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Aim Quotes

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Aim Quotes

“Many people prefer a view of human nature that includes a true side and a false side - in other words, humans have a single genuine aim and the rest is decoration, evasion, or cover-up. That's intuitive, but it's incomplete. A study of the brain necessitates a more nuanced view of human nature.”

“My primary early interest was in marketing and my aim was to improve its theories, methods and tools. Early on I pressed companies to adopt a consumer orientation and to be in the value creation business. I didn't pay much attention to the social responsibilities of business until later. Now I am pressing companies to address the triple bottom line: people, the planet, and profits. I found that companies were too much into short term profit maximization and they needed to invest more in sustainability thinking.”

“One analysis found that every dollar in the opening offer translates to about 50 cents more in the final agreement. So put the first offer on the table and aim high. A friend of mine says, "You should ask for the highest number you can utter without bursting out laughing." Do your research - I talk to people in my industry so I have goal in mind. Women low ball themselves, so if you think you are going way higher than you should, tell yourself that's probably what a man in your position would be asking for.”

“If there ever was a time for a cool, rational and unemotional series of responses on the part of people in Europe, it is now. One reason is that Russia's President Vladimir Putin and Trump are very similar: They are macho types, they are bullies - and they want the same thing: to weaken the EU, albeit for different reasons. Trump, for his part, is a protectionist of the first order, and he wants to make his vision work. He shows no interest in competition with others, but aims to go back to the 1930s.”

“Michael Moore's first big film "Roger & Me" has an extremely powerful scene in which a family in Flint, Michigan is evicted right around Christmas. That was an inspiration to me to document the stories of people living on the edge as they're happening. My aim in "A House Divided" was to explore the urgent challenges of housing inequity in New York through the eyes of Norman Lear.”

“A lot of people in the jazz community are looking at how much notoriety we're getting. And we're an inspiration to a lot of young people, because now there's something new they can aim for that's in their grasp. Because a lot of times when you attend a jazz college it's all about the history, none of the teachers there are forward-thinking, for the most part, so they don't teach you how to be yourself and embrace the music around you.”

“I think on the first album, my aim was to write a good song and have a good melody, and I wanted lyrics that would connect with as many people as possible. On the second album, I took a lot more of a personal approach. I wasn't trying to make conventional, structured songs; I was really trying to get a lot of emotion and my own personal journey throughout it. I just focused more on being honest than getting the normal song structure down.”

“It's perfectly OK that there are certain people who do not accept Islam at all. Therefore, to announce that I am a Muslim can rub some people the wrong way. But my aim is to show that those governments that violate the rights of people by invoking the name of Islam have been misusing Islam. They violate these rights and then seek refuge behind the argument that Islam is not compatible with freedom and democracy. But this is basically to save face. In fact, I'm promoting democracy. And I'm saying that Islam is not an excuse for thwarting democracy.”

“A few years ago I had a weird relationship with performing live. I didn't enjoy it as much because the nerves took over. My first ever gig was with Disclosure at Bestival. There were so many people, thousands and thousands of people. It's been an amazing start to my live shows, to experience that type. My only aim when I perform with those guys is to make sure the crowd has the best time. You hype them up. The energy is crazy. It's completely different, but I need both of them because I love dance music, but I also love soul music and slower, acoustic stuff.”

“People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.”

“We need to realize that these industrial methods of farming have gotten us used to cheap food. The corollary of cheap food is low wages. What we need to do in an era when the price of food is going up is pay better wages. A living wage is an absolutely integral part of a modern food system, because you can't expect people to eat properly and eat in a sustainable way if you pay them nothing. In fact, it's cheap food that subsidized the exploitation of American workers for a very long time, and that's always been an aim of cheap food.”

“There are two kinds of humor. One kind that makes us chuckle about our foibles and our shared humanity -- like what Garrison Keillor does. The other kind holds people up to public contempt and ridicule -- that's what I do. Satire is traditionally the weapon of the powerless against the powerful. I only aim at the powerful. When satire is aimed at the powerless, it is not only cruel -- it's vulgar.”

“Now listen to the first three aims of the corporatist movement in Germany, Italy and France during the 1920s. These were developed by the people who went on to become part of the Fascist experience: (1) shift power directly to economic and social interest groups; (2) push entrepreneurial initiative in areas normally reserved for public bodies; (3) obliterate the boundaries between public and private interest -- that is, challenge the idea of the public interest. This sounds like the official program of most contemporary Western governments.”

“Ester asked why people are sad. "That’s simple," says the old man. "They are the prisoners of their personal history. Everyone believes that the main aim in life is to follow a plan. They never ask if that plan is theirs or if it was created by another person. They accumulate experiences, memories, things, other people's ideas, and it is more than they can possibly cope with. And that is why they forget their dreams.”

“Up until then I'd thought that white people and colored people getting along was the big aim, but after that I decided everybody being colorless together was a better plan. I thought of that policeman, Eddie Hazelwurst, saying I'd lowered myself to be in this house of colored women, and for the very life of me I couldn't understand how it had turned out this way, how colored women had become the lowest ones on the totem pole. You only had to look at them to see how special they were, like hidden royalty among us. Eddie Hazelwurst. What a shitbucket.”

“When we sat down to eat I took inventory of the people in the room, and the remnants of my good mood evaporated when I realized how very little I had in common with them – the career dads, the responsible and diligent moms – and I was soon filled with dread and loneliness. I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.”

“The majority of people are ready to throw their aims and purposes overboard, and give up at the first sign of opposition or misfortune. A few carry on DESPITE all opposition, until they attain their goal. These few are the Fords, Carnegies, Rockefellers, and Edisons. There may be no heroic connotation to the word persistence, but the quality is to the character of man what carbon is to steel.”

“And that," put in the Director sententiously, "that is the secret of happiness and virtue — liking what you've got to do. All conditioning aims at that: making people like their unescapable social destiny.”

“The two of you together are a menace,” Penelope remarked. “My aim in life,” Lady Danbury announced, “is to be a menace to as great a number of people as possible, so I shall take that as the highest of compliments, Mrs. Bridgerton.” “Why is it,” Penelope wondered, “that you only call me Mrs. Bridgerton when you are opining in a grand fashion?” “Sounds better that way,” Lady D said, punctuating her remark with a loud thump of her cane.”

“No sooner had he thought this than he realized what was anchoring his happiness. It was purpose. He knew what he wanted to do. He knew the way he thought things should be, and Mr. Harinton was proving that other people--even adults--could feel the same way. Nicholas had something to aim for now. He might not know what he wanted to be when he grew up, but he knew with absolute certainty how he wanted to be.”

“I don't think anyone aims to be typical, really. Most people even vow to themselves some time in high school or college not to be typical. But still, they just kind of loop back to it somehow. Like the circular rails of a train at an amusement park, the scripts we know offer a brand of security, of predictability, of safety for us. But the problem is, they only take us where we've already been. They loop us back to places where everyone can easily go, not necessarily where we were made to go. Living a different kind of life takes some guts and grit and a new way of seeing things.”