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“When you improvise on the spot, people are very reluctant to have soft moments or quiet moments or sad moments because they're trying to fill up the spaces. So they always go towards, "How come you're late?! You're supposed to have my shirt ready! You call this a dry cleaner?!" That's what happens. That's why improvising on the spot gets very dicey.”

“However, you have to recognize that regulations will never be completely successful and they will always be full of holes. You must constantly be ready to fill new holes. Actually regulation should be kept to a minimum, but there has to be some cooperation between market participants and authorities - as was the case in the early postwar years. The Bank of England was a very successful regulator by cooperating with market participants. This cooperative spirit was broken by the market fundamentalists.”

“A year after I'd graduated college, I went to a weeklong conference intensive in Boston, and that's when things kicked into high gear. My workshop leader was a Harvard professor and editor. At the end of the week we met one-on-one over breakfast, and she said, in essence, "Look, you're ready to turn pro." She gave me a list of literary agents to query once I had something to show them. I came home and wrote my first real novel, and the agent that sold it to Tor Books was on that list.”

“What surprises me is-even though discrimination against women and racial discrimination still exist, they have improved a lot, especially among artists. And just when I felt I could finally take a break, I encounter the age discrimination. I turned 72 and started noticing a drastic difference in people's attitudes. I started with racism and sexism in the beginning and fought them so hard and was finally ready to relax. Then, here comes ageism, and I feel like, "Give me a break!"”

“The earliest memories I have from my childhood are of my mum getting ready to go on stage. I must have been about five and I would watch her vomiting backstage on opening night, and then the next minute she became Isabella, the Queen of Spain. At the time I remember thinking, 'What kind of schizophrenic job is this?' Now it all makes sense.”

“I know chances are if I don't give an interview or make a public appearance or statement from time to time, they'll invent one. Every so often, I suppose people ask, 'Whatever happened to that other Beatle, George Harrison?' And someone comes around with a ready answer, no matter how preposterous it seems. It's possibly the worst price one has to pay for what they call stardom.”

“Coming at twenty to his father's house, which was a very sink of filthy debauchery, he, chaste and pure as he was, simply withdrew in silence when to look on was unbearable, but without the slightest sign of contempt or condemnation. His father, who had once been in a dependent position, and so was sensitive and ready to take offense, met him at first with distrust and sullenness.”

“If its individual citizens, to a man, are to be believed, it always is depressed, and always is stagnated, and always is at an alarming crisis, and never was otherwise; though as a body, they are ready to make oath upon the Evangelists, at any hour of the day or night, that it is the most thriving and prosperous of all countries on the habitable globe.”

“We face challenges every day both big and small. But regardless we are always ready for any obstacle, and we have each other to stay grounded, grow together and for comfort. Our memories growing up are what built our foundation. I think we are proof to never give up. None of us are perfect, and we're okay with making fun of our flaws.”

“Without a vision there is no possibility of creating something larger than what al-ready exists. An entrepreneur has to be able to bring something to the table through his or her vision that is not being provided by others - a special way of meeting needs, caring for others, treating patients, or marketing. An entrepreneur must have enormous faith. Risk-taking is critical to the development of an enterprise. You will not take risks unless you have the faith to do so.”

“I don't want to quit. I've always said that Clint Eastwood is one of my best friends. I've known Clint for many years and we have almost a jokey relationship about retirement. I always say: "OK Clint, are you ready to retire this year?" And he always says: "No, are you?" So, I'm waiting for the phone call where Clint says he's hanging up his spurs. That's never going to happen. If it doesn't happen for Clint, it won't happen for me.”

“My life changes dramatically every time I get up out of bed. After my proposal life changed in that I wasn't asked to change. I always thought that marriage meant someone was going to ask you to stop being who you were. And I met someone who not only wants me to be who I am but likes it. So, my life changed in that my views towards marriage stopped being morbid. I found I was ready to be a good partner where I don't think I was a very good partner to people before. I stepped up my game.”

“You have to be careful with fans, they'll turn on you. They turn quick. Twitter can go dark fast. If you talk about something serious on Twitter, you better be ready. If you try to pull out real facts or talk about political opinions or something religious, forget it. Like if people asked me who I was voting for, you couldn't touch that one.”

“I feel that I have a certain amount of experience and I'm still learning so much. But a director's job is so vast; they have so much to do with the preparation. You have to be great with all kinds of personalities and you have to be very patient, there's a lot of skills I'm not sure if I have. So I don't know if I'm ready to direct, but who knows what the future has.”

“I find it rather tedious working with some actors who have to go into a corner and bounce up and down, shake their hands and arms, saying to the director, "Just a second - I'll be ready in a few minutes, " while all the other actors are waiting around to get in. Then they say, "OK! I'm ready now." And then they come on and do it exactly the same way they've done it in rehearsal.”

“When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people.”

“Love the quick profit, the annual raise, vacation with pay. Want more of everything ready-made. Be afraid to know your neighbors and to die. And you will have a window in your head. Not even your future will be a mystery any more. Your mind will be punched in a card and shut away in a little drawer. When they want you to buy something they will call you. When they want you to die for profit they will let you know.”

“I think Julianne Moore is very, very good. I've worked with her. We did Surviving Picasso. I remember one scene we did together. She had to have a nervous, a mental, breakdown in this one scene. I didn't have many lines. I just had to make sure I knew I came in on cue all right. And I was just watching her walking though the rehearsal. I thought I know what she's doing, "This is going to be terrific." So they said, "Are you ready" and she said, "Yeah," "Ok, roll the camera." And all in one take.”

“You will not get to steal quietly into heaven, into Christ's company, without a conflict and a cross. I find crosses to be Christ's carved work that he marks out for us and that with crosses he portraits us to his own image, cutting away pieces of our ill and corruption. Lord cut - Lord carve - Lord wound - Lord do anything that may perfect thy Father's image in us and make us ready for glory.”