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O Quotes

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All O Quotes

“Once," Balinda begins softly, "when I was in the emergency room with my mother they brought in a murderer who had been shot and was dying, right there in front of us. I watched as the nurse touched his face and reassured him and I could not believe they were being so nice to him.""What happened?" Jill asked."My mother rose up, took my arm, gripped it as if she was a weight lifter and said, 'he was a beautiful baby once and his mother loved him'.”

“Once— and most of the night definitely counts as once—you can write off as a mistake. But you do this again and he's going to start thinking he has rights over you.” She knew predatory changeling men. They liked control. They particularly liked their women to submit. And Riley was one big giant hunk of testosterone-fueled Neanderthal wolf—he probably thought her submission was his right. She snorted. “Not in this lifetime.”

“Ond hen foi go lew ydi Twm, Sioned,' medda fo, 'ac mae o wedi penderfynu peidio deud wrth neb am y grempog honno rhag ofn i'r llanciau 'ma ddychryn, ac y byddi di'n hen ferch ar hyd dy oes.’ Ffasiwn lol, ynte, fel taswn i'n hidio mae hen ferch fydda i, ac mae'n ddigon tebyg mai felly bydd hi hefyd, achos dydw i ddim wedi gweld neb yn debyg i Bob eto. ‘A good-hearted boy is Tom, Sioned,’ said Bob, ‘and he decided to say nothing about your cooking lest he frighten all the boys your age, and lose you any hope of a husband, and have you die an old maid.’ Little did they know, but I was likely to die an old maid in any case, for I’d found no-one the measure of Bob.”

“Onde há luz tem de haver sombra e onde há sombra é forçoso que haja luz. Não existe sombra sem luz, nem luz sem sombra. Num dos seus livros, Karl Jung disse o seguinte acerca da "sombra". É tµao má quanto nós somos positivos...quanto mais tentamos desesperadamente ser bons, maravilhosos e perfeitos, mas a sombra desenvolve uma clara determinação em ser negra, má e destrutiva....a verdade é que tentamos muito para além das nossas forçar tornarmos-nos perfeitos, a sombra desce ao inferno e convertes-se no diabo. Porque do onto de vista da natureza e da verdade é igualmente pecaminoso o factor de alguém tentar tornar-se superior ou inferior a si próprio.”

“Onde terá ficado aquela criança que apenas conhece da fotografia e cuja memória há muito se perdeu na sedimentação dos dias? Não se recorda quando se separaram. Quando um deixou de ser o outro. Onde está nele aquela criança? O homem que é hoje é o resultado de todos os dias daquela criança? E se os dias tivessem sido outros, seria outro homem? Se ele pudesse apagar alguns dias, seriam todos os outros suficientes para para ele ser quem hoje é? Apagar alguns dias. Apagar um dia, que fosse aquele dia. Será o homem apenas o conjunto das suas memórias ou será antes a soma de todos os seus esquecimentos?”

“Onder invloed van het marxisme ontstond in de wereldgeschiedenis ook nog een zesde vorm van arbeidsdeling, de nomisch technische arbeidsverdeling. Die werd voor het eerst in de Sovjet-Unie ingevoerd in 1917 en verdween er met de Val van de Muur in 1989. De werkende bevolking werd er wijsgemaakt dat het een vorm van nomische arbeidsverdeling was die spontaan was ontstaan en niet door de overheid werd afgedwongen. Maar in werkelijkheid ging het niet om communisme, wel integendeel om staatskapitalisme. Op papier heerst er nog steeds communisme in de Volksrepubliek China, maar dat komt dan enkel maar omdat papier er zeer gewillig is (geen wonder, want het papier werd juist in China uitgevonden). Harde vormen van communisme zijn na de Val van de Muur nog een korte tijd blijven voortbestaan in Cuba en in Albanië, maar zijn ondertussen ook daar verdwenen. Enkel in het totaal geïsoleerde Noord-Korea is de nomisch technische arbeidsverdeling tot op vandaag blijven voortbestaan. Tot een afsterven van de staat, zoals Marx voorspelde, heeft het zeker niet geleid, wel tot een verpletterend staatsapparaat gecontroleerd door de gewetenloze machtsclique rond de vereerde Leider.”

