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Friedrich Nietzsche

Friedrich Nietzsche Quotes

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Famous Friedrich Nietzsche Quotes

“and what fantasy can there possibly be in misery? You sense that it will at length grow weary, that it is exhausting itself in constant tension, this inexhaustible fantasy, because after all one matures, outgrows one's former ideals; they are shattered into dust and fragments; and if you have no other life, it behoves you to construct one from those same fragments.”

“Reaction against the machine-culture. - The machine, itself a product of the highest intellectual energies, sets in motion in those who server it almost nothing but the lower, non-intellectual energies. It thereby releases a vast quantity of energy in general that would otherwise lie dormant, it is true; but it provides no instigation to enhancement, to improvement, to becoming an artist. It makes men active and uniform - but in the long run this engenders a counter-effect, a despairing boredom of soul, which teaches to long for idleness in all it varieties.”

“To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget (a good example of this in modem times is Mirabeau, who had no memory for insults and vile actions done him and was unable to forgive simply because he—forgot). Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine 'love of one's enemies' is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture 'the enemy' as the man of ressentiment conceives him—and here precisely is his deed, his creation: he has conceived 'the evil enemy,' 'the Evil One,' and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a 'good one'—himself!”

“However modest one may be in one's demand for intellectual cleanliness, one cannot help feeling, when coming into contact with the New Testament, a kind of inexpressible discomfiture: for the unchecked impudence with which the least qualified want to raise their voice on the greatest problems, and even claim to be judges of things, surpasses all measure. The shameless levity with which the most intractable problems (life, world, God, purpose of life) are spoken of, as if they were not problems at all but simply things that these little bigots KNEW!”

“Ce qui a besoin d’être démontré pour être cru ne vaut pas grand-chose. Partout où l’autorité est encore de bon ton, partout où l’on ne « raisonne » pas, mais où l’on commande, le dialecticien est une sorte de polichinelle : on se rit de lui, on ne le prend pas au sérieux.”

“Dante, I think, committed a crude blunder when, with a terror-inspiring ingenuity, he placed above the gateway of his hell the inscription, 'I too was created by eternal love'--at any rate, there would be more justification for placing above the gateway to the Christian Paradise...the inscription 'I too was created by eternal hate'...”

“Alas! what are you, after all, my written and painted thoughts! Not long ago you were so variegated, young and malicious, so full of thorns and secret spices, that you made me sneeze and laugh — and now? You have already doffed your novelty, and some of you, I fear, are ready to become truths, so immortal do they look, so pathetically honest, so tedious! And was it ever otherwise? What then do we write and paint, we mandarins with Chinese brush, we immortalizers of things which lend themselves to writing, what are we alone capable of painting? Alas, only that which is just about to fade and begins to lose its odour! Alas, only exhausted and departing storms and belated yellow sentiments! Alas, only birds strayed and fatigued by flight, which now let themselves be captured with the hand — with our hand! We immortalize what cannot live and fly much longer, things only which are exhausted and mellow! And it is only for your afternoon, you, my written and painted thoughts, for which alone I have colours, many colours, perhaps, many variegated softenings, and fifty yellows and browns and greens and reds; — but nobody will divine thereby how ye looked in your morning, you sudden sparks and marvels of my solitude, you, my old, beloved — evil thoughts!”

“The conviction reigns that it is only through the sacrifices and accomplishments of the ancestors that the tribe exists--and that one has to pay them back with sacrifices and accomplishments; one thus recognizes a debt that constantly grows greater, since these forebears never cease, in their continued existence as powerful spirits, to accord the tribe new advantages and new strength.”

“When we hear the old bells ringing out on a Sunday morning, we ask ourselves: can it be possible? This for a Jew, crucified two thousand years ago, who said he was the son of God. The proof of such a claim is wanting. Within our times the Christian religion is surely an antiquity jutting out from a far-distant olden time; and the fact that people believe such a claim...is perhaps the oldest part of this heritage. A god who conceives children with a mortal woman; a wise man who calls us to work no more; to judge no more; but to heed the signs of the imminent apocalypse; a justice that accepts the innocent man as a proxy sacrifice; someone who has his disciplines drink his blood; prayers for miraculous interventions; sins against a god, atoned for by a god; fear of the afterlife, to which death is the gate; the figure of the cross as a symbol, in a time that no longer knows the purpose and shame of the cross - how horribly all this wafts over us, as from the grave of the ancient past! Are we to believe that such things are still believed?”

