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William Faulkner

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Famous William Faulkner Quotes

“The razor hung between his shoulder-blades from a loop of cotton string round his neck inside his shirt. The same motion of the hand which brought the razor forward over his shoulder flipped the blade open and freed it from the cord, the blade opening on until the back edge of it lay across the knuckles of his fist, his thumb pressing the handle into his closing fingers, so that in the second before the half-drawn pistol exploded he actually struck at the white man's throat not with the blade but with a sweeping blow of his fist, following through in the same motion so that not even the first jet of blood touched his hand or arm.”

“It begins to rain. The first harsh, sparse, swift drops rush through the leaves and across the ground in a long sigh, as though of relief from intolerable suspense. They are big as buckshot, warm as though fired from a gun; they sweep across the lantern in a vicious hissing. Pa lifts his face, slackmouthed, the wet black rim of snuff plastered close along the base of his gums; from behind his slack-faced astonishment he 'muses as though from beyond time, upon the ultimate outrage. Cash looks once at the sky, then at the lantern. The saw has not faltered, the running gleam of its pistoning edge unbroken. "Get something to cover the lantern," he says.”

“The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.”

“He began to breathe deep. He could feel himself breathing deep, as if each time his insides were afraid that next breath they would not be able to give far enough and that something terrible would happen, and that all the time he could look down at himself breathing, at his chest, and see no movement at all, like when dynamite first begins, gathers itself for the now Now NOW, the shape of the outside of the stick does not change”

“[A] generation ago ... the thing to do was to get married at twenty-one and go to work immediately, regardless of one's equipment or inclination or aptitude. But now they grow up into the convention that youth, that being under thirty years of age, is a protracted sophomore course without lectures, in which one must spend one's entire time dressed like a caricature, drinking homemade booze and pawing at the opposite sex in the intervals of being arrested by traffic policeman.”

“From that night the thousand streets ran as one street, with imperceptible corners and changes of scene, broken by intervals of begged and stolen rides, on trains and trucks, and on country wagons with he at twenty and twentyfive and thirty sitting on the seat with his still, hard face and the clothes (even when soiled and worn) of a city man and the driver of the wagon not knowing who or what the passenger was and not daring to ask. The street ran into Oklahoma and Missouri and as far south again as Mexico and then back north to Chicago and Detroit and then back south again and at last to Mississippi. It was fifteen years long.”

“Look. You are playing poker (I assume you know poker, or at least—like a lot of people—anyway play it.) You draw cards. When you do that, you affirm two things: either that you have something to draw to, or are willing to support to your last cent the fact that you have not. You dont draw and then throw the cards in because they are not what you wanted, expected, hoped for; not just for the sake of your own soul and pocket-book, but for the sake of the others in the game, who have likewise assumed that unspoken obligation.”

“I don't mean a 1905 Republican---I don't know what his Tennessee politics were, or if he had any---I mean a 1961 Republican. He was more: he was a Conservative. Like this: a Republican is a mad who made his money; a Liberal is a man who inherited his; a Democrat is a barefooted Liberal in a cross-country race; a Conservative is a Republican who has learned to read and write.”

“The cotton was open and spilling into the fields; the very air smelled of it. In field after field as he passed along the pickers, arrested in stooping attitudes, seemed fixed amid the constant surf of bursting bolls like piles in surf, the long, partly-filled sacks streaming away behind them like rigid frozen flags. The air was hot, vivid and breathless--a final fierce concentration of the doomed and dying summer.”

“Es gab einmal – Merken Sie, wie sich, von der Sonne an dieser Wand hervorgepresst, der Duft der Glyzinie herauslöst und (vom Licht ungehindert) wie in einer heimlichen Weiterleitung von Teilchen zu Teilchen der Myriaden von Elementen der Dunkelheit dieses Zimmer durchdringt? Das ist die Substanz der Erinnerung – Gefühl, Gesicht, Geruch: die Muskeln, mit denen wir sehen, hören und fühlen – nicht Bewusstsein, nicht Denken: So etwas wie Gedächtnis gibt es nicht: Das Gehirn entsinnt sich nur dessen, wonach die Muskeln greifen: nicht mehr, nicht weniger: Und was dabei herauskommt, ist normalerweise ungenau und falsch und verdient nur die Bezeichnung Traum.”

