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“This is a good time to ask apologists for the Islamic regime, who degrades Islam? Who imposes stoning, forced marriage of underage girls and flogging for not wearing the veil? Do such practices represent Iran's ancient history and culture, its ethnic and religious diversity? Its centuries of sensual and subversive poetry?”

“Unchecked, the dominating influences of money and of barren intellectualism would reduce the life of emotions to freezing point. And, unable to grasp the holier benefits of religion, the mysticism of the heart reacts in the art-intoxication. .... In this cold, irreligious and practical age the warmth of this devotion to art has kept alive many higher aspirations of our soul, which otherwise might readily have died, as they did in the middle of the last century.”

“Bengalis love to celebrate their language, their culture, their politics, their fierce attachment to a city that has been famously dying for more than a century. They resent with equal ferocity the reflex stereotyping that labels any civic dysfunction anywhere in the world 'another Calcutta.'”

“No dogma taught by the present civilization seems to form so insuperable an obstacle in a way of a right understanding of the relations which culture sustains as to wilderness, as that which declares that the world was made especially for the uses of men. Every animal, plant, and crystal controverts it in the plainest terms. Yet it is taught from century to century as something ever new and precious, and in the resulting darkness the enormous conceit is allowed to go unchallenged.”

“Our principal constraints are cultural. During the last two centuries we have known nothing but exponential growth and in parallel we have evolved what amounts to an exponential-growth culture, a culture so heavily dependent upon the continuance of exponential growth for its stability that it is incapable of reckoning with problems of non-growth.”

“From the 9th to the 15th centuries, the area which is now modern Spain was home to the greatest peaceful agglomeration of cultures ever known in the post-literate worldEven more remarkable than the flowering of art itself was the confluence of cultures that produced it: under the rule of Islam, Muslims, Jews and Christians lived and worked together in relative harmony.”

“America is not the crude stereotype of a self-interested empire. The United States has been one of the greatest sources of progress that the world has ever known. We were born out of revolution against an empire. We were founded upon the ideal that all are created equal. And we have shed blood and struggled for centuries to give meaning to those words, within our borders and around the world. We are shaped by every culture. Drawn from every end of the Earth, and dedicated to a simple concept, E pluribus unum: Out of many, one.”

“The poetical tendency of the present and of the preceding century has been divided in a manner singularly curious. One loud and conspicuous faction of bards, giving way to the corrupt influences of a decaying general culture, seems to have abandoned all the properties of versification and reason in its mad scramble after sensational novelty; whilst the other and quieter school constituting a more logical evolution from the poesy of the Georgian period, demands an accuracy of rhyme and metre unknown even to the polished artists of the age of Pope.”

“In ancient times there was no public education, except that of the forum, the theater, and the street, and the general degree of illiteracy was very high. The early men of science were left very much to themselves and such a phrase as "the scientific culture of Alexandria in the third century B.C." does not cover any reality. In a sense, this is still true today; the real pioneers are so far ahead of the crowd (even a very literate crowd) that they remain almost alone.”

“The 20th century mind is nostalgic for the paradise that once existed on the mushroom dotted plains of Africa where the plant-human symbiosis occurred that pulled us out of the animal body and into the tool-using, culture-making, imagination-exploring creature that we are. And why does this matter? It matters because it shows that the way out is back and that the future is a forward escape into the past. This is what the psychedelic experience means. Its a doorway out of history and into the wiring under the board in eternity.”

“Centuries from now our great-great-great-grandchildren will look back at us with amazement at how we could allow such a precious achievement of human culture as the telling of a story to be shattered into smithereens by commercials, the same amazement we feel today when we look at our ancestors for whom slavery, capital punishment, burning of witches, and the inquisition were acceptable everyday events.”

“In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.”

“They [the Templars] had read Avicenna, and they were not ignorant, like the Europeans. How could you live alongside a tolerant, mystical, libertine culture for two centuries without succumbing to its allure, particularly when you compared it to Western culture, which was crude, vulgar, barbaric, and Germanic?”

“Seeking the Cave is part travelogue, part literary history, and part spiritual journey. James Lenfestey is a lively and entertaining tour guide. Modest, funny, curious, and wide open to the world, he gives us perceptive glimpses of Chinese culture, ancient to contemporary, and into what it means to be a poet, both now and twelve centuries ago. The account of his quest to find Han Shan's cave is a delight from beginning to end.”

“Something I always wanted to do, to capture that later half of the '70s. It's like the early half of the '70s is still the '60s, in that there's still kind of a playfulness and inventiveness in terms of design and the things that were going on in the culture. The second half, it got much more commodified. It's possibly the ugliest era of architecture and clothes and design in the entire 20th century, from 1975 to '81 or '82.”

“Hereditary monarchy offers numerous advantages for America. It is the only form of government able to unify a heterogeneous people. Thanks to centuries of dynastic marriage, the family tree of every royal house is an ethnic grab bag with something for everybody. We need this badly; America is the only country in the world where you can suffer culture shock without leaving home. We can't go on much longer depending upon disasters like Pearl Harbor and the Iranian hostage-taking to "bring us together.”

“There is a calamitous difference between a people who have been immersed in paganism for centuries and a post-Christian society. While the culture of the latter may carry a deep tradition influenced by Christian values, its posture of rebellion will give it a direction that is more explicitly and consciously anti-Christian.”

“The absence of utopianism in the Constitution, law, and traditional political culture has been ... important in limiting expectations concerning what can be achieved by politics. The history of the last two centuries confirms what the framers of the Constitution understood: that the perfect is the enemy of the good, and the search for unalloyed virtue in public life leads to unalloyed terror.”

“Those who are guilty of the argumentum ad ignorantiam profess belief in something because its opposite cannot be proved ... In the realm where "prejudice" is now most an issue, it normally takes a form like this: you cannot prove by the method of statistics and quantitative measurement that men are not equal. Therefore all men are equal. ... You cannot prove again by the methods of science that one culture is higher than another. Therefore the culture of the Digger Indians is just a good as that of Muncie, Indiana, or thirteenth-century France.”