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T Quotes

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All T Quotes

“To the one in the skies, this city must look like a scintillating pattern of speckled glows in all directions, like a firecracker going off amid thick darkness. Right now the urban pattern glowing here is in hues of orange, ginger, and ochre. It is a configuration of sparkles, each dot a light lit by someone awake at this hour. From where the Celestial Gaze is situated, from that high above, all these sporadically lit bulbs must seem in perfect harmony, constantly flickering, as if coding a cryptic message to God.”

“To the one, a little natural moderation and quietness of temper may be sufficient to conduct us: but to the other, we can only attain by much discipline and slow advances; and when we think we have made great way, we shall often find reason to confess in the hour of trial, that we had greatly, far too greatly, over-rated our progress.”

“To the optimist, the glass is half full. To the pessimist, the glass is half empty. To the engineer, the glass is twice as big as it needs to be. Design is how you treat your customers. If you treat them well from an environmental, emotional, and aesthetic standpoint, you're probably doing good design.”

“To the ordinary cultivated student of civilization the genesis of a Church is of little interest, and at all events we must not confound the history of a Church with its spiritual meaning. To the ordinary observer the English Church in history means Hooker and Jeremy Taylor — and should mean Andrewes also: it means George Herbert, and it means the churches of Christopher Wren. This is not an error: a Church is to be judged by its intellectual fruits, by its influence on the sensibility of the most sensitive and on the intellect of the most intelligent, and it must be made real to the eye by monuments of artistic merit. The English Church has no literary monument equal to that of Dante, no intellectual monument equal to that of St. Thomas, no devotional monument equal to that of St. John of the Cross, no building so beautiful as the Cathedral of Modena or the basilica of St. Zeno in Verona. But there are those for whom the City churches are as precious as any of the four hundred odd churches in Rome which are in no danger of demolition, and for whom St. Paul's, in comparison with St. Peter's, is not lacking in decency; and the English devotional verse of the seventeenth century — admitting the one difficult case of conversion, that of Crashaw — finer than that of any other country or religion at the time.”

“To the other nations of the world, religion is one among the many occupations of life. There is politics, there are the enjoyments of social life, there is all that wealth can buy or power can bring, there is all that the senses can enjoy; and among all these various occupations of life and all this searching after something which can give yet a little more whetting to the cloyed senses - among all these, there is perhaps a little bit of religion. But here, in India, religion is the one and the only occupation of life.”

“To the outside world, of course, this job is a cinch: 9 to 3, five days a week, two months' summer vacation with pay, all legal holidays, prestige and respect. My mother, for example, has the pleasant notion that my day consists of nodding graciously to the rustle of starched curtsies and a chorus of respectful voices bidding me good morning.”

“To the patriachists who insist wives submitting to husbands in all things is great for women because in exchange husbands are to love their wives as Jesus loves and sacrificed himself for the church, you're wrong. “I work and put food on the table” isn’t sacrifice. It’s life as an adult. “I put in time as a coach after a hard day’s work” isn’t sacrifice. It’s life as an adult. “I volunteer at church on top of going to work and coaching kids” isn’t sacrifice. It’s life as an adult. If you’re claiming wives submitting to husbands is great for women because husbands are called to sacrifice themselves, tell me what you’ve done. What sacrifices? Where? How frequent? If you’re a patriarchist but not sacrificing like this, then don’t bring up submission. Ever.”

“To the people, Morel was the hero of a cause that had nothing to do with nations and political ideologies, a cause that had nothing to do with Africa and touched what was deepest in them — a secret rancor — a confused dream of being able one day to emerge victorious from the difficulty of being a man. They were staking a claim to respectful and decent treatment.”

“To the person who believes this- as the western world did up until a few centuries ago- this physical, sensible world is good because it proceeds from a divine source. The artist usually knows this by instinct; his senses, which are used to penetrating the concrete, tell him so. When Conrad said that his aim as an artist was to render the highest possible justice to the visible universe, he was speaking with the novelist's surest instinct. The artist penetrates the concrete world in order to find at its depths the image of its source, the image of ultimate reality. This in no way hinders his perception of evil but rather sharpens it, for only when the natural world is seen as good does evil become intelligible as a destructive force and a necessary result of our freedom.”

“To the pessimist the light at the end of the tunnel is another train.”