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A Quotes

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All A Quotes

“Adapun sekarang teman setia, saya akan bercerita kepadamu. Tentu saja benar-benar dari hati ke hati tentang berbagai hal mengenai rencana kami. Jalan bagi kami untuk berdiri sendiri akan terbuka. Dengan demikian sekaligus kami dapat mengabdikan diri kepada sesama manusia seperti: dokter, bidan, guru, pengarang, ahli dalam berbagai seni rupa. Jalan yang lainnya masih terbuka juga bagi kami untuk hidup berdiri sendiri. Tetapi kami tidak ingin menempuh jalan itu, karena pekerjaan itu tidak bermanfaat bagi bangsa kami. Apakah gunanya bagi bangsa kami apabila kami misalnya menjadi pembantu apoteker, pemegang buku, pengetuk kawat, klerek pada salah satu kantor dan lain-lain macam itu? Lingkungan kerja dan kehidupan terikat kepada pekerjaan seperti itu tidak menarik hati kami. Kami ingin hidup kaya dengan jasa dan penuh dengan cita-cita.”

“Adara, cease!" She froze at the sound of a voice she hadn't expected to hear. For a moment she thought she might be dreaming, until she blinked to look up into the most handsome face she'd ever known. She stared at the same blue eyes that made the tenderest of love to her. Christian. Her grip went lax and the candlestick in her hand fell to the floor. He was alive! She threw herself into his arms and held him close as giddy tears replaced her grief-induced ones. At least until her rage took hold again. "Damn you, you worthless, heartless son of a dog!" she snarled, pulling back to strike at his chest. "How dare you make me think you were dead! Don't you ever do such a thing to me again. " Christian was stunned by her language and actions. "I didn't know you could hear us through the door." She struck him again on his armor, a blow that no doubt he felt not at all, but it gave her some degree of satisfaction. "Well, think better next time." Her untoward anger amused him. Wiping the tears from her face, he kissed her tenderly.”

“Adarusa Hapaheman yang merubuhkan pohon itu adalah kerabat dekatmu Batu yang dulu kaupungut dari sungai dan membawanya ke tepi Jejak yang ia tinggalkan di atas tanah tegalan yang kekeringan Dan janji yang tak terbeli. Istrinya adalah sekuntum mawar yang layu sebelum waktunya Sandyakala yang mendadak tua setelah melahirkan 3 ekor anak burung; Seekor burung gagak Seekor burung prenjak Dan seekor merpati yang pemalu namun baik hati. Mereka tak pernah terbang terlalu jauh dari sarang itu. Sarang yang bukan miliknya Rumah yang tak pernah ia dirikan untuk keluarga. Karena ia hanyalah seekor adarusa. Tak ada yang dimilikinya sendiri kecuali hutang-hutang masa lalu; Tanah yang tak pernah ia cangkul. Benih yang tak pernah ia tanam. Adakah kemarahan semacam itu akan terpendam selamanya? Seekor pejantan lancung yang hanya bisa datang saat ia lapar Dan lalu pergi hanya untuk memenuhi egonya sendiri. Ia telah menjadi beban bagi masa silam Dan batu yang kian hari kian memberati Sayap-sayap kelam yang tak mampu terbang lagi. Telah tua ia sekarang Masih dengan tabiat yang sama Watak yang sepertinya hendak ia bawa mati Langit sekarat menunggu waktu Segala apa yang ia punya, hanyalah luka Bukan nama atau harta untuk diwariskan. Takdir dan nasib buruk serupa suara guntur di kejauhan. Ia adalah hapaheman yang merubuhkan pohon Tempat di mana sarang itu berada. Sarang yang ditinggali istri dan tiga anak-anaknya. November 2025”

“Adat Berdaulat. Saya kira adat berdaulat harus terus digemakan. Dan bukan hanya di Aceh, adat sebagai peradaban dikenal di seluruh tanah Melayu Asia Tenggara. Kalau Yunani yang kecil bisa memenuhi kepala setiap orang di dunia dengan demokrasi, mestinya wilayah tanah Melayu yang luas juga bisa diseminasikan gagasan-gasasan khas adat kepada dunia.”

“Adat bersendi syarak, syarak bersendi kitabullah, syarak mengata, adat memakai. Maknanya, adat Minangkabau itu merujuk pada agama dan agama merujuk pada Al-Quran. Agama yang memberikan fatwa, adat yang melaksanakannya. Antara agama dan adat itu tidak untuk dipertentangkan, tapi saling bersandar satu sama lain. Kalian amalkan agama, tapi kalian hormati pula adat istiadat kita yang kaya ini. Adat yang baik kita pakai, yang buruk kita buang.”

“Add a fresh twist of creativity to make a stellar impression which people won’t soon forget. Granted, your venue will determine how far you can stretch and how creative you can be. Making small tweaks to your conversation starters can make a memorable impact!”

