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Conversation Quotes

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“All I did was collect a few of the questions I've been asked through the years, write up a brief response and put them in this publication. As a pastor, you get asked questions and receive emails. Many of them I had answered, but just in conversation. So we kind of re-crafted the question and answered it. It turned out to be an interesting exercise. I hope it's encouraging for people.”

“If you have a conversation "Why is it you think masculinity is linked with heterosexuality? Or why is it you think masculinity is linked with sexual dominance or the sexually active position in the sex act?" If you start to ask people those questions, then they realize "Maybe gender is not one thing. Maybe I have collected a number of things under one category and I've made a mistake".”

“The conversation should've been about middle class people. The conversation should've been about how to raise the minimum wage and strengthen Social Security. But then we started talking about this whole email stuff again. And now the outcome is that, you know, Donald Trump has somebody who he's looking at to put on his Cabinet who's a lobbyist to privatize Social Security.”

“That's a very privileged attitude and I think the ignorance is so strong there. When people say, "Oh please, I don't want to hear that conversation," it's because it makes them uncomfortable." But that's because they think it's all okay. If it was racist, I would move onto someone whose mind I could change, but it's mostly ignorance. So when someone says, "Oh, it doesn't matter," I not only make designers responsible but casting directors and modeling agencies for not pushing those other girls on to the designers.”

“I never did well meeting strangers, so my favorite part of partying as a couple was that I didn't need to strike up conversation from scratch. If you've ever had to go out and meet new people on your own, you would understand. It can be a bit of an awkward situation. If you're already out at a party with someone you know, it takes that pressure off.”

“It concerns me when people frame the conversation about equal pay about the entertainment business. I don't want the wage gap issue to be viewed as this myopic problem, because it's not. It's in 98 percent of all businesses, and it's easy for people to dismiss this conversation when they think it's around white women entertainers. But this is about all women in America.”

“I feel like, in many ways, Billie Holiday's still very under-appreciated as an artist. People focus on her voice, and all of the very recognizable vocal things that she does, which are great. But I wanted to, with this project, start the conversation again about her as a radical feminist, as a civil rights activist - taking a stance. And also just [her] being a non-conformist.”

“One of the things I noticed about the Trump supporters was a lot of projected fear. I can't tell you how many times a conversation went like this: "We've got to stop these immigrants, because it's terrible." I'd say, "Okay, what personally have you observed about this?" And there would be basically nothing in that box. And I'd say, "Where'd you get your information?" thinking they were going to say Fox. But they would always say, "Well, I get my information from all kinds of sources." Fox is kind of center-left to a lot of people now.”

“There are four different kinds of power in a communication: position power (the CEO talking to her direct reports), emotion power (passion sometimes rules the day), expertise (people often listen to the most knowledgeable person in the room), and conversational power (the subtlest, this is the ability to direct the conversation through body language).”

“I feel a lot of personal responsibility to undo the negative stereotypes. I know that it's not coming from a bad place. It's coming from an ignorant place. I can sort of be an ambassador in a subtle way to say, "This is what I am: a comedian, a show host, a writer." It will still always be part of the conversation and people will want to focus on it because there is a culture that is so embedded that if you have a disability, you're someone to be either admired just for living, or be pitied for having to struggle.”

“We've got to be able to have a conversation and recognize we're all Americans; we all want the best for this country. We may have some disagreements in terms of how to get there, but all of us want to make sure that our economy is strong, that jobs are growing. All of us want to make sure that people aren't bankrupt when they get sick. All of us want to make sure that young people can afford an education.”

“Of course, no one should be trapped in bad schools or bad neighborhoods. No one. But I think we need to be asking a larger question: How do we change the norm, the larger context that people seem to accept as a given? Are we so thoroughly resigned to what "is" that we cannot even begin a serious conversation about how to create what ought to be?”

“I feel like I have more in common with conservative people who have activist causes in their hearts and who are interested in electoral politics than I do with somebody who doesn't care, doesn't have any political interests, doesn't know what policy is, and doesn't think any of it matters to them. If you care, we're actually going to have a basis of conversation. We might supplementally get along very well, and that might be complicated and fun in a way that is more constructive than you'd expect.”

“There's a profound price to the incorrect assumption that LGBTQ movements are white, male and wealthy. That is not a good thing to be dealing with if you're in the midst of a conversation where the recession profoundly impacts you at the same time because people say well, "Really? What's your issue? I mean you all have money. You all have access."”

“Bernard [Leach] knew Ben Nicholson, Barbara Hepworth, Terry Frost, Peter Lanyon, Johnny Wells. I can think of a number of people that we met there just because we were living with Bernard. Some of them became our friends, particularly the younger artists, but we were privileged to at least meet and talk with the older artists also. And they would come to dinner, and we would simply be included in the conversation, which was quite fascinating.”

“I'm often in conversations with people who have learning disabilities, and they talk about how they were teased and perhaps laughed at sometimes as children. That was never the case with me. Maybe it was something about my personality, my temperament, but I don't ever remember being teased. I remember the awkwardness of leaving class to go to a special class, but that's all.”

“I like being around people who are good conversationalists. When there's a give and take, and you are heightening an idea, exploring it together, that is my favorite thing in the world. I love a small dinner party - let's say six people, max, where everybody's having the same conversation. That's my favorite thing in the world.”

“I feel that one of the roles of the artist, in the way I define it, is that I need to be not just someone observing these tiny pockets of people on the planet who have devoted their lives to preserving whatever it is they're passionate about. I want to be them. I am one of them. I just have a different outlet and final outcome as an artist than many of them would. For them, the process can just end in holding on to it, just knowing they've got it tucked away in their private collection. I value that so much, but I feel the conversation dies in a way there.”

“You may never learn the names of any of the people you talk to in a dog park, even after many, many hours spent there with them, and many hours of conversation. But if - knock on wood - anything should ever happen to your dog, these nameless non-strangers will rally, sympathize, offer to help, and hold your hand. I know this from experience.”