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Scene Quotes

“Confucius was not so much a philsopher as a proto-ideologist: what interested him was not metaphysical Truths but rather a harmonious social order within which individuals could lead happy and ethical lives. He was the first to outline clearly what one is tempted to call the elementary scene of ideology, its zero-level, which consists in asserting the (nameless) authority of some substantial Tradition.”

“The church in the book (and movie) plays a pivotal scene. We looked everywhere .. I mean everywhere! We had to have enough of a front yard area to house a Nativity scenes. And we finally found it .. two miles from our office. And we had been all over Tulsa looking. We were looking in places in Texas, everywhere! And I was in the car with the director and we drove by the church.”

“Innumerable conditions must be exquisitely optimized for the support of humanity and of civilization. Many of them are highly time variable. Evidence showing that a wide variety of independent conditions all reached optimality during the identical narrow epoch when human beings appeared on the cosmic and terrestrial scene testifies of supernatural design and purpose rather than mere coincidence.”

“To Kiyomori each stall, each soul here seemed borne under by the crushing weight of the world; everyone here was a pitiful weed, trodden underfoot -- a conglomeration of human lives putting down roots in this slime, living and letting live in the struggle to survive; and he was stirred by the fearful and magnificent courage communicated by the scene.”

“I've never really been interested in the vintage photos people pay lots of money for -- civil war tintypes or old daguerrotypes of famous people. Nor do I have any interest in the really gross, dark stuff that some people pay top-dollar, like post-mortem photos of babies (yuck) or press photos of old murder scenes or whatever. I collect in these little niches most other people don't care about -- dark-and-weird-but-fun -- and photos that have been written on, which a lot of sellers think hurts their value. All of which is good news for me!”

“Past dreams of bliss our lives contain, And slight the chords that still retain A heart estranged to joys again, To scenes by memory's silver chain Close-linked, and ever yet apart, That like the vine, whose tendrils young Around some fostering branch have clung, Grown with its growth, as tho' it sprung From one united heart.”

“The theory of politics that emerges from the political literature of the pre-Revolutionary years rests on the belief that what lay behind every political scene, the ultimate explanation of every political controversy, was the disposition of power.”

“Aside from a couple of signature flourishes, there's nothing to mark Paycheck as the product of acclaimed action director John Woo. In fact, there's little about this movie that makes it worth anyone's time and money. With a script that waffles between being hilariously absurd and insultingly stupid, and action scenes that won't cause anyone's pulse to skip a beat, Paycheck is less appealing than a lump of coal in a Christmas stocking.”

“At present we can only reason of the divine justice from what we know of justice in man. When we are in other scenes, we may have truer and nobler ideas of it; but while we are in this life, we can only speak from the volume that is laid open before us.”

“The task of an author is, either to teach what is not known, or to recommend known truths by his manner of adorning them; either to let new light in upon the mind, and open new scenes to the prospect, or to vary the dress and situation of common objects, so as to give them fresh grace and more powerful attractions, to spread such flowers over the regions through which the intellect has already made its progress, as may tempt it to return, and take a second view of things hastily passed over, or negligently regarded.”

“The art of the writer, like that of the player, is attained by slow degrees. The power of distinguishing and discriminating comick characters, or of filling tragedy with poetical images, must be the gift of nature, which no instruction nor labour can supply; but the art of dramatick disposition, the contexture of the scenes, the involution of the plot, the expedients of suspension, and the strategems of surprise, are to be learned by practice.”

“Over analyse, paralyse, you mustn't over analyse... Do you wake up at four in the morning and wonder who should be playing left-back? Four? I would love to sleep that long. If you want a really long career you have to find a way of switching off. I do it when I'm out walking my dog, Alex Ferguson got into horses, others get into wine. Some players like going shopping, which is not my scene. A lot of them turn to golf. I tried it, didn't like it. I have to walk. If I couldn't I'd be in a padded cell by now.”

“In 1911 the little town of Nakhla in Egypt was the scene of one of the most remarkable events in historym when a chunk of rock fell from the sky and killed a dog. This is the only known canine fatality caused by a cosmic object. Improbably though this encounter was already, its truly extraordinary nature was revealed only decades later when scientists found that the culprit was not a common-or-garden meteorite, but a piece of the planet Mars.”

“I have done scenes as Harvey Two-Face. It's interesting. I won't tell you exactly what we're going for, but I think that I can say that it will use all of today's technology to create this character. He's going to be interesting, and I think that's what makes this character important in the movie-you get to see him as he was before, as in the comic books. Harvey is a very good guy in the comic books. He's judicious. He cares. He's passionate about what he loves and then he turns into this character. So you will see that in this film.”

“He very nearly stole a scene in my movie, and I didn't call him on it because I was just like, Hey, I saw some stuff on SuperDeluxe and how many different films do you have on there? And he goes, This one, this one, Comedy by Numbers and this one and one called 'Bob Pitches a Movie.' And I'm like, Oh! And then I was thinking he would say, which is very similar to the one to the one I did in your movie, but he never did. I just let it go. I don't care.”

“I basically made the movie from the crew's suggestions. For one scene, I wanted some kids' toys against the wall in Mikey's room, to give the scene texture, and we tried a field hockey stick. It looked really good to me, until someone had to say that in America, field hockey is more of a girl's game. Gradually I got tuned into the world - that happens on every movie.”