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Relatable Quotes

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Relatable Quotes

“So what about you, Fern? Wonder Woman?” Ambrose teased. “Fern decided super heroes weren't for her,” Bailey said from the back. “She decided she would just be a fairy because she liked the option of flying without the responsibility of saving the world. She made a pair of wings from cardboard, covered them in glitter, and rigged up some duct tape straps so she could wear the wings around on her back like a back pack.”

“The young women in all the YA books I loved were high-school age. By eighteen, the majority of them had saved the world, not to mention: kissed people, traveled, been in a relationship, had sex. At twenty I felt like a pathetic, unaccomplished, uncultured, virgin grandma. It sounds like a joke now, but at the time, around all these people my age casually discussing all of the above, I felt so small.”

“Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.”

“It's weird. Crow looks about ten and behaves like a ten-year-old in some ways. She can be very stubborn, for a start, and she just ignores you if she doesn't want to answer a question. But as soon as you start to talk about fashion, you'd swear she was at least twenty. And because we talk about fashion most of the time, I tend to forget. Mind you, I'm only fourteen and I'd swear I was twenty sometimes. And Edie must be at least fifty in her head.”

“So Beaujolais is like this hybrid---a red that drinks like a white, we even put a chill on it. Maybe that's why it has trouble, it doesn't quite fit. No one takes Gamay seriously---too light, too simple, lacks structure. But..." I swirled the glass and it was so... optimistic. "I like to think it's pure. Fleurie sound like flowers doesn't it?" "Girls love flowers," she said judiciously. "They do." I put her wine down, then moved it two inches closer to her, where I knew the field of her focus began. "None of that means anything. It just speaks to me. I feel invited to enjoy it. I get roses." "Child, what is wrong with you? There's no roses in the damn wine. Wine is wine and it makes you loose and helps you dance. That's it. The way you kids talk, like everything is life or death." "It's not?" "You ain't even learned about living yet!" I thought about buying wine. About how I would scan the different Beaujolais crus at the liquor store---the Morgan, the Côte de Brouilly, the Fleurie would be telling me a story. I would see different flowers when I looked at the labels. I thought about the wild strawberries dropped off from Mountain Sweet Berry Farm just that afternoon and how the cooks laid out paper towels and sheet trays in the kitchen, none of them touching, as if they would disintegrate, their fragrance euphoric.”

“By out-talking or bad-mouthing people, some get hoisted by their own petard, ultimately. When their sense of shame makes them crawl back to the open, they can only recover through a convalescing remedy of humbleness. After an exhausting journey throughout the scorching desert of disgrace, they come to know how to be reborn from themselves. This rebirth allows them to recognize their true selves and to become relatable again. ("Waiting for emancipation")”

“How about this one?" I pointed to a graceful, feathery vine with small, delicate, star-shaped red blooms. "That's a cypress vine," he said. "Ipomoea quamoclit. It's an escapee and not native to her garden. People think it's an annual, but with a little help from nature, it's self-seeding ability means it can pop up in new places year after year and thrive far away from its original home." Something niggled at the back of my mind. If the vine could escape and start over again somewhere new, why couldn't a person? If Jack's grandmother's plants were strong enough to survive neglect, why couldn't I?”

“Tomally had always wanted children of her own. Unfortunately, she'd never been able to conceive. Tomally said she had made her peace with it years ago, but Iduna suspected there was still a part of her that longed to be a mother. Iduna had always thought Tomally would make an exceptional one... and now she'd have the chance. Tomally loved hearing stories about Anna's spunk- Tomally had been just like her when they were young- and expressed delight whenever Iduna wrote about Anna doing something precocious. Iduna knew they'd get along well. She could just picture Tomally and Anna baking in their shop. Anna loved to bake and was always so proud of her krumkaker. Tomally would have to be the one to teach her new recipes now and help her keep up with her studies and learn about the world around her. It wasn't the childhood Iduna had envisioned for Anna, but it would still be a good life and excellent training for her future as a princess. When Elsa someday ascended to the throne, it would be Anna who understood their people and could help her sister relate to their kingdom. Their relationship would be much like the one she and Tomally had shared when they were children.”

“Jane had tried that with Mothers Group and failed. She just couldn't relate to those bright, chatty women and their bubbly conversations about husbands who weren't "stepping up" and renovations that weren't finished before the baby was born and that hilarious time they were so busy and tired they left the house without putting on any makeup! (Jane, who was wearing no makeup at the time, and never wore makeup, had kept her face blank and benign, while she inwardly shouted: What the fuck?)”

“[...] I look in the mirror every day, when I brush my teeth or wash my face or comb my hair. It's just I tend to look at myself in pieces and avoid joining them up all together. I don't know why; it just feels safer that way. But tonight I force myself to look at the whole thing. And suddenly I see how the bits and pieces add up to someone I'm not familiar with, someone I never intended to be.”

“Some people just aren’t meant for the grind. I was in one of those huge public middle schools, taking seven different classes a day. I couldn’t keep up. I couldn’t even remember my locker combination! So I started shutting down—figuratively and literally, during classes. I’d been fully alert at ten years old; then I turned eleven and suddenly I couldn’t keep my eyes open. I’d fall asleep right there at my desk. And not because I wasn’t totally well rested; I totally was! It was so weird. And in the next class, I’d nod off again, at a different desk.”