“One [idea] was that the Universe started its life a finite time ago in a single huge explosion, and that the present expansion is a relic of the violence of this explosion. This big bang idea seemed to me to be unsatisfactory even before detailed examination showed that it leads to serious difficulties.”

“One [paradox] is that pornography follows in that wake of women's liberation. The first instances of hard-core pornography were in late 18th-century in France, "the Golden Age of Women." The next wave in the 20th century comes from Sweden, one of the first countries where women voted. Then Germany, again, at the forefront of progress. Then America in the '80s, when women were closing the pay gap. And Japan, same thing.”

“One: A Book Is A Universe and the Universe is a Book. Inside a book, any Physiks or Magical Laws or Manners or Histories may hold sway. A book is its own universe and while in it, you must play by their rules. More or less. Some of the more modern novels are lenient on this point and have very few policemen to spare. This is why sometimes, when you finish a book, you feel strange and woozy, as though you have just woken up. Your body is getting used to the rules and your own universe again. And your own universe is just the biggest and longest and most complicated book ever written—except for all the other ones. This is also why books along the walls make a place feel different—all those universes, crammed into one spot! Things are bound to shift and warp and hatch schemes! Two: Books Are People. Some are easy to get along with and some are shy, some are full of things to say and some are quiet, some are fanciful and some are plainspoken, some you will feel as though you've known forever the moment you open the cover, and some will take years to grow into. Just like people, you must be introduced properly and sit down together with a cup of something so that you can sniff at each other like tomcats but lately acquainted. Listen to their troubles and share their joys. They will have their tempers and you will have yours, and sometimes you will not understand a book, nor will it understand you—you can't love all books any more than you can love every stranger you meet. But you can love a lot of them. And the love of a book is a precious, subtle, strange thing, well worth earning, And just like people, you are never really done with a book—some part of it will stay with you, gently changing the way you see and speak and know. Three: People Are Books. This has two meanings. The first is: Every person is a story. They have a beginning and a middle and an end (though some may have sequels and series).They have motifs and narrative tricks and plot twists and daring escapes and love lost and love won. The rules of books are the rules of life because a book must be written by a person alive, and an alive person will usually try to tell the truth about the world, even if they dress it up in spangles and feathers. The other meaning is: When you read a book, it is not only a story. It is never only a story. Exciting plots may occur, characters suffer and triumph, yes, It is a story. But it is also a person speaking to you, directly to you. A person far away, perhaps in time, perhaps in space, perhaps both. A person who wanted to say something so loud that everyone could hear it. A book is a time-travelling teleportation machine. And there's millions and millions of them! When you read a book, you have a conversation with the person who wrote it. And that conversation is never quite the same twice. Every single reader has a different chat, because they are different people with different histories and ideas in their heads. Why, you cannot even have the same conversation with the same book twice! If you read a book as a child, and again as a Grown-Up, it will be something altogether other. New things will have happened to you, new folk will have come into your life and taught you wild and wonderful notions you never thought of before. You will not be the same person—and neither will the book. When you read, know that someone somewhere wrote those very words just for you, in hopes that you would find something there to take with you in your own travels through time and space.”

“One absolutely crucial change is that feminist film theory is today an academic subject to be studied and taught. "Visual Pleasure and Narrative Cinema" was a political intervention, primarily influenced by the Women's Liberation Movement and, in my specific case, a Women's Liberation study group, in which we read Freud and realised the usefulness of psychoanalytic theory for a feminist project.”

“One achieves the Self-state (swa-artha) while searching for the highest truth (param-artha). The search for the highest truth is solely for the purpose of attaining the Self, and once the Self is attained there is no need to search for the highest truth.”