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All I Quotes

“In addition to this stigma, many men who suffer from mental illness find significant difficulty in overcoming the cultural barriers and emotional illiteracy best defined as 'toxic masculinity.' In other words, the idea that vulnerability and the open discussion of one’s feelings is considered a sign of weakness, counter to the behaviors of the traditional male role.”

“In addition to this there is the pluralization of the world in which we live through the division between public and private spheres, and also the plurality of institutions within the public sphere. Each of them forms a world in itself, so that individuals have to move to and fro between different worlds. The integration of this plurality of aspects of the world, which used to be achieved by religion, no longer takes place in the public world of secular culture but has to be achieved by the individual. The basis of this is meant to be the private sphere of life, the world of the family. But in many cases this cannot stand up to the burdens imposed by modern life. The growth of urban living has contributed to an increase of pluralization in the private sphere also, making the task of integration increasingly difficult.”

“In addition to trying to do the right thing and obey the law and follow principle, there's a part of the conservative, slash, Republican movement that believes if we just show that we're fair and impeccable, then we will get credit from those who think we're all these horrible things, and maybe they won't hate us as much.”

“In addition, unlike Othello, whose profession of arms is socially honorable, Shylock is a professional usurer who, like a prostitute, has a social function but is an outcast from the community. But, in the play, he acts unprofessionally; he refuses to charge Antonio interest and insists upon making their legal relation that of debtor and creditor, a relation acknowledged as legal by all societies. Several critics have pointed to analogies between the trial scene and the medieval Processus Belial in which Our Lady defends man against the prosecuting Devil who claims the legal right to man’s soul. […] But the differences between Shylock and Belial are as important as their similarities. The comic Devil of the mystery play can appeal to logic, to the letter of the law, but he cannot appeal to the heart or to the imagination, and Shakespeare allows Shylock to do both. In his "Hath not a Jew eyes…" speech in Act III, Scene I, he is permitted to appeal to the sense of human brotherhood, and in the trial scene, he is allowed to argue, with a sly appeal to the fear a merchant class has of radical social evolution: You have among you many a purchased slave Which like your asses and your dogs and mules, You use in abject and in slavish parts, which points out that those who preach mercy and brotherhood as universal obligations limit them in practice and are prepared to treat certain classes of human beings as things.”

“In addition, when they talked as if city people lived by different values, they were not emphasizing abortion, or gay marriage, or the things that are typically pointed to as the cultural issues that divide lower-income whites from the Democratic Party. Instead, the values they talked about were intertwined with economic concerns.”

“In addition, help your children learn self-discipline by such activities as learning to play a musical instrument or other demanding skill. I am reminded of the story of the salesman who came to a house one hot summer day. Through the screen door he could see a young boy practicing his scales on the piano. His baseball glove and hat were by the side of the piano bench. He said, "Say, boy, is your mother home?" To which the boy replied, "What do you think?" Thank heavens for conscientious parents!”

“In addition, the United States Delegation will suggest a series of steps to improve the United Nations machinery for the peaceful settlement of disputes... - for extending the rule of international law. For peace is not solely a matter of military or technical problems - it is primarily a problem of politics and people.”

“In adolescence I searched diligently—even dangerously—for some sheet-music kind of love that would fulfil the erotic dreams the literature read to me in my childhood had coloured so romantically. In this fantasy I would be the cherished object of some great man's total preoccupation. In return I would become his perfumed slave. Of course I was willing to adopt this attitude of abject prostration only before someone who never asked me to do anything I didn't like.”

“In adolescence, it's 'How do I fit in?' In your 20s, 'What do I want to do?' Your 30s, 'Is this what I'm meant to do?' I think the trick is living the questions. Not worrying so much about what's ahead but rather sitting in the gray area; being okay with where you are. If you can find the parity between 'Where am I going?' and 'What's my purpose?' you've got two pretty solid pillars for your coffee table.”

“In adopting the form of the adventure novel, Wells deepened it, raised its intellectual value, and brought into it elements of social philosophy and science. In his own field - though, of course, on a proportionately lesser scale - Wells may be likened to Dostoyevsky, who took the form of the cheap detective novel and infused it with brilliant psychological analysis.”

“In Advaita Vedanta, and in many other ancient wisdom traditions, the world is said to be an illusion. This illusion is commonly referred to as maya, a Sanskrit name which refers to the apparent, or objective reality which is superimposed on the ultimate reality in order to generate the phenomena of what we call the material world. Maya is the magic by which we create duality—by which we create two worlds from one. This creation is an illusory creation—it is not real—it is an imaginary manifestation of the one Universal Consciousness, appearing as all of the various phenomena in objective reality. Maya is God’s, or Consciousness’s, creative power of emptying or reflecting itself into all things and thus creating all things—the power of subjectivity to take on objective appearance.”

“In Advance of All Parting is a tough, unsentimental examination of marital grief. Musically elegant and inventive, understated and passionate, the poems give us a profound glimpse into how the events of a life can form a center of gravity that fixes the self in its force field. Theres a cold, truth-telling clarity about them that makes them as unsettling as they are beautiful. Ansie Baird has created a richly-drawn world in which this elemental drama plays out, and the result is vivid, startling poems in which pain has left its indelible tracks.”