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Proportion Quotes

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Proportion Quotes

“Popular glory is a perfect coquette; her lovers must toil, feel every inquietude, indulge every caprice, and perhaps at last be jilted into the bargain. True glory, on the other hand, resembles a woman of sense; her admirers must play no tricks. They feel no great anxiety, for they are sure in the end of being rewarded in proportion to their merit.”

“Now you say, alas! Christianity is hard; I grant it; but gainful and happy. I contemn the difficulty when I respect the advantage. The greatest labors that have answerable requitals are less than the least that have no regard. Believe me, when I look to the reward, I would not have the work easier. It is a good Master whom we serve, who not only pays, but gives; not after the proportion of our earnings, but of His own mercy.”

“The names of great painters are like passing-bells: in the name of Velasquez you hear sounded the fall of Spain; .in the name of Titian, that of Venice; in the name of Leonardo, that of Milan; in the name of Raphael, that of Rome. And there is profound justice in this, for in proportion to the nobleness of the power is the guilt of its use for purposes vain or vile; and hitherto the greater the art, the more surely has it been used, and used solely, for the decoration of pride or the provoking of sensuality.”

“Wherever the human mind is healthy and vigorous in all its proportions, great in imagination and emotion no less than in intellect, and not overborne by an undue or hardened pre-eminence of the mere reasoning faculties, there the grotesque will exist in full energy.”

“Beauty has so many charms, one knows not how to speak against it; and when it happens that a graceful figure is the habitation of a virtuous soul, when the beauty of the face speaks out the modesty and humility of the mind, and the justness of the proportion raises our thoughts up to the heart and wisdom of the great Creator, something may be allowed it,--and something to the embellishments which set it off; and yet, when the whole apology is read, it will be found at last that beauty, like truth, never is so glorious as when it goes the plainest.”

“The psychological consequences of this spread of white culture have been out of all proportion to the materialistic. This world-wide cultural diffusion has protected us as man had never been protected before from having to take seriously the civilizations of other peoples; it has given to our culture a massive universality that we have long ceased to account for historically, and which we read off rather as necessary and inevitable.”

“The longest time that man may live, The lapse of generations of his race, The continent entire of time itself, Bears not proportion to Eternity; Huge as a fraction of a grain of dew Co-measured with the broad, unbounded ocean! There is the time of man--his proper time, Looking at which this life is but a gust, A puff of breath, that's scarcely felt ere gone!”

“Coupled with Usury, Unrestricted Competition destroys the small man for the profit of the great and in so doing produces that mass of economically unfree citizens whose very political freedom comes in question because it has no foundation in any economic freedom, that is, any useful proportion of property to support it. Political freedom without economic freedom is almost worthless, and it is because the modern proletariat has the one kind of freedom without the other that its rebellion is now threatening the very structure of the modern world.”

“I find focusing clearly on the problem is the first step to seeing a solution. The problem is (a) the insane amount of time spent raising money from (b) a freakishly tiny proportion of America. Basically .05% are the "relevant funders" of campaigns, meaning candidates can't help but be overly sensitive to the views of that tiny fraction relative to the rest of us. IF that's the problem, THEN the solution is to spread the funders out: to increase the range of us who are the relevant funders of elections, through schemes like vouchers or coupons given to every voter.”

“The early symptoms of the disease [California Curse], which break out almost on arrival in Hollywood, are a sense of exaggerated self-importance and self-centeredness which naturally alienates all old friends. Next comes a great desire for and belief in the importance of money above all else, a loss of the normal sense of humor and proportion and finally, in extreme cases, the abandonment of all previous standards of moral value.”

“An entirely honest man, in the severe sense of the word, exists no more than an entirely dishonest knave: the best and the worst are only approximations of those qualities. Who are those that never contradict themselves? yet honesty never contradicts itself: Who are those that always contradict themselves? yet knavery is mere self-contradiction. Thus the knowledge of man determines not the things themselves, but their proportions, the quan∣tum of congruities and incongruities.”

“Classical virtuosity is more than technique, line, proportion, and balance. It is as if the performer and spectator come together to hold in their hands a bird with a broken wing. The creature can be felt to stir, to struggle for freedom. Its life responds to human warmth; its wing might brush your check as it flies away.”

“Rebels and dissidents challenge the complacent belief in a just world, and, as the theory would predict, they are usually denigrated for their efforts. While they are alive, they may be called 'cantankerous,' 'crazy,' 'hysterical,' 'uppity,' or 'duped.' Dead, some of them become saints and heroes, the sterling characters of history. It's a matter of proportion. One angry rebel is crazy, three is a conspiracy, 50 is a movement.”

“I think every individual, and every society, is perfected just in proportion to the combination, and cooperation, of masculine and feminine elements of character. He is the most perfect man who is affectionate as well as intellectual; and she is the most perfect woman who is intellectual as well as affectionate. Every art and science becomes more interesting, viewed both from the masculine and feminine points of view.”