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A Quotes

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All A Quotes

“Albeit nurtured in democracy, And liking best that state republican Where every man is Kinglike and no man Is crowned above his fellows, yet I see, Spite of this modern fret for Liberty, Better the rule of One, whom all obey, Than to let clamorous demagogues betray Our freedom with the kiss of anarchy. Wherefore I love them not whose hands profane Plant the red flag upon the piled-up street For no right cause, beneath whose ignorant reign Arts, Culture, Reverence, Honor, all things fade, Save Treason and the dagger of her trade, Or Murder with his silent bloody fee.”

“Albeit, the light explodes at the end of tunnel and, an end of a sojourn from darkness eternal. Or, resembling calmness at the end of a storm. A rainbow concludes the rain and promises a new norm. I continue to steer successfully with high courage, thru ‘Impediments, as if it’s an opportunity, challenged. It signifies am ‘optimism’ @ success across the funnel, translating into visible ‘progress’ at the end of tunnel (c) 2020, Priyavrat Thareja”

“Albert and I would spend hours and hours looking at them. Cleo had this big magnifying glass on his desk, and we'd find centipedes and grasshoppers and beetles and potato bugs, ants . . . and put them in a jar and look at them. They have the sweetest little faces and the cutest expressions. After we'd looked at them all we wanted to, we'd put them in the yard and let them go on about their business.”

“Albert, apparently sensing that Traigh was, at that moment, plotting the different ways in which he’d kill their youngest brother, spoke up. “So will it be a hangin’in store fer Graeme, or do ye just plan on beatin’him half to death?” Traigh glanced at Albert. “I have no’decided just yet.” Albert was the most serious of the six MacAulay brothers. He rarely spoke without thinking first, and he was not one to go about chasing lasses like their brothers, Bruce and Albert. Neither was he one to jest frequently. ’Twas also said that Albert was as tightfisted with his money as a bairn is to his mother’s teat. Trying to get money from him was akin to trying to squeeze water from a stone. “I say we hang him,”Albert said, and not in jest. Traigh, though sorely tempted, knew ’twas impossible. “Our mother would have our heads if we hang him.” Albert thought on it for a moment. “Mayhap one day he will be out ridin’and have a mishap, whereby he falls off a cliff.” Traigh stared at him for a long while, uncertain if he was jesting or serious. Part of him was afraid to ask. Albert was just as vexed over Graeme’s behavior as Traigh was. “Remind me never to make ye angry,”he said. Albert raised a blonde brow. “Ye? Nay, I doubt ye’d ever anger me to the point of murder. Graeme, however, is another matter. I fear he has been so busy with book learnin’that he has fergotten everythin’a MacAulay stands for.” “Honor above self,”Traigh said. ’Twas the creed all MacAulays lived by. “Aye,”Albert said. “And right now, I believe he’s puttin’his own feelin’s ahead of everythin’. How anyone can remain angry for so long is beyond me. But then, I have no’had all the book learnin’that Graeme has had. Mayhap he can explain it to us.”Though his voice was laced with sarcasm, there was much truth to what he was saying. Traigh had to chuckle. “Shall we allow him to explain it before or after we beat him senseless?” Albert took a moment before answering. “Mayhap before, fer ’twill be difficult to understand him once I knock out a few of his teeth.” “Again, remind me ne’er to make ye angry, brother.” Albert shrugged his shoulders before urging his horse to move faster, leaving Traigh to wonder if he should mayhap begin to pray that Albert did not get his hands on Graeme first.”

“Albert Camus wrote that the only serious question is whether to kill yourself or not. Tom Robbins wrote that the only serious question is whether time has a beginning and an end. Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm. There is only one serious question. And that is: Who knows how to make love stay? Answer me that and I will tell you whether or not to kill yourself.”

“Albert died in an unfortunate accident sometime ago and was raised as a zombie by his amateur necromancer friend, Neil. Bubba was a new friend we had acquired in Vegas when helping him gain back the freedom he had previously gambled away. The fourth member of our group, a government agent and my girlfriend named Krystal, was out of town for work this week, thus I was conducting my first weekly scrabble tournament with just the three of us. Which leaves only me to be accounted for in the explanation. My name. which I hope you know by now. is Frederick Frankford Fletcher and I am a vampire, though still not the type that inspires swooning or terror.”

“Albert Einstein, who discovered that a tiny amount of mass is equal to a huge amount of energy, which explains why, as Einstein himself so eloquently put it in a famous 1939 speech to the Physics Department at Princeton, 'You have to exercise for a week to work off the thigh fat from a single Snickers.'”

“Albert had created a currency based on gold bullets and McDonald’s game pieces. He’d wanted to call the currency something else, but no one remembered what. So, ’Bertos they were, a play on “Albert,” coined by Howard, of course, who had also come up with “the FAYZ” to describe their weird little world. Sam had thought Albert was nuts with his obsession with creating money. But the evidence was in: Albert’s system was producing just enough food for kids to survive. And a lot more kids were working. Far fewer were just hanging out. It was no longer impossible to get kids to go into the fields and do the backbreaking work of picking crops. They worked for ’Bertos and spent ’Bertos, and for now at least starvation was just a bad memory.”

“Albert, I don’t know how long we can keep Sam involved at all,” she said. “You’re upset,” Albert replied. “Yes, I’m upset. But that’s not the point. Sam is out of control. If we’re ever going to have a working system we may have to find someone else to play the role of savior.” Albert sighed. “Astrid, we don’t know what’s out there in the night. And maybe you’re right that Sam is out of control. But me? I’m really glad it’s him out there getting ready to face whatever it is.” Albert picked up his omnipresent notebook and left. To a now empty, silent room, Astrid said, “Don’t die, Sam. Don’t die.”

