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Morals Quotes

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Morals Quotes

“Here then is an infallible criterion, by which the nation may judge of the intentions of those who govern it ... if they corrupt the morals of the people, spread a taste for luxury, effeminacy, a rage for licentious pleasures, - if they stimulate the higher orders to a ruinous pomp and extravagance, - beware, citizens! beware of those corruptors! they only aim at purchasing slaves in order to exercise over them an arbitrary sway.”

“Was there ever a great true love? Anyone who became the object of my obsession and not simply my affections?...I could not let myself become that unmindful. Isn't that what love is - losing your mind? You don't care what people think. You don't see your beloved's faults, the slight stinginess, the bit of carelessness, the occasional streak of meanness. You don't mind that he is beneath you socially, educationally, financially, and morally - that's the worst, I think, deficient morals.”

“Fairytales teach children that the world is fraught with danger, including life-threatening danger; but by being clever (always), honest (as a rule, but with common-sense exceptions), courteous (especially to the elderly, no matter their apparent social station), and kind (to anyone in obvious need), even a child can succeed where those who seem more qualified have failed. And this precisely what children most need to hear. To let them go on believing that the world is safe, that they will be provided for and achieve worthwhile things even if they remain stupid, shirk integrity, despise courtesy, and act only from self-interest, that they ought to rely on those stronger, smarter, and more able to solve their problems, would be the gravest disservice: to them, and to society as a whole. -On the Supposed Unsuitability of Fairytales for Children”

“[...] like any human practices, those of religions are not exempt from ethical questioning. Rituals and rites in groups change behavior, sometimes for the better, sometimes for the worse. For the madness of crowds is a very close cousin to the fervor or congregations and the martial spirit of armies.”

“[At the scene of a murder] The cats' bloodthirst was normal; it was the way God had made them. They were hunters, they killed for food and to train their young--well maybe sometimes for sport. But this violent act by some unknown human had nothing to do with hunting--for a human to brutally maim one of the own kind out of rage or sadism or greed was, to Joe and Dulcie (the cats), a shocking degradation of the human condition. To imagine that vicious abandon in a human deeply distressed Dulcie; she did not like thinking about humans that way.”

“Chasing a person doesn’t give you value or build values in you. You earn your value by chasing morality and practicing dignity.”

“God has a way of picking a “nobody” and turning their world upside down, in order to create a “somebody” that will remove the obstacles they encountered out of the pathway for others.”

“Scientific advancement carries risk,” Kohler argued. “It always has. Space programs, genetic research, medicine—they all make mistakes. Science needs to survive its own blunders, at any cost. For everyone’s sake.” Vittoria was amazed at Kohler’s ability to weigh moral issues with scientific detachment. His intellect seemed to be the product of an icy divorce from his inner spirit. “You think CERN is so critical to the earth’s future that we should be immune from moral responsibility?”

“Some are born to greatness; some achieve greatness; some have greatness thrust upon them.' It is in this way that the librarian has become a censor of literature... books that distinctly commend what is wrong, that teach how to sin and how pleasant sin is, sometimes with and sometimes without the added sauce of impropriety, are increasingly popular, tempting to the author to imitate them, the publishers to produce, the bookseller to exploit. Thank heaven they do not tempt the librarian.”

“{...], reality is painful, so people invent justifications and use them to supplant measurement of reality. We could use the old cliché of an ostrich hiding its head in the sand, but only if there's a television down there, dramatizing the sadness. It is an inversion of art: instead of singing the beautiful, we find praises for the ugly and disguise it as beauty, because we have lost belief in beauty. As good nihilists, we note that this loss of beauty is vested more in belief than in beauty. We have made beauty contingent upon so many moral justifications that it is socially taboo to note beauty without somehow tying it to the plight of the disadvantaged.”

“In the village of light, there lived a man. Out of curiosity, he once crossed the village boundary and met the darkness and gave her the offering of dark thoughts and dark deeds. When he returned to his village, the light shamed him for what he did. So he ran back to darkness and did more dark deeds. Since then he is running between light and darkness... wait a minute. The light is also acting as an agent of darkness here.”