles grow. This area of pain divides a champion from someone who is not a champion. That's what most people lack, having the guts to go on and just say they'll go through the pain no matter what happens. I have no fear of fainting. I do squats until I fall over and pass out. So what? It's not going to kill me. I wake up five minutes later and I'm OK. A lot of other athletes are afraid of this. So they don't pass out. They don't go on.”

“Don't Look Down” is her official debut as Skylar Grey, the singer, born Holly Brook Hafermann and raised in Mazomanie, Wis., has been making albums since she was a tween. Grey and her mother sang as a folk duo under the name Generations; they released three indie discs. “I learned a lot about professionalism, how the show must go on even though I feel like [expletive] sometimes,” Grey remembers. “I have a lot of experience in the studio, performing onstage, talking to an audience. I learned most of that stuff when I was performing with my mom.”

“To the young mind every thing is individual, stands by itself. By and by, it finds how to join two things and see in them one nature; then three, then three thousand; and so, tyrannized over by its own unifying instinct, it goes on tying things together, diminishing anomalies, discovering roots running under ground whereby contrary and remote things cohere and flower out from one stem.”

“Disunion and civil war are at hand; and yet I fear disunion and war less than compromise. We can recover from them. The free States alone, if we must go on alone, will make a glorious nation. Twenty millions in the temperate zone, stretching from the Atlantic to the Pacific, full of vigor, industry, inventive genius, educated, and moral; increasing by immigration rapidly, and, above all, free--all free--will form a confederacy of twenty States scarcely inferior in real power to the unfortunate Union of thirty-three States which we had on the first of November.”

“My social life goes in bursts, where I get like, "Oh, I gotta get out and do something, man, I gotta do something." And I'll plan a trip and go on a motorcycle trip down the Baja Peninsula for 900 miles and I'll hang out with my friends for like a month, and then they'll never see me for two months or three months or whatever, and I won't answer any calls.”

“The great advantages of simulation and dissimulation are three. First to lay asleep opposition and to surprise. For where a man's intentions are published, it is an alarum to call up all that are against them. The second is to reserve a man's self a fair retreat: for if a man engage himself, by a manifest declaration, he must go through, or take a fall. The third is, the better to discover the mind of another. For to him that opens himself, men will hardly show themselves adverse; but will fair let him go on, and turn their freedom of speech to freedom of thought.”

“Michael [Douglas] is, I think, a great actor. He's made some very interesting pictures. When he was going to college, I was very proud of him, but when he said, 'Dad, I want to be in a play,' he had a bit part. I went to see it and Michael said, 'Dad, how was I?' I said, 'You were terrible.' I thought he would go on to be a lawyer and in three months, he was in another play and I went and, I must admit, he was great. I think he has been good in everything he's done.”

“As time goes on, I get more and more convinced that the right method in investment is to put fairly large sums into enterprises which one thinks one knows something about and in the management of which one thoroughly believes. It is a mistake to think that one limits one's risk by spreading too much between enterprises about which one knows little and has no reason for special confidence. . . . One's knowledge and experience are definitely limited and there are seldom more than two or three enterprises at any given time in which I personally feel myself entitled to put full confidence.”

“On the air, it's as if somebody draws a heavy drape to block any bias. I don't even feel it inside. It's the same curtain that keeps you from swearing. I've known broadcasters who can't get one sentence out in normal conversation without being profane, and yet, they can go on the air and talk for three hours and never slip once.”

“Before we make love my husband takes a pain killer. I blame my mother for my poor sex life. All she told me was, 'the man goes on top and the woman underneath'. For three years my husband and I slept on bunk beds. I'm a double bagger. Not only does my husband put a bag over my face when we're making love, but he also puts a bag over his head in case mine falls off. It's so long since I've had sex, I've forgotten who ties up whom. My best birth control now is to leave the lights on.”

“It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible.”

“On international relations, Eleanor Roosevelt really takes a great shocking leadership position on the World Court. In fact, it amuses me. The very first entry in her FBI file begins in 1924, when Eleanor Roosevelt supports American's entrance into the World Court. And the World Court comes up again and again - '33, '35. In 1935, Eleanor Roosevelt goes on the air; she writes columns; she broadcast three, four times to say the US must join the World Court.”

“First time I ever took acid and got really high, as I was walking around I thought "Gee. The world looked like this when I was a little kid." I remember seeing the sparkling reality and three-dimensionality of things. Sort of like a renewal, every time you do it is a renewal, it is a renewal. It keeps your head young. It lets you keep that being able to accept the new thing just as easily as a kid would. Most people get all this stuff in their head like an old library, no room for the new volume to go on the shelves.”

“What's neat about TV is you get really rich, an opportunity to tell really rich stories over the course of 20 hours. Film is cool because it's an hour and a half to two hours. You go on an adventure and by the end it's all cleaned up. Maybe in a franchise you have three chapters of a great story but in TV you can really get deep. You have more time to tell stories so I would definitely not rule out doing television in the future because I think it's a great medium for telling stories.”

“The last three or four reps is what makes the muscle grow. This area of pain divides the champion from someone else who is not a champion. That's what most people lack, having the guts to go on and just say they'll go through the pain no matter what happens.”