“When a misfortune strikes us, we can overcome it either by removing its cause or else by changing the effect it has on our feelings, that is, by reinterpreting the misfortune as good, whose benefit may only later become clear. Religion and art (as well as metaphysical philosophy) strive to effect a change in our feeling, in part by changing the way we judge experiences...and in part by awakening a pleasure in pain, in emotion generally...The more a person tends to reinterpret and justify, the less will he confront the causes of the misfortune and eliminate them; a momentary palliation and narcotization (as used, for example, for a toothache) is also enough for him in more serious suffering. The more the rule of religions and all narcotic arts decrease, the more squarely do men confront the real elimination of the misfortune - of course, this is bad for the tragic poets (there being less and less material for the tragedy, because the realm of the inexorable, invincible fate grows ever smaller) but it is even worse for the priests (for until now they had fed on the narcotization of human misfortunes).”

“L’homme cherche un principe au nom duquel il puisse mépriser l’homme ; il invente un autre monde pour pouvoir calomnier et salir ce monde-ci ; en fait, il ne saisit jamais que le néant et fait de ce néant un « Dieu », une « vérité » appelés à juger et à condamner cette existence-ci.”

“Haven't you heard of that madman who in the bright morning lit a lantern and ran around the marketplace crying incessantly, 'I'm looking for God! l'm looking for God!' Since many of those who did not believe in God were standing around together just then, he caused great laughter. ‘Has he been lost, then?’ asked one. ‘Did he lose his way like a child?’ asked another. ‘Or is he hiding? Is he afraid of us? Has he gone to sea? Emigrated?’ — Thus they shouted and laughed, one interrupting the other. The madman jumped into their midst and pierced them with his eyes. 'Where is God?' he cried; 'I'll tell you! We have killed him - you and I! We are all his murderers. But how did we do this? How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Where is it moving to now? Where are we moving to? Away from all suns? Are we not continually falling? And backwards, sidewards, forwards, in all directions? Is there still an up and a down? Aren't we straying as though through an infinite nothing? Isn't empty space breathing at us? Hasn't it got colder? Isn't night and more night coming again and again? Don't lanterns have to be lit in the morning? Do we still hear nothing of the noise of the grave-diggers who are burying God? Do we still smell nothing of the divine decomposition? — Gods, too, decompose! God is dead! God remains dead! And we have killed him! How can we console ourselves, the murderers of all murderers! The holiest and the mightiest thing the world has ever possessed has bled to death under our knives: who will wipe this blood from us? With what water could we clean ourselves? What festivals of atonement, what holy games will we have to invent for ourselves? Is the magnitude of this deed not too great for us? Do we not ourselves have to become gods merely to appear worthy of it? There was never a greater deed — and whoever is born after us will on account of this deed belong to a higher history than all history up to now!' Here the madman fell silent and looked again at his listeners; they too were silent and looked at him disconcertedly. Finally he threw his lantern on the ground so that it broke into pieces and went out. 'I come too early', he then said; 'my time is not yet. This tremendous event is still on its way, wandering; it has not yet reached the ears of men. Lightning and thunder need time; the light of the stars needs time; deeds need time, even after they are done, in order to be seen and heard. This deed is still more remote to them than the remotest stars — and yet they have done it themselves!”

“Have you ever said Yes to a single joy? O my friends, then you have said Yes too to all woe. All things are entangled, ensnared, enamored; if ever you wanted one thing twice, if ever you said, "You please me, happiness! Abide, moment!" then you wanted all back. All anew, all eternally, all entangled, ensnared, enamored--oh then you loved the world. Eternal ones, love it eternally and evermore; and to woe too, you say: go, but return! For all joy wants--eternity.”

