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Standing Quotes

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Standing Quotes

“Innovations, free thinking is blowing like a storm; those that stand in front of it, ignorant scholars like you, false scientists, perverse conservatives, obstinate goats, resisting mules are being crushed under the weight of these innovations. You are nothing but ants standing in front of the giants; nothing but chicks trying to challenge roaring volcanoes!”

“Actually, I don't really consider myself either a Liberal or a Conservative. Truth be told, I consider myself a 'Truthetarian.' I try to examine each separate issue and go to where I feel the truth is. And, yes, I must admit that more often than not, when I do this, upon arrival, I do seem to find myself in the company of left-minded people. However, quite often, I'm more than a little surprised to find myself standing in a room full of right-wingers!”

“How hard would it be to ask children what they see in their heads? How big should the house be in comparison to the family standing in front of it? What is it about the anatomy of the people that doesn't look right? Then let them try it again. Teach them to learn how to see and ask questions.”

“It feels very different to have long, thick, brightly colored hair. It makes me feel so conflicted to wear, and I believe showing a conflicted person onstage is actually really interesting and emotionally engaging. I'm trying to not just be the person standing on the outside and looking at something, but to actually be it, in a way.”

“In order to create an image almost similar to that of a pencil case standing up and walking, I try to eliminate all excess by cutting. I have the feeling that this process (of "cutting off") is linked in some way to "elegance". Elegance and so-called "eliminating excess", or the beauty that remains after excess has beeen eliminated...”

“When we let go of wanting something else to happen in this moment, we are taking a profound step toward being able to encounter what is here now. If we hope to go anywhere or develop ourselves in any way, we can only step from where we are standing. If we don't really know where we are standing—a knowing that comes directly from the cultivation of mindfulness—we may only go in circles, for all our efforts and expectations. So, in meditation practice, the best way to get somewhere is to let go of trying to get anywhere at all.”

“The French are not rude. They just happen to hate you. But that is no reason to bypass this beautiful country, whose master chefs have a well-deserved worldwide reputation for trying to trick people into eating snails. Nobody is sure how this got started. Probably a couple of French master chefs were standing around one day, and they found a snail, and one of them said: 'I bet that if we called this something like `escargot,' tourists would eat it.' Then they had hearty laugh, because 'escargot' is the French word for 'fat crawling bag of phlegm.'”

“Winning awards is great. Everyone wants to put a feather in their cap but for me the ultimate validation comes when you're standing on top of a peak and the weather's moving in and you're trying to manage logistics with your client, whether its food, water, shelter, and really there's only one constant out there: I know the last person I'm going to get to take care of is myself, so my gear has got to work. I take a lot of pride in knowing Eddie Bauer makes the best gear out there.”

“I've been acting a long time, and I can play a Cockney gangster or a womanizer in my sleep or standing on my head. But what I try to do is I try to find characters that are as far away from me as I possibly can and then make them real. A French Nazi is about as far away from me as I can possibly get without actually going to Mars or something.”

“I do support artists standing by their beliefs, and walking with integrity. We have to find a better way to commercially exploit music, while giving artists their proper respect. This cannot be done while taking their contributions for granted, or trying to control the scope of their growth and power through threats and fear tactics.”

“When you put yourself out there as an expert and the people you are trying to attract are people who want to do the very show you are doing, guys standing around, sitting around arguing with each other over sports, if you make a mistake that lights up like a flare in the middle of the night. You've just got to correct that or else they're going to say, 'Well, why do these dopes have that show? I can go out there and be just as good as them.'”

“We can preach the Gospel all day long, but that won't win souls. That won't win the hearts of the people. We can talk, try to theorize, theologize, reason, argue, debate, and spend time trying to prove that Jesus lived, but that won't win a heart. How often do we see the religious mindset that believes that the more Scripture quoting, the more yelling, the more hell fire and brimstone preaching, the greater the chance to win someone over for the Kingdom? Likewise, how often do we see people sitting or standing there listening in stone-cold silence or indifference?”

“Trying to tell an authentic, raw and honest story without making it therapy. Separating myself enough to have perspective while putting myself in the emotional hot seat so that I could make this thing real. Asking for help. Delegating responsibility. Standing up for myself. Fighting the impulse to be sweet and likeable 24/7. Being open to all ideas, but staying true to the spine of the story. Knowing when to let go and when to hold on and fight like hell. Getting out of my own way. Shall I go on?”

“Israel is trying to legitimize the settlements, and he [Celso Amorim] said, quote, "Dayan is the leader of a policy condemned by the United Nations, and as such, it would go against Brazil's interest and world peace to allow him to become ambassador here." And for the moment, it doesn't look like the Brazilians are going to be standing down on this issue.”

“When we read a literary work (or, in some instances, listen to music) our imagination is stimulated, we feel various emotions, and we arrive at new judgments. These attitudes are brought into relation with many others, including our standing tendencies to think and feel in particular ways, and we try to fit our psychological capacities and responses together.”

“What I am trying to say is that it is not without any value. The value of copies is that they can direct us towards the original. I was recently at the Louvre Museum and I was filming people who were viewing the Mona Lisa. I noticed the number of ordinary people, astonished, mouths agape, standing still for long stretches looking at the work, and I wondered, "Where does this come from? Are these people all art connoisseurs?" They are like me; through the years, we've seen this work in our schoolbooks or art history books, but when we stand before the original, we hold our breath.”

“When Donald Trump talks about the rigged, corrupt system, remember, he's standing up for the forgotten man and the forgotten woman. This is not about him. This is about the people. This is about folks who are white-knuckled at the end of each month trying to pay the bills. This is about the people who feel like their pressing their nose against the glass of the rigged system and can't get in, they're just watching everybody else benefit.”

“Would it be possible for me to see something from up there?" asked Milo politely. "You could," said Alec, "but only if you try very hard to look at things as an adult does." Milo tried as hard as he could, and, as he did, his feet floated slowly off the ground until he was standing in the air next to Alex Bings. He looked around very quickly and, an instant later, crashed back down to the earth again. "Interesting, wasn't it?" asked Alex. "Yes, it was," agreed Milo, rubbing his head and dusting himself off, "but I think I'll continue to see things as a child. It's not so far to fall.”

“Later on, when I tried to imagine how I might have ruined things, that would occur to me - that I'd so rarely resisted, that I hadn't made it hard enough for him. Maybe it was like gathering your strength and hurling your body against a door you believe to be locked, and then the door opens easily - it wasn't locked at all - and you're standing looking into the room, trying to remember what it was you thought you wanted.”

“She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.”