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Projects Quotes

“We are living in a world where major states and large geopolitical projects have to prove their competitive edge. It is clear, as well, that with regard to the intensifying American-Chinese confrontation and the inert power of a united Europe, Russia has to make up its mind - because it is losing ground as an independent center of power.”

“I feel like, in many ways, Billie Holiday's still very under-appreciated as an artist. People focus on her voice, and all of the very recognizable vocal things that she does, which are great. But I wanted to, with this project, start the conversation again about her as a radical feminist, as a civil rights activist - taking a stance. And also just [her] being a non-conformist.”

“You always have to speak good about the projects you do and you have to see the beauty in them. Sometimes you see them and you're happy with things, or maybe the process was nice and you enjoyed it, and you were happy with that. But when everything gathers - you liked the scripts from the very beginning, the directors, your friends - but then you see the result and you like it - it's beautiful.”

“The stage is the opposite: you are talking loud so you can project to the back row and you know the whole play. In a movie, you are scene-to-scene; you only know the purpose of that scene. On the stage, that is artistic science. It is real, it is loving, it is truthfully you. It is two different formulas to make two different art pieces, but it is all about truth.”

“It takes about a year to write an opera for me, but not a really a year of writing. I'm touring at the same time, and I'm playing, sometimes doing smaller projects.[The opera] Akhnaten fits in with Gandhi and Einstein, so that forms a trilogy in a way.I picked people who were these kind of larger than life characters, who kind of changed the world they lived in by almost the force of their personality and their inventiveness. People that I think not only do I admire but I think they're admirable people.”

“Too often, the perspectives on housing come from journalists, politicians and property experts, with a focus on the extreme ends of the market. Through the FOURWALLS Film Project, we want to get an accurate picture of the London housing situation through the eyes of the people that live there, and promote discussion around it.”

“Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.”

“Suppose you are drinking a cup of tea. When you hold your cup, you may like to breathe in, to bring your mind back to your body, and you become fully present. And when you are truly there, something else is also there - life, represented by the cup of tea. In that moment you are real, and the cup of tea is real. You are not lost in the past, in the future, in your projects, in your worries. You are free from all of these afflictions. And in that state of being free, you enjoy your tea. That is the moment of happiness, and of peace.”

“With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.”

“Usually, being a volunteer organizer essentially means that I am part of a core base of individuals, that when we start a project - whether it be a big thing like the inauguration or whether it be something that's a longer-term, let's say, educational campaign about a foreign policy issue or a domestic issue - we sit together and we divvy up, and oftentimes it's relevant to different things we do.”

“In churches, we see that getting people to show up for a prayer meeting is a lot more difficult than a concert or service project or just about anything else. So we were thinking, we're stepping into some unknown territory here that could be as profitable, or it could be a box-office flop, but there was a rightness about it. And so this whole idea of the war room being like a spiritual warfare room, a place of prayer where you get alone with God and you're making your decisions and you're dealing with your issues first in prayer.”

“We grew up in a praying home [with Alex Kendrick], we saw incredible answers to prayer in our parents' lives, they grew up in praying homes, our father launched a Christian school with nothing, basically he had some people that believed in the project but they had very little resources, and we watched our parents deal with those issues first in prayer, and then when they went out knocking on doors they saw amazing doors answered and resources come in.”

“One of the challenges over the last decade is America has done experiments in nation building in places like Iraq and Afghanistan and we've neglected, for example, developing our own economy, our own energy sectors, our own education system. And it's very hard for us to project leadership around the world when we're not doing what we need to do.”

“That was actually Lloyd Phillips who was a Kiwi film producer in L.A. And it was about Gorgeous George, not Haystacks Calhoun. I was in a couple of Lloyd's films and got approached to write the story. People don't realize it, but Gorgeous George had this flamboyant, camp stage persona that had a tremendous influence on other celebrities, like Elton John, Liberace, Elvis Presley, and Mohammed Ali, who all wanted to establish their own outlandish stage personas. The project died because Gorgeous George's wife refused to give up the rights.”

“Howard Zinn ran what is called the Zinn Education Project. It is a radical, radical bunch of insane lunatic leftists. And there is a project at the Zinn Educational Project: A People's History of Muslims in the United States - What School Textbooks and the Media Miss. And this program is teaching your high school student, juror junior high or middle school student.”

“I'm an Ivy League-educated lawyer, so you'd think the world wouldn't mess with me, right? But I've been paid $10,000 less than a less qualified man in the same role. I've had men I've worked with grab my leg or rub my back in ways that have made me feel uncomfortable. I've been taken off projects because I was pregnant, even though my pregnancies have been both been healthy and didn't impact my work at all.”

“I still had the same frustration with trying to play [Edward Cullen], the entire way through, right up until the last shot. It's a strange part because, on the one hand, a lot of the audience projects their idea of Edward[Cullen] onto him. It doesn't matter what he is. They want him to be a certain way. And then, my instincts were to try and play it and to try to find the fallibility in him and the weaknesses.”

“The primary source of waste in government is that legislators are often under heavy pressure to vote for projects that will benefit their campaign contributors, even when those projects fail a simple cost-benefit test. But with the Supreme Court showing little interest in permitting tighter rules on campaign contributions in recent years, there is little reason to be optimistic that we'll start curbing this kind of waste any time soon.”

“My point is you can fight racism and sexism and homophobia more effectively if you're doing it from the position that you're standing for the dignity of all people, and that you're actually standing for the underdog in the red states and the blue states. I think it's more effective when you're anti-racism and anti-sexism and anti-homophobia and that is the centerpiece for a project to uplift all humanity, and frankly to defend and uplift the children of all species.”

“Embedded reputations - that's one of the most daunting dynamics that can happen. You start as a secretary, or assistant, and you have that plastered on your forehead. My advice is that you have to do something - change companies, get a degree, or go to a training program. Or ask to be on a very hard assignment or project that no one else wants. You can do it, but it doesn't happen without true exertion.”