“On this perfect day, when everything is ripening and not only the grape turns brown, the eye of the sun just fell upon my life: I looked back, I looked forward, and never saw so many and such good things at once. It was not for nothing that I buried my forty-fourth year today; I had the right to bury it; whatever was life in it has been saved, is immortal. The first book of the Revaluation of All Values, the Songs of Zarathustra, the Twilight of the Idols, my attempt to philosophize with a hammer—all presents of this year, indeed of its last quarter! How could I fail to be grateful to my whole life?—and so I tell my life to myself.”

“What is great about man is that he is a bridge, not an end: what can be loved about man is that he is a going-over and a going-under. I love those who do not know how to live except as downgoers, for they are going over. [...] I love all those who are like heavy raindrops falling individually from the dark cloud that hang over man: they herald the coming of the lightning and perish as heralds.”

“For the highest man shall also be the highest lord on earth. There is no sorer misfortune in all human destiny, than when the mighty of the earth are not also the first men. Then everything becomes false and distorted and monstrous. And when they are even the last men, and more beast than man, then rises and rises the populace in honour, and at last says even the populace-virtue: 'Behold, I alone am virtue!”

“Die Verzückung des dionysischen Zustandes mit seiner Vernichtung der gewöhnlichen Schranken und Grenzen des Daseins enthält nämlich während seiner Dauer ein lethargisches Element, in das sich alles persönlich in der Vergangenheit Erlebte eintaucht. So scheidet sich durch diese Kluft der Vergessenheit die Welt der alltäglichen und der dionysischen Wirklichkeit von einander ab. Sobald aber jene alltägliche Wirklichkeit wieder ins Bewusstsein tritt, wird sie mit Ekel als solche empfunden; eine asketische, willenverneinende Stimmung ist die Frucht jener Zustände. In diesem Sinne hat der dionysische Mensch Aehnlichkeit mit Hamlet: beide haben einmal einen wahren Blick in das Wesen der Dinge gethan, sie haben erkannt, und es ekelt sie zu handeln; denn ihre Handlung kann nichts am ewigen Wesen der Dinge ändern, sie empfinden es als lächerlich oder schmachvoll, dass ihnen zugemuthet wird, die Welt, die aus den Fugen ist, wieder einzurichten. Die Erkenntniss tödtet das Handeln, zum Handeln gehört das Umschleiertsein durch die Illusion - das ist die Hamletlehre, nicht jene wohlfeile Weisheit von Hans dem Träumer, der aus zu viel Reflexion, gleichsam aus einem Ueberschuss von Möglichkeiten nicht zum Handeln kommt; nicht das Reflectiren, nein! - die wahre Erkenntniss, der Einblick in die grauenhafte Wahrheit überwiegt jedes zum Handeln antreibende Motiv, bei Hamlet sowohl als bei dem dionysischen Menschen. Jetzt verfängt kein Trost mehr, die Sehnsucht geht über eine Welt nach dem Tode, über die Götter selbst hinaus, das Dasein wird, sammt seiner gleissenden Wiederspiegelung in den Göttern oder in einem unsterblichen Jenseits, verneint. In der Bewusstheit der einmal geschauten Wahrheit sieht jetzt der Mensch überall nur das Entsetzliche oder Absurde des Seins, jetzt versteht er das Symbolische im Schicksal der Ophelia, jetzt erkennt er die Weisheit des Waldgottes Silen: es ekelt ihn. Hier, in dieser höchsten Gefahr des Willens, naht sich, als rettende, heilkundige Zauberin, die Kunst; sie allein vermag jene Ekelgedanken über das Entsetzliche oder Absurde des Daseins in Vorstellungen umzubiegen, mit denen sich leben lässt: diese sind das Erhabene als die künstlerische Bändigung des Entsetzlichen und das Komische als die künstlerische Entladung vom Ekel des Absurden. Der Satyrchor des Dithyrambus ist die rettende That der griechischen Kunst; an der Mittelwelt dieser dionysischen Begleiter erschöpften sich jene vorhin beschriebenen Anwandlungen.”

