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Materials Quotes

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Materials Quotes

“The comic book, and I've said it before, is a treasure trove. It's a grab bag. We certainly have characters and story lines that we really want to do - but to get there in a TV series, you have to take your time. Sometimes you can't get right to it. They're two different mediums. So we make it our own and really own the material. I like to think of it as an alternate universe.”

“I mean we certainly always shoot a lot of extra material, but our goal was to make kind of like a big kind of rock-and-roll road trip comedy that has heart and that has hopefully you feel bad for Russell and you feel bad for Aldeus and also I wanted to surprise people with some of the turns in the movie and I think when I watched it with audiences they certainly...the reactions made me think that we did and so all that I'm just very excited about it.”

“We traveled for science: those three small embryos from Cape Crozier, that weight of fossils from Barkley Island, and that mass of material less spectacular but gathered just as carefully hour by hour, in wind and drift, darkness and cold, was striven for in order that the world may have a little more knowledge, that it may build on what it knows instead of on what it thinks.”

“Frankly, Django is an American story that needs to be told, when you think of slavery existing in this country for 245 years. In slave narratives there were all types of tales and drama and heroism and pain and love that happened during that time. That's rich material for drama! Everyone complains that there are no new stories left to tell. Not true, there are a whole bunch of them, and they're all American with a capital A.”

“I get that racism exists, but it's not a catalyst for my content. I don't need to talk about race to have material. My style of comedy is more self-deprecating. I think that makes me more relatable. When you deal with 'topics' - race, white versus black - you're not separating from the pack. You're doing what everybody else is doing.”

“Humanity must accept that the food, the raw materials, the energy, the scientific knowledge and so on, belongs to everybody, that it is given by Divine providence for all peoples, the rich nations and what are called the developing nations. No one has the right to corner the goods of the world as is done today, whether that be oil or food or any of the things that we think are so important.”

“I don't have to change anything. I think that's the secret to comedy. You want to be universal and appeal to everyone. You want to put yourself in a position that no matter what you're talking about, everyone can relate to it and understand it, because it's an experience that everyone can go through. That's what I pattern my writing material and jokes after. I'm trying to maintain a level of realness that my fans can appreciate.”

“As long as you identify with the universe - which is perfect and can correct material conditions to bring them back into alignment with that Divine perfection - as long as that is where your mind is aligned, it's as though there were two parallel universes. You decide with every thought you think which one you're going to inhabit. Two parallel universes of experience, as it were.”

“Though it's marvelously entertaining, and I had fantastic fun writing the book, it's not terribly easily, the material, and it's not all that familiar...although we think it is familiar. The processes of the wonderful narratives are very intricate. It's about the charm - the spellbinding charm - of ingenuity, and it's not so easy to remember the plots or the structure or even the names.”

“I think it started with both the shows and the box set from finishing White Material. I think we were also pretty desperate to get it released. We felt pretty proud of it, and it just escalated from there. We were thinking about playing some live shows, doing the soundtracks live. It was just trying to shine a little light on this 15 years of work we've done.”

“I think media think it's going to be good for ratings, and, two, because they know they have a lot of material to work with. If Donald Trump were to ever become the nominee, immediately, the hounds of hell would descend on him. They're going to tear him apart, everything he's ever done, from not releasing his taxes, to all of his failed business dealings.”

“When I was in college, I remember thinking to myself, this internet thing is awesome because you can look up anything you want, you can read news, you can download music, you can watch movies, you can find information on Google, you can get reference material on Wikipedia, except the thing that is most important to humans, which is other people, was not there.”

“People who are great thinkers, in science or in art, people who are great performers, have to have that kind of capacity. Without that kind of capacity, it's extremely difficult to manage a high level of performance because you're going to get a lot of extraneous material chipping away at the finery of your thinking or the finery of your motor execution.”

“Mental illness is a real thing. It has real material consequences for people who suffer from it and at the time even the most biological finding reflects social context in very important ways, and so I think psychiatry is better off looking both at biology and at social context and really trying to think of the relationship between these and I think doctors and patients are better off that way.”

“I like film because it brings you very close to the absurd reality that you might spend a day shooting and not get a single image that you like or works, and you won't really know for a few days at least as you wait. It connects you and grounds you to a material reality and a patience that seems lost with digital. I also think the grain texture remains forever different, and in my opinion, what I find to be more beautiful.”

“It [Hancock] happens to be a big budget film and big star like Will Smith, but it actually has a lot of weight to it. But it was very smart and very intelligent and had this kind of historical element to it that I was fascinated by. It's not silly. It's not stupid. It's fun, but I think it's smart. I think Akiva [Goldsman] writes really interesting material and there you have it.”

“Because I was familiar with Taika's Watiti work and there's a very subversive, funny streak amongst all of them. I don't think he turned [Hunt for the Wilderpeople] into a sort of drama, there's too much dark material underneath it for it to be a comedy; it wasn't designed to be a comedy. I think it's a comedy... I think it's a drama that's funny; which is different.”

“What does "living your best life" mean to you? Does it mean accumulating wealth and fulfilling all your material wants? Or, does it mean turning away from the material world in order to fully realize the gift of spirit? We often tend to think of these objectives as being mutually exclusive: material fulfillment or spiritual fulfillment, not both together.”