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One Day Quotes

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One Day Quotes

“When I was writing the script, I knew didn't want to make a sports movie. I was very clear that I wanted to make a sibling rivalry story. So when I was writing the script, the football was getting in the way of the drama. One day, I saw Michael Haneke's Funny Games, which is probably the most violent film I've ever seen - but the violence is off camera. When I finished watching the film, I said, 'Hey, that's what I have to do.' Haneke gave me this solution.”

“I had a Saturday job in a chemist. The pay was something ridiculous like £2 an hour - it was slave labour - and I spent all day cleaning shelves. On my first day an actress from Eldorado, which was on telly at the time, came in and said, 'Can I have some Replense please?' I didn't know what it was, so I had to ask her and she had to say, 'It's vaginal moisturiser,' in front of a massive queue of people. After one day I was like, 'I don't want to do this job any more, it's just boring.'”

“When I was about 17, I didn't speak. English was like a foreign language. I'd just grunt. The only time I talked was when I said my lines on set. I didn't speak to any of the actors or anything. Then one day Alison from the Corrie press office started talking to me in the green room and I just decided to talk back. She ran upstairs to tell everyone that she'd just had a 10-minute conversation with me like it was the most unbelievable thing in the world. I just woke up one day and thought, 'I'm going to talk today'. I've really made up for lost time since.”

“I was fooling around one day and looking at Yahoo! Jobs. I typed in "photo" and, of course, what comes up is "One hour photo lab" or "Be a photographer in Disneyland" or jobs that no one really wants as a photographer. I saw, by chance, this ad that said, "Wanted: Photographer for premieres and Hollywood events" and I thought, "This can not be real. This is ridiculous. No one advertizes this!" I was really suspect about it.”

“The great lesson in microeconomics is to discriminate between when technology is going to help you and when it's going to kill you. And most people do not get this straight in their heads. But a fellow like Buffett does. For example, when we were in the textile business, which is a terrible commodity business, we were making low-end textiles-which are a real commodity product. And one day, the people came to Warren and said, "They've invented a new loom that we think will do twice as much work as our old ones."”

“I can't relate to the idea of suicide. I guess I'm just one of those people that is always optimistic and upbeat. But one day, I sat down. I said 'You know what? Just to kind of purge myself, I want to see what its like to feel that low'. So I decided to write a suicide note. Yeah, just to kinda flush it out there and put it on a page. And I started to do this, and I had an epiphany. I'll share this with you: a suicide note that is written by somebody that is not suicidal is called an autobiography. I am on Chapter 58.”

“I've learned a lot about women. I think I've learned exactly how the fall of man occured in the Garden of Eden. Adam and Eve were in the Garden of Eden, and Adam said one day, Wow, Eve, here we are, at one with nature, at one with God, we'll never age, we'll never die, and all our dreams come true the instant that we have them. And Eve said, Yeah... it's just not enough is it?”

“But I did mine through a production company. All the music I did, I gave to the production company. Then the production company would give the record company the album. I used to do all my albums like that. It was fantastic. But now, understand, I have never planned to do anything with these other tapes. The one that are released, like the Virgin Ubiquity you have there, I wasn't going to do anything with that music. One day, I was talking to this guy that owns BBE over in England, and I said I've got some tapes and stuff that you might be interested in, and he went berserk.”

“Our whole intention was to make a record of songs that we grew up with and change them up a little bit, but we kind of stumbled on writing "Joseph's Lullaby." The irony is when I originally wrote the song, it was called "Mary's Lullaby." I wrote it from Mary's standpoint and it was in a higher key, a real falsetto, and it just wasn't right. One day, the producer's wife said, "Well, it's kind of odd that you're singing from Mary's perspective, being the guy. Why don't you do Joseph?”

“When I was 18 years old, I went on the road with my dad after I graduated from high school. And we were riding on the tour bus one day, kind of rolling through the South, and he mentioned a song. We started talking about songs, and he mentioned one, and I said I don't know that one. And he mentioned another. I said I don't know that one either, Dad, and he became very alarmed that I didn't know what he considered my own musical genealogy.”

“I started as an artist and I had a side job moving some heavy boxes for a publishing company. They had just gotten a Mac for their art department, the department that creates the book covers. I was kind of showing the art director a thing or two about how to use a Mac. And one day everyone went out to lunch and I jumped on the computer and designed a book jacket and slipped it in the pile to go to the review board in New York. They picked my jacket and when the art director got back to Boston, he wanted to know who designed it and I said, "Me." He was like, "The box guy?"”

“It was when I was on the set of Dead Poets Society.There was actor,his name was Norman Lloyd. One day he took us all aside and said, "You guys don't even understand what a powerful experience you're having. You don't really understand what a gift this is." We were going, "What does he mean?" It was that really wonderful opportunities aren't to be taken for granted. I often found that it had embedded itself in my memory.”