“Os homens de espírito livre, que vivem só para o conhecimento, em breve acharão ter alcançado a sua definitiva posição relativamente à sociedade e ao Estado e, por exemplo, dar-se-ão de bom grado por satisfeitos com um pequeno emprego ou com uma fortuna que chegue à justa para viver; pois arranjar-se-ão para viver de maneira que uma grande tansformação dos bens materiais, até mesmo um derrube da ordem política, não deite também abaixo a sua vida. Em todas essas coisas eles gastam a menor energia possível, de modo a poderem imergir, com todas as forças reunidas e, por assim dizer, com um grande fôlego, no elemento do conhecimento. Podem, assim, ter esperança de mergulhar profundamente e também de, talvez, verem bem até ao fundo.”

“As if it were the task of every time to be just to everything before it! Ages and generations have never the right to be the judges of all previous ages and generations: only to the rarest men in them can that difficult mission fall. Who compels you to judge? If it is your wish—you must prove first that you are capable of justice. As judges, you must stand higher than that which is to be judged: as it is, you have only come later. The guests that come last to the table should rightly take the last places: and will you take the first? Then do some great and mighty deed: the place may be prepared for you then, even though you do come last.”

“The recipe for becoming a good novelist, for example is easy to give but to carry it out presupposes qualities one is accustomed to overlook when one says 'I do not have enough talent'. One has only to make a hundred or so sketches for novels, none longer than two pages but of such distinctness that every word in them is necessary; one should write down anecdotes each day until one has learned how to give them the most pregnant and effective form; one should be tireless in collecting and describing human types and characters; one should above all relate things to others and listen to others relate, keeping one's eyes and ears open for the effect produced on those present, one should travel like a landscape painter or costume designer; one should excerpt for oneself out of the individual sciences everything that will produce an artistic effect when it is well described, one should, finally, reflect on the motives of human actions, disdain no signpost to instruction about them and be a collector of these things by day and night. One should continue in this many-sided exercise some ten years: what is then created in the work­shop, however, will be fit to go out into the world. - What, however, do most people do? They begin, not with the parts, but with the whole. Per­haps they chance to strike a right note, excite attention and from then on strike worse and worse notes, for good, natural reasons.”

“It has gradually become clear to me what every great philosophy up till now has consisted of—namely, the confession of its originator, and a species of involuntary and unconscious auto-biography; and moreover that the moral (or immoral) purpose in every philosophy has constituted the true vital germ out of which the entire plant has always grown. Indeed, to understand how the abstrusest metaphysical assertions of a philosopher have been arrived at, it is always well (and wise) to first ask oneself: "What morality do they (or does he) aim at?" Accordingly, I do not believe that an "impulse to knowledge" is the father of philosophy; but that another impulse, here as elsewhere, has only made use of knowledge (and mistaken knowledge!) as an instrument. But whoever considers the fundamental impulses of man with a view to determining how far they may have here acted as inspiring genii (or as demons and cobolds), will find that they have all practiced philosophy at one time or another, and that each one of them would have been only too glad to look upon itself as the ultimate end of existence and the legitimate lord over all the other impulses. For every impulse is imperious, and as such, attempts to philosophize.”

“What if some day or night a demon were to steal after you into your loneliest loneliness and say to you: 'This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence ... ' Would you not throw yourself down and gnash your teeth and curse the demon who spoke thus? Or have you once experienced a tremendous moment when you would have answered him, 'You are a god and never have I heard anything more divine.' ... The question in each and every thing, 'Do you desire this once more and innumerable times more?' would lie upon your actions as the greatest weight.”

“At the centre of all these noble races we cannot fail to see the blond beast of prey, the magnificent blond beast avidly prowling round for spoil and victory; this hidden centre needs release from time to time, the beast must out again, must return to the wild: - Roman, Arabian, Germanic, Japanese nobility, Homeric heroes, Scandinavian Vikings - in this requirement they are all alike. It was the noble races which left the concept of 'barbarian' in their traces wherever they went; even their highest culture betrays the fact that they were conscious of this and indeed proud of it.”