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“The White House comes out and says it's going to do a major study of the effects on preschool-age children using Ritalin, Prozac and other drugs. I know in advance what the study's going to say. The results are in before they even start. They're going to do a window-dressing control while praising the overall need for the drugs. In the end they're going to try to peddle more drugs than before while making us think they're clamping down; that's my guess.”

“Seriously. It was running out at Rolling Stone. First of all, they didn't feel the need for a dissident conservative voice in a world where certain conservative aspects had become intellectually dominant. I would actually argue against that, but on the surface of it, in the [Bill] Clinton years the market economy triumphed, certain libertarian ideas became ordinary, and certain early-20th-century ideas about centralization of government and economic planning and socialism with a small "s" had obviously gone out the window. The Cold War was over, blah blah blah.”

“There have been times I thought that when I got a certain point in the story, a certain character was going to do a certain thing, only to get to that point and have the character make clear that he or she doesn't want to do that at all. That long phone conversation I thought the character was going to have? He hangs up the phone before the other person answers, and twenty pages of dialog I had half written in my head go out the window.”

“Imagine a smashed stained-glass window, a page torn from a Bible, or a snippet of choral singing. You would still recognize their religious roots, wouldn't you? In 1915, Coca-Cola designed a bottle so unique that if it were smashed into thousands of pieces, from a single shard of glass you'd still be able recognize the brand. We call such a device a Smashable. It can be anything from a color to a sound, from a pattern to a smell to an icon.”

“Central Europe is full of little countries standing shoulder to shoulder with no window to the sea. They are like the passengers in a rush-hour train which has stopped between stations for three centuries. And they all hate one another. And they're all crushed together waving their national flags, clanking their national chains, jabbering their national language.”

“We're creating a TV show of Scrooge, starring Jamie Farr, with Buddy Hackett as Scrooge. We're shooting in this Victorian set for weeks, and Hackett is pissed all the time, angry that he's not the center of attention, and finally we get to the scene where we've gotta shoot him at the window, saying, "Go get my boots," or whatever. The set is stocked with Victorian extras and little children in Oliver kind of outfits, and the director says, "All right, Bud - just give it whatever you want." And Hackett goes off on a rant. Unbelievably obscene.”

“I watch a sort of primitive form of the recommodification machine around my friends and myself in sixties, and it took about two years for this clumsy mechanism to get and try to sell us The Monkees. In 1977, it took about eight months for a slightly faster more refined mechanism to put punk in the window of Holt Renfrew. It's gotten faster ever since. The scene in Seattle that Nirvana came from: as soon as it had a label, it was on the runways of Paris.There's no grace period, so that's a way in which I see us losing the interstitial.”

“I'll remember the view out this window [from Oval Cabinet], because this is where we had our - the playground that we put in when Malia and Sasha came in. Being able every once in awhile to look out the window and see your daughters during the summer, swinging on that swing set, that made the presidency a little bit sweeter.”

“Marrying a man is like buying something you've been admiring for a long time in a shop window. You may love it when you get it home, but it doesn't always go with everything else in the house.”

“If you and I took a walk down a shopping street in Jo'burg or Cape Town or London, we see two guys looking in a shop window, we think, "Oh, they're wondering what they're going to buy." A cop looks at them and thinks, "Why are they standing there? Are they doing a drug deal? Are they going to mug someone? Are they going to rob the shop?"”

“The Republican establishment, the Democrat establishment agree and accept that the media is an equal player in the ruling class. Trump has blown all of that out the window. As such, the normal ways that people in politics are controlled, the normal way that people are contained - the ways people are promoted, punished, destroyed, what have you - are all out the window where Trump is concerned. And therefore the media is considered by the ruling class to be one of the great leveling factors.”

“Most actors don't understand acting. I think it's an art form that craft is out the window. I don't think people get it at all, most of the time. Or they get some of it, not all of it. If you get an Academy Award nomination, you think 95 percent of the profession is unemployed at any given time, most people will never even find work as an actor, and the ones who do will probably make $50,000 a year at the most if they're lucky. Some will never do Broadway. Some will never do a major role. And a really, really, really small percentage of them maybe will be nominated for a major award.”

“I think that honesty in presenting the gospel goes out the window when you want people to respond to the message, but you are prepared to accept any sort of response. Of course, the only true response is heartfelt repentance and faith. However, if you don't feel the need to be honest in your presentation, then you will calibrate your presentation of the gospel to whatever gets the response you want.”

“No one is banging my door down to be a superhero. I don't know how good I would be. I have low bone density, so I don't know if anyone really wants to put me in a cape and chuck me out a window. But a lot of my friends, who are great actors and who come from film, are doing TV because that's where the opportunities are. For us, it does feel like it's similar to making the movies that we used to make.”

“I love to try to understand first principles and be guided by that. But then, enrich them, because they won't last forever, just like everybody thought Newton had all the answers. And you probably read that, in the last of the 19th century, Harvard and others were discouraging people from going into physics because we have all the answers. And right after that, of course - we have - all this stuff is thrown out the window. And now we have whole new answers.”

“The script is a starting point, not a fixed highway. I must look through the camera to see if what I've written on the page is right or not. In the script, you describe imagined scenes, but it's all suspended in mid-air. Often, an actor viewed against a wall or a landscape, or seen through a window, is much more eloquent than the lines you've given him. So then you take out the lines. This happens often to me and I end up saying what I want with a movement or a gesture.”

“For me, fantasy and speculative science fiction are the genres that feel closest to how I feel about being alive. Like, when I feel the most invigorated by just even a walk down the block in twilight, when the street lamps are just coming on and there's mist and some shadowy thing in silhouette in a window, I naturally invest all of those things with deep mythology and mystery and meaning. I think I need to believe in that version of reality because I get very scared when I don't.”

“We can open up our computers and Skype with someone, and we see them. It's like looking through a window. And we can surf the internet through our phones, and it's like our consciousness is far away. Or we can step through a airplane door and be in another continent a few hours away. So technology feels, to me, like the doors sort of already exist, at least emotionally.”

“If [Pope's Francis] media-generated popularity, fragile as that may turn out to be when the world discovers that the pope is really a Catholic, opens windows of possibility for explaining that divine mercy leads us to the truths God revealed to us (and inscribed into the world and into us), then his reanimation of the papacy will advance the "Church in permanent mission" for which he called in Evangelii Gaudium, which is the grand strategy document of his pontificate.”

“The Japanese are virtuosos. They make just the little accent that makes all the difference. So much there is so beautiful - just a shop window display is a work of art. Just the way they make all kinds of things out of bamboo that are so ingenious. Just the way this little bamboo drain or latch is so beautiful. The masonry around the streams to hold the bank are beautiful - and not all one kind and not just cement.”

“I've always felt like the most improvement you can make is from year 1 to year 2, much like a college freshman who the most improvement he can make in an entire one year of college football is going from year 1 freshman year to his sophomore year. Like a pro football player going from his rookie season to his second season. There's a window there that will never come again that you have a chance to making your biggest strides.”

“Hey, folks, look at all the damage that Bill Clinton has done to feminism. First, oral sex is not sex now. You got a Lewinsky, it isn't sex. And sexual harassment, you know what it used to be? All you had to have for sexual harassment was for a superior in your office to use his power to have his way with you, no matter whether you wanted it or not. Now that's out the window. Because we can't, of course, have Bill Clinton said to have engaged in sexual harassment. No way. Not gonna happen.”