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“When I began doing theatre in high school I saw that I could get laughs from people but I didn't really connect that to going on and becoming a comedian. I was interested in acting and while I was at Boston College I was part of an improv group, Mother's Fleabag, which had a long history and has been known as one of the best college improvisation groups in the U.S.”

“I really trust the authenticity of real people and my job is to get them to be themselves in front of the camera. Often what happens is, you'll get a newcomer in front of the camera and they'll freeze up or they imitate actors or other performances that they've admired and so they stop becoming themselves. And so my job as the director is just to always return them to what I first saw in them, which was simply an uncensored human being.”

“People just like the thrill of anything. Dangerous things and dark things are exciting. Like as a kid, I knew I wasn't going to get killed if I went into the Haunted House but you kind of feel like you are. And when it comes out the track the other side, it's like, "we're still alive"! And I find it really funny when adults get really scared because I've not been really scared since I saw Jaws when I was a little kid. I just think people like the thrill of it, they like to feel like they accomplished something, that they survived the movie.”

“I don't think I've ever tried to be something that I'm not. People do that for you. People try to pigeonhole you. People tried typecasting me, before they even saw me in anything else. I've never understood that. I was like, "Why don't you wait until my next project, before you start telling my what my career is going to look like, for the next 10 years?" I've never let it set me back because I always knew the world would try to do that for me, anyway.”

“When I was little, I wanted to be a mother, because that's who I saw. I saw my mom caring for me. I didn't play doctor. I didn't play lawyer. I didn't have those visions until I was in college, meeting people who were doing those things. That's why we're trying to encourage moms, teachers, fathers, to be that presence in their children's lives, in their communities, because it really makes a difference.”

“The first year I was in office, only about 800 people came out of the Soviet Union, Jews. By the third year I was in office... second year, 1979, 51,000 came out of the Soviet Union. And every one of the human rights heroes - I'll use the word - who have come out of the Soviet Union, have said it was a turning point in their lives, and not only in the Soviet Union but also in places like Czechoslovakia and Hungary and Poland [they] saw this human rights policy of mine as being a great boost to the present democracy and freedom that they enjoy.”

“I always wanted to give people the more exciting version of what I think a comedian should be - because I didn't grow up with comics, I grew up with rock 'n' roll. And when I saw a lot of comics, no matter how good they might have been material-wise, I would get a little bored with them after 10 minutes, only because I feel comedians don't really know performance.”

“To me, one of the most profound questions we can ask is: "So what?" And so what if there's an indefinite number of worlds with alternate "us-es" in them? The "so what," to me, comes alive when I ask myself: "What if I could find a way to get in touch with those alternate mes who made those choices?" That is, persons who, if I saw them now, I wouldn't even recognize because their choices, once small, have multiplied to make them such different people.”

“I never fought, I never learned kung fu or boxing, I never went into these sportif competitions. I wouldn't cross the ocean. I think it's ridiculous to take such risk. But look, people love to do that. But I was not afraid of doing things I wished to do. I did not think that woman would be restrained. I never saw that, especially not in filmmaking, where you don't have to be strong.”

“When I saw what painting had done in the last thirty years, what literature had done - people like Joyce and Virginia Woolf, Faulkner and Hemingway - in France we have Nathalie Sarraute - and paintings became so strongly contemporary while cinema was just following the path of theater. I have to do something which relates with my time, and in my time, we make things differently.”

“I saw a guy wearing a "What Would Jesus Do?" bracelet and a Lance Armstrong bracelet, and he went up to this blind kid and rubbed his eyes, and the kid could see. But he wasn't used to the light, 'cause it was bright, and he walked into traffic and was killed instantly. Okay, the people that are laughing right now? I'm gonna call you guys half-full. Because you're focusing on the important part of the story: the bracelets are working.”

“Cinema has changed the world. If you go to the beginning of the cinema, you can see that the world started meeting other worlds. It was extraordinary. We saw how other people were living and thinking. How they were sad or happy. We also saw the body - naked or half-naked people, which was prohibited everywhere by religions. This was extremely important.”

“When I first came up, the whole AIDS epidemic was starting, and the gay community that I experienced from the beginning of my career was mostly - and overwhelmingly - concerned with staying alive. And, also, I felt really aware of the preciousness of life and time. The gay community and people who were HIV-positive were treated so badly, and I was very disturbed by things. But I also saw a lot of love and connection in the gay community at that time.”

“I experienced a lot of spiritual growth when I started traveling to Europe and playing basketball. I saw that just because I was away from home didn't mean Jesus wasn't with me. He is everywhere and you can see signs of Him in the most remote places in the world through people who don't even speak your language. Jesus is universal.”

“During the last five years, those four advantages-costs, products, people, goodwill-have been the salvation of Interface during a recession that saw our primary marketplace shrink by 38% from peak to trough-38%! As a heavily leveraged company with over $400 million in debt, we might not have made it without the sustainability initiative and, especially, the support of our customers. This revised definition of success-this new paradigm-has a name: "Doing well by doing good". It is a better way to bigger profits.”

“His (Lenin's)humanitarianism was a very abstract passion. It embraced humanity in general but he seems to have had little love for, or even interest in, humanity in particular. He saw the people with whom he dealt, his comrades, not as individuals but as receptacles for his ideas. On that basis, and no other, they were judged. He judged man not by their moral qualities but by their views, or rather the degree to which they accepted his.”

“Women became almost our bigger audience. Teenage girls went crazy for my movie. I saw it. I went to theatres all over and there were gangs of girls going and screaming. There were kids that were 10 or 11 years old when September 11 happened. They've been told for years they're going to get killed, they're going to get blown up. Every time you go on an airplane, X-ray your shoes because you're going to get blown up. Terror alert orange, don't travel. So, people have a reaction and they want to scream. Horror movies have become the new date movie.”

“I'm not very nostalgic, you see. I just don't think anybody has that kind of thing anymore. By culture, by breeding, by whatever, it's not there. The kids today-what the hell are they going to be? I like young people - yes, I do. But when I talk to people at the schools, and they say, "I saw you on the Twit," I don't even know what they are talking about.”

“Jon Krakauer had documented it very accurately and very well but this kid made a real impression on people, and likewise they on him. To talk to them was very moving in many cases because they talk about him like they saw him yesterday. In most cases they knew this kid for a couple of weeks in their whole life and he just lasted with them.”

“Doing my first movie, I realized I could get into real bad habits. If you're the star, all you have to do is show up, and 20 people say, 'Do you want anything? What is it? Let me get it for you.' Believe me, you get spoiled very quickly. I saw some of my contemporaries allow themselves to have that fame, thinking they could handle it. It messed them up.”