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All T Quotes

“The Marquis sighed. "I thought it was just a legend," he said. "Like the alligators in the sewers of New York City." Old Bailey nodded, sagely: "What, the big white buggers? They're down there. I had a friend lost a head to one of them." A moment of silence. Old Naeiley handed the statue back to the Marquis. Then he raised his hand, and snapped it, like a crocodile hand, at the Carabas. "It was OK," gurned Old Bailey with a grin that was most terrible to behold. "He had another.”

“The Marquis stepped between Richard and Door. 'You can't go back to your old home or your old job or your old life,' he said to Richard almost gently. 'None of those things exist. Up there, you don't exist.' They had reached a junction: a place where three tunnels came together. Door and Hunter set off along one of them, the one that no water was coming down, and they did not look back. The Marquis lingered. 'You'll just have to make the best of it down here,' he said to Richard, 'in the sewers and the magic and the dark.”

“The marriage institution cannot exist among slaves, and one sixth of the population of democratic America is denied it's privileges by the law of the land. What is to be thought of a nation boasting of its liberty, boasting of it's humanity, boasting of its Christianity, boasting of its love of justice and purity, and yet having within its own borders three millions of persons denied by law the right of marriage?”

“The marriage of reason and nightmare that dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the spectres of sinister technologies and the dreams that money can buy. Thermo-nuclear weapons systems and soft-drink commercials coexist in an overlit realm ruled by advertising and pseudo-events, science and pornography. Over our lives preside the great twin leitmotifs of the 20th century – sex and paranoia…In a sense, pornography is the most political form of fiction, dealing with how we use and exploit each other, in the most urgent and ruthless way.”

“The marriage of reason and nightmare which has dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the specters of sinister technologies and the dreams that money can buy. Thermonuclear weapons systems and soft drink commercials coexist in an overlit realm ruled by advertising and pseudoevents, science and pornography. Over our lives preside the great twin leitmotifs of the 20th century-sex and paranoia.”

“The marriage relationship is one of God's creations for building up people. It gives husbands and wives the chance to minister to an immortal human being in a uniquely intimate fashion. To enjoy the meaningfulness of marriage, then, requires a once-made but ongoing commitment of mutual ministry to our mates and the more we seize them, the more meaning our marriage will have.”

“The marriage tie becomes possessed of a history and takes to itself traditions. This history and these traditions form a great fund, to which changing conditions and growing imagination constantly add. And the traditions, more especially, bear heavily upon the individual, overmastering his natural expression of the love instinct and forcing him to an artificial expression of that love instinct. He loves, not as his savage forbears loved, but as his group loves.”

“The married man and the mother of a Christian family, if they are faithful to their obligations, will fulfill a mission that is as great as it is consoling: that of bringing into the world and forming young souls capable of happiness and love, souls capable of sanctification and transformation in Christ.”

“The married thing. Sometimes I look at it and feel like someone from a Dickens novel, standing outside in the cold and staring in at Christmas dinner. Relationships hadn't ever really worked for me. I think it's had something to do with all the demons, ghosts, and human sacrifice.”

“The Marshall guitar amplifier doesn't just get louder when you turn it up. It distorts the sound to produce a whole range of new harmonics, effectively turning a plucked string instrument into a bowed one. A responsible designer might try to overcome this limitation - probably the engineers at Marshall tried, too. But that sound became the sound of, among others, Jimi Hendrix. That sound is called electric guitar.”

“The Marshall Society talk was doubtless interesting, but probably not altogether pleasant for Hayek. Some forty-odd years later, Joan Robinson in her Ely Lecture talked about how Hayek had “covered the blackboard with his triangles” and about the “pitiful state of confusion” within economics that his talk, in retrospect, represented. In her recounting, Kahn had “asked in a puzzled tone, ‘Is it your view that if I went out tomorrow and bought a new overcoat, that would increase unemployment?’ ‘Yes,’ said Hayek. ‘But,’ pointing to his triangles on the board, ‘it would take a very long mathematical argument to explain why’” (Robinson 1978a [1972], 2–3). In his own reminiscence, Kahn (1984) observed: “It is only fair to Hayek to mention that he had to condense four lectures into one, and that they were written when he had a high temperature” (182).”

“The Martian history was not too different from that on Earth. The only exception was that people left the satellites and went to the surface of Mars and eventually after extensive construction found their way under a dozen domes on the red surface of the red planet. There, in the constructed safety of a domed environment the new Martians began to pollute and poison Mars as they had Earth. Garbage was a real problem. The consumption of foodstuffs created waste.” Excerpt From Onto a Sea of Stars Mark Sneed This material may be protected by copyright.”