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Reader Quotes

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Reader Quotes

“This is that which I think great readers are apt to be mistaken in; those who have read of everything, are thought to understand everything too; but it is not always so. Reading furnishes the mind only with materials of knowledge; it is thinking that makes what we read ours. We are of the ruminating kind , and it is not enough to cram ourselves with a great load of collections:;; unless we chew them over again, they will not give us strength and nourishment.”

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Book:Some Thoughts Concerning Education: And, Of the Conduct of the Understanding
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“The term "bend sinister" means a heraldic bar or band drawn from the left side (and popularly, but incorrectly, supposed to denote bastardy). This choice of title was an attempt to suggest an outline broken by refraction, a distortion in the mirror of being, a wrong turn taken by life, a sinistral and sinister world. The title's drawback is that a solemn reader looking for "general ideas" or "human interest" (which is much the same thing) in a novel may be led to look for them in this one.”

WorldHumansLooksMayMeanIdeasTurnsChoicesLeftSidesTermInterestNovelTakenBrokenReaderBandMirrorsBarsTitlesSolemnOutlinesDistortionSinisterDrawbacksWrong Turn
Author:Vladimir Nabokov
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“In a novella, a whole lot of crap can happen, and you can build momentum and suspense and leave room for a surprise or three. Stories are cut down to the most essential elements, and novels (this might be an unfair generalization on my part) are big fat clumsy efforts where the reader can snooze for a couple chapters and miss nothing of consequence. Hence my love for the middle way.”

WayWholeStoriesBigsMightHappensThreeRoomsEffortNovelCuttingMiddleMissingReaderCoupleEssentialsElementsConsequenceSurpriseFatsSuspenseChaptersUnfairCrapMomentumClumsyGeneralizationMiddle Way
Author:Robert Reed
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“One thing I like about writing is that it provides such a wonderful opportunity for confidential chats with readers. In the privacy of writing, and reading, we can discuss topics that are a little touchy, a bit embarrassing, and feel less alone in the process. Feeling consumed by memories from high school. Feeling wimpy. Feeling time-obsessed. Yearning for our fathers. Wishing we were taller, or shorter, or less average. To name just a few.”

FeelsWritingLittlesFeelingsSchoolReadingFatherOpportunityNamesWishBitsProcessMemoriesWonderfulOne ThingReaderHigh SchoolAverageObsessedPrivacyYearningTopicsEmbarrassingConsumedOur FatherWriting And ReadingConfidentialTouchy
Author:Ralph Keyes
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“Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.”

YearsPersonsI CanPlayFactsAbleActorsOpportunityProcessDifficultTermChallengesActingReaderLifetimeRevolutionaryArrogantApril
Author:Kate Winslet
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“With The Reader, I'd just be shattered at the end of every day really. I wouldn't really want to talk. We kept saying, because we were in Berlin: "If we get back at a decent hour, let's go and have a glass of wine." We'd always think it would be a great idea, but then get to the end of the day and then go [acts drowsy and blabs]. It was very difficult for everybody.”

IfsThinkingWantIdeasEndsWould BeDifficultHoursReaderWineGlassesDecentThe End Of The DayGet BackBerlinGreat IdeaShatteredWine GlassDrowsy
Author:Kate Winslet
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“To me, the print business model is so simple, where readers pay a dollar for all the content within, and that supports the enterprise. The web model is just so much more complicated, and involves this third party of advertisers, and all these other sources of revenue that are sort of provisional, but haven't been proven yet.”

SimplePartyPaySupportHavensSourceReaderModelsThirdsDollarsComplicatedEnterprisePrintProvenRevenueBusiness ModelsAdvertisersThird Parties
Author:Dave Eggers
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“The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences.”

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Author:Jonathan Lethem
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“I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre we call literary fiction get accorded greater esteem and privilege. I also have a problem with how books are marketed, with certain cover designs and typefaces. They're often stamped with an identity that has nothing to do with their effect on the reader.”

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Author:Michael Chabon
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“I barely read. I'm not a good reader at all. Rather than reading, I used to sit in front of the TV and watch black-and-white cowboy movies. I'm a painfully slow reader. It's really bad as an actor, because you have to read a lot of scripts. It takes me like an average of three hours to read a script, which is pretty poor.”

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Author:Will Poulter
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“The digital world has allowed me a connection with my reader that I'd never had before. I didn't meet the people who read my material. The fan letters were mostly answered by professional people that'd done them for a living. And I didn't have any daily connection with their response to my work. I didn't have a relationship with my audience. And every artist should have it.”

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Author:Berkeley Breathed
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“You can publish a poem you think is a very important poem, and you don't hear a word from anyone. [...] You can publish a book of poetry by dropping it off a cliff and waiting to hear an echo. Quite often, you'll never hear a thing. So doing that, using older work, puts it in a context, and that sort of forces the reader to realize what its importance is-if it has any. Everything needs a context. You're not going to recognize a poet unless you have a context.”

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Author:Lawrence Ferlinghetti
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