“I would ask the people who were generous toward my own work. After class one day a poetry professor said to me, "Hey, there's this guy Basho you would find interesting," and so I found Basho. A fiction teacher told me, "You ought to read Clarice Lispector if you're interested in that sort of in-between stuff," and then Lispector appeared. It's not magic. You just keep your eyes open.”

“One day I went to the manager and I asked him whether his model was working and he said, "Well, haven't you seen how many customers we have in this store?" And yes indeed I had. I mean it was definitely attracting a lot of customers, even attracting tourist buses that would land up at this store and people would go through the store and marvel at all the options, even sometimes take photographs of the various aisles.”

“If you create something, it really should mean something more than that to you. I had to grow into all of this though, through a learning process. I didn't wake up one day and just say, 'Yeah, that's Jlin, there it is'. That's why I said it took my entire life to make this album and it comes back to having that comfort zone - if you don't have one, the more progress you make and the more creative you become over time.”

“We can summarize electricity, magnetism and gravity into equations one inch long, and that's the power of field theory. And so I said to myself: I will create a field theory of strings. And when I did it one day, it was incredible, realizing that on a sheet of paper I can write down an equation which summarized almost all physical knowledge.”

“Sadly I don't sing. I missed it for a long time, but my daughter Emma said something wonderful when I was feeling blue one day: "Mom, you've just found a different way of using your voice, and that's with your books." In a way, she's right. It's just a different way of expressing what I feel about music, individuality, art and all the things I've always loved.”

“I remember, and I will never forget, one day - I was six years old and I was playing beside the road and this plantation owner drove up to me and stopped and asked me "could I pick some cotton." I told him I didn't know and he said, "Yes, you can. I will give you things that you want from the commissary store," and he named a huge list that he called off. I picked the 30 pounds of cotton that week, but I found out what actually happened was he was trapping me into beginning the work I was to keep doing and I never did get out of his debt again.”

“One day in 1965 Rajiv wrote me from London, where he was studying, and informed me, 'You're always asking me about girls, whether I have a special girl, and so forth. Well, I've met a special girl.' And when Rajiv returned to India, I asked him, 'Do you still think about her in the same way?' And he said yes. But she couldn't get married until she was twenty-one, and until she was sure she'd like to live in India. Sonia is almost completely an Indian by now, even though she doesn't always wear saris.”

“I was a welfare worker for the Indian Council for Child Welfare. I'll tell you a story. Rajiv was only four years old at that time, and was going to kindergarten. One day the mother of one of his little friends came to see us and said in a sugary voice, 'Oh, it must be so sad for you to have no time to spend with your little boy!' Rajiv roared like a lion: 'My mother spends more time with me than you spend with your little boy, see! Your little boy says you always leave him alone so you can play bridge!' I detest women who do nothing and they play bridge.”

“One day as a young man, I was walking down the streets. And a group of Zulu guys was walking behind me closing in on me. And I could hear them talking to one another about how they were going to mug me. (Speaking Zulu). Let's get this white guy. You go to his left, and I'll come up behind him. I didn't know what to do. I couldn't run.So I just spun around real quick and said (speaking Zulu). Yo, guys, why don't we just mug someone together? I'm ready.”

“One day - I remember it was a Sabbath afternoon - I came to the synagogue with a book in my hand. I saw a commentary on the Bible by a certain Rabbi Moshe Dessauer, better known as Moses Mendelssohn. An elderly man came up to me - I was then maybe 10 or 12. "What are you studying?" he said. "Dessauer's commentaries," I said. So he gave me a slap on my face.”

“I got a letter one day from somebody saying, `You're always criticizing the press. Why don't you talk about what Clay Felker is doing to your own paper [The Voice]?' And my 10-year-old son Tom, now with Williams & Connelly, put in a legal opinion, not - an opinion from the back of the car saying, `You know why? What are you, afraid?' So I wrote the column. I - you know, - the column simply said that Felker is destroying this paper.”

“I was very much against the Vietnam War, and Max Askeli was visiting Lyndon Johnson in the White House cheering him on, writing editorials. And in The Voice one day I once referred to him as Commander Askeli. And I called in to The Reporter to go over the galleys of a music piece I had written, and the editor whispered to me, `It's not gonna run. You're not gonna run. Max Askeli has fired you because of what you said about him.'”

“A couple of years ago, my wife, Erica, and I were getting our daughter ready for school and an image of President [Barack] Obama was on one of the morning shows. And I said, oh, look, Carina, there's the president. You can be president one day. And she said, right away, that's for boys. And so right away I said, oh, no, you can be a doctor. You can be a lawyer. You can be anything you want. You can be president.”