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“Science fiction that's just about people wandering around in space ships shooting each other with ray guns is very dull. I like it when it enables you to do fairly radical reinterpretations of human experience, just to show all the different interpretations that can be put on apparently fairly simple and commonplace events. That I find fun.”

“On the show, I do a very serious thing. And a lot of people have a hard time reconciling that with what I'm going to do after the show. They can't get it into their heads: "How can he be talking to Madeleine Albright one minute and then somebody half his age...." They're just jealous. But I never made any bones about it. I am a player. Always have been.”

“I think it's incumbent upon me to try to be smart and make good choices and work with good people and work my ass off when I'm working with good people and I have to let everyone have their opinion afterwards. But this is what happens. You make a movie or you're on a show and then you have this experience and everyone tells you what you did. They tell you what you did. That's allowed. That's the experience of being human and subjectivity. That's it. We can only do what we'll do, and I can only do the best I can do.”

“Being part of The L Word made me realize how much more television can be that what I had experienced in my lifetime in terms of being able to be of service to people. I had so many fans come up to me who were really deeply appreciative of the show and what it had meant for them and their own sense of identity and their own sense of inclusion in our society and in our culture.”

“Show people your stuff, listen carefully to their responses, but ultimately don't value anyone's opinion above your own. Be influenced by writers you dislike as well as writers you like. Read their stuff to figure out what's wrong. Find a balance between the confidence that allows you continue, and the self-critical facility that enables you to improve. Get the balance wrong on either side, and you're screwed.”

“Marlee has said a million times, "Wouldn't it be funny if there was a camera trained on the two of us?" because we get involved in some very interesting situations. We'll be on a plane and she gets handed a Braille menu because they think she is blind, or producers that turn to the director of a show she's on and say, "Marlee Matlin is great, but is she going to be deaf for the whole show?" She used to freak people out with the speaker phone in her car by having me sign what they were saying on the speaker phone and then she would speak herself.”

“We want to believe we are good, we are different, we are better, or we are superior. But this body of social-psychological research--and there are obviously many more experiments in addition to mine and Milgram's--shows that the majority of good, ordinary, normal people can be easily seduced, tempted, or initiated into behaving in ways that they say they never would. In 30 minutes we got them stepping across that line.”

“Whether we consider Nazi Germany or Abu Ghraib prison, there were many people who observed what was happening and said nothing. At Abu Ghraib, one photo shows two soldiers smiling before a pyramid of naked prisoners while a dozen other soldiers stand around watching passively. If you observe such abuses and don't say, "This is wrong! Stop it!" you give tacit approval to continue. You are part of the silent majority that makes evil deeds more acceptable.”

“Good communication is not just data transfer. You need to show people something that addresses their anxieties, that accepts their anger, that is credible in a very gut-level sense, and that evokes faith in the vision.”

“I have been moving around all my life. Going to different schools, living in different houses, shedding old roles, assuming new ones. This way of life is as natural to me as staying in one place is for other people. I do variations on the theme. I return to places where I used to be. I find my old personas. I try them on. If they still fit, I wear them out to a party or a show. If they begin to restrict my movements, I take them off. I am a human being, capable of mimicking anything I see or remember or can imagine.”

“People need to understand. If they go to a show on Broadway and find seventy people working but only fifty spectators, how much would the ticket cost? That's what El Bulli's about. There are seventy actors who are playing for just fifty spectators. Is the price expensive? It's relative. How much does a normal dinner at a five-star hotel restaurant cost? Four hundred dollars. It's the same as El Bulli. But you can also think of it this way: How much would it cost to eat something that nobody else is eating?”

“This is not about the aesthetics: there is a rule in a society: "Whoever you deal with, makes you become them", therefore watching the efforts of para-athletes can bring the temporary mobility disorder. If we want humanity to develop, the television should show us people who are healthy, beautiful, strong, honest and wise - not perverts, murderers, weaklings, losers, idiots or invalids.”

“We must be ready to allow ourselves to be interrupted by God, who will thwart our plans and frustrate our ways time and again, even daily, by sending people across our path with their demands and requests. We can, then, pass them by, preoccupied with our important daily tasks, just as the priest-perhaps reading the Bible-passed by the man who had fallen among robbers. When we do that, we pass by the visible sign of the Cross raised in our lives to show us that God’s way, and not our own, is what counts.”

“Today's tragedy in Paris reminds us very viscerally that it's a right that some people are inexplicably forced to die for. So it's very important tonight that I express that everybody who works at our comedy show, all of us are terribly sad for the families and people of France and anybody in the world tonight who now has to think twice before making a joke. It's not the way it's supposed to be.”

“The thought of people in this day and age sitting down to listen to a radio variety show on Saturday evening is rather implausible and was even more so in 1974 when we started “A Prairie Home Companion.” Thank goodness Minnesota Public Radio was too poor to afford good advice or the show never would've got on the air. We only did it because we knew it would be fun to do. It was a dumb idea. I wish I knew how to be that dumb again.”

“Massage therapists, and others in the holistic arts ... seem to be a particularly gullible bunch. And there are a lot of people who have seized upon that, and marketed their products, their classes, their modalities, and their wild claims to us ... and many of us have fallen for it, hook, line and sinker ... and unfortunately, gone on to convince our clients to buy into it, as well. ... Our profession has turned into the snake oil medicine show.”

“I don't understand the feeling of, the way people speak of writing as though it were, like, some kind of djinn to be summoned or like it's the Loch Ness monster or seeing a shooting star. It's a physical act. It is a thing you do with your muscles and your body and your willpower. Watch, I'll show you: get a piece of paper. Get a pencil. Put the pencil on the paper and write the word 'something.'”

“We who go a-fishing are a peculiar people. Like other men and women in many respects, we are like one another, and like no others, in other respects. We understand each other's thoughts by an intuition of which we know nothing. We cast our flies on many waters, where memories and fancies and facts rise, and we take them and show them to each other, and small or large, we are content with our catch.”

“The enduring realization that when a great challenge comes, the most ordinary people can show that they value something more than they value their own lives. When the last of the veterans had gone, and the sorrows and bitterness which the war created had at last worn away, this memory remained.”

“We're so screwed up with our principles. We used to mock Japanese game shows where they ate bugs. Now we're doing the same, if not worse. It's terrifying... It seems the better the quality, the more you're penalised... There are some very good people in television, but a lot of fools running it. They put fame ahead of talent and think someone from 'EastEnders' will put bums on seats.”

“People ask me, How would you do as a contestant on the show? And I tell them I would do fairly well among senior citizens, but against a good thirty-year-old I would have trouble because I cannot recall information as quickly as I used to. You used to say something and I would go, boom, right away, very sharp. Now it's like, Oh, yes, but wait a minute, uh, uh.”