“Albert Lee and I have become real close friends, and he comes out anytime I'm in the L.A. area, and he'll sit in for the whole show ! ... we've got a habit of doing that ... in Austin Redd Volkaert does the same thing ... it's fun ... I love to make it a guitar thing and the audience doesn't know any different - they think he's some new band member they don't know. They don't realize Albert's the reason we all play Teles!.”

“Albert slid quietly from his horse and walked across a small clearing, and before Graeme knew what was happening, picked him up and threw him arse over toes into the cool water. As the very stunned — and soon Albert would realize, quite angry — Graeme got his bearings and stood up, coughing and sputtering, Albert turned back to his horse. At that point, a swarthy looking man, wearing a ridiculous looking tunic and an even more ridiculous pair of trews, jumped from behind two large boulders with his weapon drawn. “Prepare to die, peasant,” he shouted in French. Albert raised a curious brow as he unsheathed his broadsword. The falchion the Frenchman had pointed at him was no match for his broadsword. “Who the bloody hell are ye?” “I am Remi Francois Claremont LeFavre,” Remi answered with a slight bow and flourish. “Brother to the man you just threw into the lake and whose honor you have besmirched by your actions. Again, peasant, I tell you to prepare to die.” Albert rolled his eyes and re-sheathed his sword. “Is this fool with ye?” Albert asked Graeme.”

“Albert?" The barking became more passionate, with cries and whimpers breaking in. Slowly Beatrix lowered to the ground and sat with her back against the shed. "Calm yourself, Albert," she said. "I'll let you out as soon as you're quiet." The terrier growled and pawed at the door. Having consulted several books on the subject of dogs, one on rough terriers in particular, Beatrix was fairly certain that training Albert with techniques involving dominance or punishment would not be at all effective. In fact, they would probably make his behavior worse. Terriers, the book had said, frequently tried to outsmart humans. The only method left was to reward his good behavior with praise and food and kindness. "Of course you're unhappy, poor boy. He's gone away, and your place is by his side. But I've come to collect you, and while he's gone, we'll work on your manners. Perhaps we can't turn you into a perfect lapdog... but I'll help you learn how to get on with others." She paused before adding with a reflective grin. "Of course, I can't manage to behave properly in polite society. I've always thought there's a fair amount of dishonesty involved in politeness. There, you're quiet now." She stood and pulled at the latch. "Here is your first rule, Albert: it's very rude to maul people." Albert burst out and jumped on her. Had she not been holding on to the support of the shed's frame, she would have been knocked over. Whining and wagging his tail, Albert stood on his hind legs and dove his face against her.”

“Albert wrote to his ‘dearest cousin’ on 26 June to offer his 'sincerest felicitations on that great change which had taken place in your life’. It was a difficult letter to compose. Now that she was 'Queen of the mightiest land of Europe’, he went on, 'the happiness of millions’ lay in her hands, and he trusted that Heaven would assist her in 'that high but difficult task.” He hoped for a long and happy - and glorious - reign, in which she would achieve the 'thankfulness and love’ of her subjects. He wished neither to be indiscreet nor to 'abuse’ her time, but, he closed, 'May I pray you to think likewise sometimes of your cousins in Bonn, and to continue to them that kindness you favoured them with till now.’ And he signed it as 'your Majesty’s most obedient and faithful servant, Albert’.”

“Alberto Alessi had asked a dozen architects to design a sterling silver tea service - with a teapot, a coffee pot, sugar, creamer, a spoon, and a tray. Our brief was that it didn't matter if it didn't work and cost wasn't the issue. It was a promotional project, not a commercial enterprise, and was going to be showcased in museums. And the coffee and tea piazza, as mine was called, received a great response. It was wonderful to walk into the Whitney museum and see all these objects on the first floor.”

“Alberto was a good for nothing pisellino." Nonna puts her hand to her chest, looking shocked and delighted. "Violetta," she says, "no, is it true?" Nicolo makes a little choking sound. He looks mortified. I'm confused. "Did Violetta just call your grandfather a little pea?" I whisper, struggling to translate the words in my head. Nicolo is flushing a dull red beneath his golden olive tan. "It um... doesn't mean little pea," he murmurs, leaning close to my chair. "In Italian it is an insult for a man's private parts, calling them very small, like little peas." My eyes widen in astonishment. At this point in the evening I'm not sure anything else could surprise me. "It's true." Violetta sniffs and holds up her fingers several inches apart. "And his manhood, like a baby zucchina." Nonna looks immensely satisfied by this information. "Well," she says. "Well, God bless Carlo. He was a good man and there were no baby zucchine in our house, I can tell you. Only grandi zucchine." Nicolo clears his throat. "Your grandchildren are standing right here!" he reminds them.”

“Albom with Trent Willmon is the first project that I haven't had to scrap money together for. The is the first time I've used any outside songs at all; until now it's only been stuff that I've written. This is also the first album of mine that's had any co-writes on it, as well. It's a big step, coming off of anything we've ever done before.”

“Album sales have collapsed, with few artists making money from albums; touring is more lucrative. But I'm 53 now and won't be able to tour forever, so a logical step is to get into writing film scores. Trouble is, you need to be somewhere which has a big film industry - another reason why I'm thinking about living in California.”