“I'm in love with this cider. Actually all the ciders," Lou said. She had wavy, dark brown hair, and the way Al watched her- it was as if the world would end if he stopped. "You have so many different types. I would love to build a menu around it." Sanna looked confused. "A menu?" "I have a restaurant in Milwaukee, and these ciders would make a fantastic pairing for a special tasting menu. For example, Toasty Dark Brown would go beautifully with roasted chicken and root vegetables- I'm thinking beets, parsnips, and fingerling potatoes- with a sauce made from the cider." She took another sip of the cider and smacked her lips- her eyes drifted off to another place, the same way Sanna's did when she envisioned new ciders. "And thyme, maybe rosemary, I'll need to play with it. Anyway, you get the idea.”

“I also want to be happy. To invest in something meaningful and fulfilling, even if it is difficult, and maybe not the most practical option in the world. To spend more time with Baba and Mama and Xiaoyi, and finally hang out with Chanel, and go out on a proper date with Henry. I want to laugh until my stomach hurts, and write until I’ve crafted something that delights me, and learn to bask in my small, private victories. Learn to accept that these things, too, are worth wanting.”

“One article on reproductive strategies was titled "Sneaky Fuckers." Kya laughed. As is well known, the article began, in nature, usually the males with the most prominent secondary sexual characteristics, such as the biggest antlers, deepest voices, broadest chests, and superior knowledge secure the best territories because they have fended off weaker males. The females choose to mate with these imposing alphas and are thereby inseminated with the best DNA around, which is passed on to the female's offspring- one of the most powerful phenomena in the adaptation and continuance of life. Plus, the females get the best territory for their young. However, some stunted males, not strong, adorned, or smart enough to hold good territories, possess bags of tricks to fool the females. They parade their smaller forms around in pumped-up postures or shout frequently- even if in shrill voices. By relying on pretense and false signals, they manage to grab a copulation here or there. Pint-sized male bullfrogs, the author wrote, hunker down in the grass and hide near an alpha male who is croaking with great gusto to call in mates. When several females are attracted to his strong vocals at the same time, and the alpha is busy copulating with one, the weaker male leaps in and mates one of the others. The imposter males were referred to as "sneaky fuckers." Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. "Unworthy boys make a lot of noise," Ma had said. She read a consolation for females. Nature is audacious enough to ensure that the males who send out dishonest signals or go from one female to the next almost always end up alone. Another article delved into the wild rivalries between sperm. Across most life-forms, males compete to inseminate females. Male lions occasionally fight to the death; rival bull elephants lock tusks and demolish the ground beneath their feet as they tear at each other's flesh. Though very ritualized, the conflicts can still end in mutilations. To avoid such injuries, inseminators of some species compete in less violent, more creative methods. Insects, the most imaginative. The penis of the male damselfly is equipped with a small scoop, which removes sperm ejected by a previous opponent before he supplies his own. Kya dropped the journal on her lap, her mind drifting with the clouds. Some female insects eat their mates, overstressed mammal mothers abandon their young, many males design risky or shifty ways to outsperm their competitors. Nothing seemed too indecorous as long as the tick and the tock of life carried on. She knew this was not a dark side to Nature, just inventive ways to endure against all odds. Surely for humans there was more.”

“As the Divine Tongue, I came here not only to perform my duties as a taster... but also to meet with various authority figures and key members of the culinary industry. Someday, I will shoulder both the Nakiri family as well as Japan's culinary world. It was imperative that I be shown off so as to impress upon the right people that I was a person to be respected and followed. It was simply a business transaction, one meant to further Nakiri interests. Whenever I left the Nakiri mansion, it was always for some official business like that. Looking back on it now... I think that the young me was so used to being led around that she never tried to look at things for herself." "That can't be right. Um... as the daughter of the Mito Group... I got to officially meet with you a time or two when we were both kids. Even back then, I thought you were amazing, Miss Erina. A-as another kid from a big business family... I know what you're going through." "Mito?" "Um! N-not to imply that my family is anywhere near as important as the Nakiris! And I'd never do anything so rude and disrespectful as imply that the two of us are in any way equal! It's just... I know what it's like to be bound by family duty." I will not have the Mito family heir showing any signs of meek girliness! Listen, Ikumi. You must be strong! Think of nothing else! "But in my case, the pressure from my family got to be too much. It overwhelmed me, and, well... I kinda went off the rails until recently. You had to be under way more pressure than I ever was, Miss Erina. But you always appeared graceful and acted with dignity.”

“I can't help feeling a connection with Luna beyond just our being rag dolls. Both of us quiet. Bookish. Daydreamy. But whereas I grew up as friendless as a lone daisy in a graveyard, Luna has every chance to blossom. Besides, I tell myself, I'm not some lost stray cat hiding in the shadows anymore. Dr. Finkelstein was wrong. I am a queen, and I'm exactly where I belong-- with my family and Jack, who completes me in ways I didn't even know possible.”