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“But in order to survive in this foreign world, I had to teach myself that love was very much like a painting. The negative space between people was just as important as the positive space we occupy. The air between our resting bodies, and the breath in our conversations, were all like the white of the canvas, and the rest our relationship- the laughter and the memories- were the brushstroke applied over time.”

“All hair is away from the face - there's no emotion and all of the personality is taken away. I envisioned the way a 'virtual girl' is drawn in a cartoon. Then I added these different colored extensions - white, red and black, which adds to the synthetic feeling of the hair. I used colors which looked most dramatic against each of the models' real hair. The different colors give you that pop of fakeness so we're not talking about reality. Like a futuristic princess.”

“When white Americans frankly peel back the layers of our commingled pasts, we are all marked by it. Whether a company or an individual, we are marred either by our connections to the specific crimes and injuries of our fathers and their fathers. Or we are tainted by the failures of our fathers to fulfill our national credos when their courage was most needed. We are formed in molds twisted by the gifts we received at the expense of others. It is not our “fault.” But it is undeniably our inheritance.”

“To those of my race who depend on bettering their condition in a foreign land or who underestimate the importance of cultivating friendly relations with the Southern white man, who is their next-door neighbor, I would say 'Cast down your bucket where you are.'”

“You're not a Black man. You're a human being in God's eyes. So when you sit down to talk to someone and you talk to them in really intelligent terms, you ask difficult questions, there's a militancy that's assigned to you without you asking for it, because you are simply judged by what you look like. If you're a white person asking the same questions, you'd be one of these CNN guys and say how brilliant he is. That doesn't work for you, because this is the world we live in.”

“[Vladimir] Putin spoke unabashedly about the importance of national sovereignty in Syria, a concept apparently near and dear to his heart, unless it comes to the sovereignty of Georgia, Ukraine or any other country in which he intervenes. Then he offered his cooperation, but without making any concrete concessions at all. And he didn't have to, either. He knows what he can rely on. He has assets that are more valuable than words: He has tanks in Ukraine, fighter jets in Syria - and Barack Obama in the White House.”

“The music of the westerner comes from Africa, whether they like it or not. The majority of the instruments of the music, of the pop music, rock and roll, or R&B, hip hop, whatever it is, their roots trace back to Africa. So if you are black, white, yellow, or red, whatever you do, it doesn't matter, because your DNA is back in Africa.”

“What do they do in these [private] clubs, anyway? Sit around saying things like 'Thank God I'm here. No Jews! What fun! This is living, huh? Look! No Jews! I don't know when I've had a better time. And no women! Just men! And no blacks! Just whites! White men! White men who are not Jewish! It doesn't get any better than this.' To some people, apparently, this is a perfect description of injustice. To me, this is a perfect description of a gay bar in Iceland.”

“[The Catholic convent] had been like the Valley of the Shadow of Death, and there are white scars on my soul, where ignorance and superstition burnt me with their hell fire in those stifling days.”

“On the way I stood a moment looking out across the marshes with tall cattails, a patch of water, more marsh, then the woods with a few birch trees shining white at the edge on beyond. In the darkness it all looked just like I felt. Wet and swampy and gloomy, very gloomy. In the morning I painted it. My memory of it is that it was probably my best painting that summer.”

“There's a sameness about American poetry that I don't think represents the whole people. It represents a poetry of the moment, a poetry of evasion, and I have problems with this. I believe poetry has always been political, long before poets had to deal with the page and white space . . . it's natural.”

“In the great depression, things could only be set right by causing the idle plant to work again . . . Roosevelt . . . spent billions of public money and created a huge public debt, but by so doing he revived production and brought his country out of the depression. Businessmen, who in spite of such a sharp lesson continued to believe in old-fashioned economics, were infinitely shocked, and although Roosevelt saved them from ruin, they continued to curse him and to speak of him as 'the madman in the White House.' . . . [It's one more] striking example of inability to learn from experience.”