Quotessence
Home / Topics / Verse Quotes

Verse Quotes

Browse 96 quotes about Verse.

Verse Quotes

“Take heed, my sweet, For you shall rue The day you found In me a foe; And what, you ask, Is my revenge? You will not understand, But I will tell: To think you know When you know not; To think you see When you are blind; No might can break, No wit cast off, This curse with which I bind thee; Your cunning plans, Your strength of will, Alike shall fail To free thee. It can be broken, yes; The way of that is hid; You never shall break free, As none before you did. A lowly thing, A gentle thing, May break the spell at last; But hope is vain That wastes itself On such a hopeless task.”

“WHAT TO DO WITH YOUR PAST Serve it with lemons and curdled milk with shortbread biscuits make the day gray spots of rain. Make a quilt out of the villains crochet the heroes together in a hat Wear the hat. Use the quilt as a picnic blanket. Bring your friends. Watch the squirrels be tiny monkeys dare-deviling the trees. Exclaim things! Each lemon, sup of tea, cookie is a bite into the future / will digest, exit, and swim. Digest. Exit. Swim. Drink the curdled milk and get sick watch your friends clean up hold your hair back / hat on hand you a tissue. When you wash the vomit out of the villainous quilt each time it gets weaker Picnic often.”

“Night after night on starry wings Night lovers soared so high Miles apart, across the oceans Their love forgot to sigh In heavenly flight’s timelessness That highest height treasured Into the deepest of all blues Their depth of love measured. From the poem 'The Ballad of Night Lovers”

“O Don Quixote, wise as thou art brave, La Mancha's splendor and of Spain the star! To thee I say that if the peerless maid, Dulcinea del Toboso, is to be restored to the state that was once hers, it needs must be that thy squire Sancho take on his bared behind, those sturdy buttocks, must consent to take three thousand lashes and three hundred more, and well laid on, that they may sting and smart; for those are the authors of her woe have thus resolved, and that is why I've come, This, gentles, is the word I bring to you.”

“In the course of the history of art and literature we repeatedly meet this stylistic differentiation according to subject-matter. For example, the dual manner of characterization employed by Shakespeare, according to which his servants and clowns speak in everyday prose but his heroes and lords in elaborately artistic verse, corresponds to this ‘Egyptian’, thematically determined alternation of style. For Shakespeare’s characters do not speak the different language of the various classes as they exist in reality, like the characters in a modern drama, for instance, who are all drawn naturalistically, whether they are of high or low degree, but the members of the ruling class are portrayed in a stylized manner and express themselves in a language non-existent in real life, whereas the representatives of the common people are described realistically and speak the idiom of the street, the inns and the workshop.”

“Pilgrims Tuscan reds and ochre hues Olive greens and skies of blue Sunlit valleys full of charm Secluded homestead and hilltop farm Over hills skim birds in flight Aromas whet the appetite Autumn rustle fills the air Revealing grace of trees laid bare Pathways meander through the vale Inviting travelers its height to scale Sunset rewards as evening ends And pilgrims to the night descend”

“We see not why in prose, there should not be much of that mighty licence in the fantastic, that measured riot, that right of whimsy, that unabashed dalliance with the extreme and the beautiful, which the world allows, by prescription, to verse. Why may not one in prose chase forest-nymphs, and see little green-eyed elves?”

“Sitting in a corner, I live like a toad Oh! How I love my room: my tiny abode! Here I wake up; and I sleep in here The world far away; yet virtually near Not that I'm jailed in this place of grace Just don't want to face another face”