“Add boyish, slim as a board, pancake. It's okay, I've heard it all." He raised his head and said mildly, "I wasn't thinking in terms of your chest size." "Good thing as I don't have one." She smirked and popped a big chunk of potato into her mouth. "The nice thing is I can run without those things flying in my face, too." And damn if she didn't make a comical face that had him shouting with laughter.”

“Add orange peel and cinnamon to milk. Grate the chocolate.' The hard, round cake of chocolate was wrapped in yellow plastic with red stripes, shiny and dark when she opened it. The chocolate made a rough sound as it brushed across the fine section of the grater, falling in soft clouds onto the counter, releasing a scent of dusty back rooms filled with bittersweet chocolate and old love letters, the bottom drawers of antique desks and the last leaves of autumn, almonds and cinnamon and sugar. Into the milk it went. 'Add anise.' Such a small amount of ground spice in the little bag Abuelita had given her. It lay there quietly, unremarkable, the color of wet beach sand. She undid the tie around the top of the bag and swirls of warm gold and licorice danced up to her nose, bringing with them miles of faraway deserts and a dark, starless sky, a longing she could feel in the back of her eyes, her fingertips.”

“Add something new to what already there There are no answers to some of your questions Questions are great methods for learning something new A new beginning is a chance for you to change Change what makes you cheap A cheap behavior is not from God God exists Brush your teeth before you eat Eat healthy for a healthy body and mind Mind your business and your business will grow Grow a routine of daily readying habit every day Every day is a gift from God God exists Come join the game The game is your life Your life on earth is full of games Games are amusing and entertaining sometimes Sometimes people see God God exists Dance every day for a good day A good day always happens for an honest person An honest person is always thankful no matter what What you need is love Love unlimited love for unlimited love Unlimited love comes from God God exists Eight days are not in a week but seven Seven lessons are not enough for strength Strength is pretty and inside Inside a child is undiscovered moments Moments may occur only once Once we happened we are watched by God God exists Flowers can fly if they believe Believe whites can harm you like sugar and sault Sault can save someone’s life Life begins when a person is free Free things are always not free Free your life from judgment and you will be free Free your time every day to pray Pray always to God God Exists Youth is present and pleases Pleases are desired and expensive Expensive like yesterday Yesterday was and will never be is Is hope a wish or a target or neither Neither today nor yesterday is tomorrow Tomorrow is a gift from God God exists Zero is a digit and an oval shape Shape your destiny, which endures Endures are everlasting life Life without God is not life Life with love is with God God exists”

“Add the hippie-rock-drugs atmosphere circa 1970, and you get Clinton's rechristened group Parliament, decked out in weird costumes, singing cosmic lyrics and laying down amazing funk lines - also lines of other kinds. One observer describes Maggot Brain ... one of those guys with super technique that took a lot of acid and just went out from there.”

“Add there was that moment when my mother and father walked in the door disguised as old people. I thought the miles in the car had bent them, dulled their eyes, even grayed and whitened their hair and caused their hands and voices to tremble. At the same time, I found, as I rose form the chair, I'd gotten old along with them.”

“Add to this cruelly delicate organism the overpowering necessity to create, create, create - so that without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating.”

“Added to all this is the universal dread of reality. We "pale-faces" have it, all of us, although we are seldom, and most of us never, conscious of it. It is the spiritual weakness of the "Late" man of the higher civilizations, who lives in his cities cut off from the peasant and the soil and thereby from the natural experiencing of destiny, time, and death. He has become too wide awake, too accustomed to ponder perpetually over yesterday and tomorrow, and cannot bear that which he sees and is forced to see: the relentless course of things, senseless chance, and real history striding pitilessly through the centuries into which the individual with his tiny scrap of private life is irrevocably born at the appointed place. That is what he longs to forget, refute, or contest. He takes flight from history into solitude, into imaginary far-away systems, into some faith or another, or into suicide. Like a grotesque ostrich he buries his head in hopes, ideals, and cowardly optimism: it is so, but it ought not to be, therefore it is otherwise. We sing in the woods at night because we are afraid.”

“Added to the exigencies of structure are the necessities developing about the recurring characters in any [television] series. These types must remain stable enough for audience identification and development of residual personality, yet they are also responsible for satisfying the constant demand for variety. Irwin Blacker indicates the problem of developing character as one of the difficulties of creating a classic Western in the television format. If the story is to have any significance, says Blacker, the people in it must change; yet in a Western series the hero cannot risk change. The writer, therefore, must continually use "guest" characters who are able to develop, change, or die within the context of the weekly episode while the hero functions as a catalyst in that action. This constraint, though preventing the series from developing into a significant drama, achieves a twofold purpose necessary to the continuing story: the variety of secondary plots and character retains audience interest; the stability of the continually developing (but basically unchanging) residual personality of the hero sustains audience loyalty.”

“Added to the shock of the routine violation of their bodies was the trauma of having to relinquish their children to unknown slave-holders. [W.E.B.] Du Bois considered this physical, mental, and spiritual abuse of black women--with its inevitable result being the destruction of the traditional African family--the highest crime committed by slave-holders and the one thing for which he said he could not forgive them.”