“«I don’t know», Byron said. «I reckon that’s just my life». «And I reckon this is just my life, too» the other said. «But I know why it is», Byron thinks. «It is because a fellow is more afraid of the trouble he might have than he ever is of the trouble he’s already got. He’ll cling to trouble he’s used to before he’ll risk a change. Yes. A man will talk about how he’d like to escape from living folks. But it’s the dead folks that do him the damage. It’s the dead ones, that lay quiet in one place and don’t try to hold him, that he can’t escape from».”

“Because you know that's all I needs, all I wants, is for you to try to run, to turn your back on me and run. I know you aint going to. Because all you got to beat is me. I got to beat old Carothers. Get your pistol." "No," the other said. "Go home. Get out of here. Tonight I will come to your house-----" "After this?" Lucas said. "Me and you, in the same country, breathing the same air even? No matter what you could say, what you could even prove so I would have to believe it, after this? Get your pistol.”

“...seeing as he sat down on the log the crooked print, the warped indentation in the wet ground which while he looked at it continued to fill with water until it was level full and the water began to overflow and the sides of the print began to dissolve away. Even as he looked up he saw the next one, and, moving, the one beyond it; moving, not hurrying, running, but merely keeping pace with them as they appeared before him as though they were being shaped out of thin air just one constant pace short of where he would lose them forever and be lost forever himself, tireless, eager, without doubt or dread, panting a little above the strong rapid little hammer of his heart, emerging suddenly into a little glade and the wilderness coalesced. It rushed, soundless, and solidified––the tree, the bush, the compass and the watch glinting where a ray of sunlight touched them. Then he saw the bear. It did not emerge, appear: it was just there, immobile, fixed in the green and windless noon's hot dappling, not as big as he had dreamed it but as big as he had expected, bigger, dimensionless against the dappled obscurity, looking at him.”

“All of us [writers] failed to match our dream of perfection. So I rate us on the basis of our splendid failure to do the impossible. In my opinion, if I could write all my work again, I am convinced that I would do it better, which is the healthiest condition for an artist. That’s why he keeps on working, trying again; he believes each time that this time he will do it, bring it off. Of course he won’t, which is why this condition is healthy. Once he did it, once he matched the work to the image, the dream, nothing would remain but to cut his throat, jump off the other side of that pinnacle of perfection into suicide. I’m a failed poet. Maybe every novelist wants to write poetry first, finds he can’t, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.”

“At one time I thought the most important thing was talent. I think now that — the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not. [Press conference, University of Virginia, May 20, 1957]”

“And George Farr had the town, the earth, the world to himself and his sorrow. Music came faint as a troubling rumor beneath the spring night, sweetened by distance: a longing knowing no ease. (Oh God, oh God!) At last George Farr gave up trying to see her. He had 'phoned vainly and time after time, at last the telephone became the end in place of the means: he had forgotten why he wanted to reach her. Finally he told himself that he hated her, that he would go away; finally he was going to as much pains to avoid her as he had been to see her. So he slunk about the streets like a criminal, avoiding her, feeling his his very heart stop when he did occasionally see her unmistakable body from a distance. And at night he lay sleepless and writhing to think of her, then to rise and don a few garments and walk past her darkened house, gazing in slow misery at the room in which he knew she lay, soft and warm, in intimate slumber, then to return to home and bed to dream of her brokenly.”

“He turned into the road at that slow and ponderous gallop, the two of them, man and beast, leaning a little stiffly forward as though in some juggernautish simulation of terrific speed though the actual speed itself was absent, as if in that cold and implacable and undeviating conviction of both omnipotence and clairvoyance of which they both partook known destination and speed were not necessary.”

“When she ((Ellen)) shopped (there were twenty stores in Jefferson now)she unbent without even getting out of the carriage, gracious and assures and talking the most complete nonsense, voluble, speaking her bring set meaningless phrases out of the part which she had written for herself, of the duchess peripatetic with property soups and medicines among a soilless and uncompelled peasantry - a woman who, if she had the fortitude to bear sorrow and trouble, might have rise to actual stardom in the role of the matriarch arbitrating from the fireside corner of a crone the pride and destiny of her family, instead of turning at the last to the youngest member of it and asking her to protect the others.”