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Costumes Quotes

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Costumes Quotes

“His hair has the long jesuschrist look. He is wearing the costume clothes. But most of all, he now has a very tolerant and therefore withering attitude toward all those who are still struggling in the old activist political ways...while he, with the help of psychedelic chemicals, is exploring the infinite regions of human consciousness.”

“I have discovered that many of the things I thought were priceless are as cheap as costume jewelry, and much of what I labeled worthless was, all the time, filled with the kind of beauty that directly nourishes my soul... Now I think that the vast majority of us "normal" people spend our lives trashing our treasures and treasuring our trash. We bustle around trying to create the impression that we are hip, imperturbable, omniscient, in perfect control, when in fact we are awkward and scared and bewildered.”

“The other thing is that when people mention computers - and I'm pretty much the same - they find it hard to comprehend that there's a performance there. They look at it as something that's just been made by a computer but in a way the difference is that when you make a normal film - and I'm simplifying it here - you put on the make-up and you put the scenery in before you start shooting, but with this you still perform in the same way but then you put the make-up on after, along with the costumes and scenery.”

“You have total control of it, and when you're an actor, you're subject to production design and costumes and directors and studio choices and producer choices, but when you're writing it, you're creating your own little world in your head, peopled with your little characters. No one is in there monkeying with it, at least not at first - though they will. With this and the other projects I'm working on, it'll have to be given away, and it'll have to be someone else's property.”

“I always had a hard time with fiction. It does feel like driving a car in a clown suit. You're going somewhere, but you're in costume, and you're not really fooling anybody. You're the guy in costume, and everybody's supposed to forget that and go along with you. Obviously, it can work, it works all the time - well, it doesn't always work. Still, no matter what, I'm always looking at the form and addressing it, not ignoring it.”

“Unlike the people you see in Mathew Brady's photographs from the Civil War, the men and women of the Revolution seem more like characters in a costume pageant. And it's a pageant in which the performers are all handsome as stage actors, with uniforms and dress that are always costume perfect.”

“It was fantastic to be able to have my kids on set. Dash, my eldest son, who’s not quite five, was into knights and his godmother had given him a plastic Marks & Spencer knights’ outfit and [first assistant director] Tommy Gormley said that he could stand to protect me during the scene where Clive [Owen] is talking about the immensity of sitting on the throne. I’m actually looking through an archway at my son standing in his knights’ costume protecting me!”

“I had read the criticisms of me and my movies and they were discerning. They said that Crawford needs a new deal, and they asked if I was doomed to explore forever the emotional misfortunes of the super-sexed modern young woman. And so, to break away from the pattern, I wanted to do "The Gorgeous Hussy". Selznick laughed at me. 'You can't do a costume picture. You're too modern.' But I begged and begged and begged, and so they let me do it. I was totally miscast.”

“For each human being there is an optimum ratio between change and stasis. Too little change, he grows bored. Too little stability, he panics and loses his ability to adapt. One who marries six times in ten years won't change jobs. One who moves often to serve his company will maintain a stable marriage. A woman chained to one home and family may redecorate frantically or take a lover or go to many costume parties.”

“In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.”

“The universe has fascinated mankind for many, many years, dating back to the very earliest episodes of Star Trek, when the brave crew of the Enterprise set out, wearing pajamas, to explore the boundless voids of space, which turned out to be as densely populated as Queens, New York. Virtually every planet they found was inhabited, usually by evil beings with cheap costumes and Russian accents, so finally the brave crew of the Enterprise returned to Earth to gain weight and make movies.”

“I'm a festive guy to begin with and Halloween is my favorite holiday. I went all out on this one costume. It's a ghoul that makes me approximately 10 feet tall when I wear it. I actually got an offer to work at a haunted house because the costume is so great, and I did it for about an hour and a half before I got too cold and had to quit to go inside. Michigan winters are no joke.”

“So when it came to making the movie I guess I had a really good sense innately of what it was that makes Halloween really great. In that it is a holiday for everybody now. When I was a kid I felt like it was mostly for kids, maybe that's just the way it always is when you're a kid, but I think now more than ever it's for grown ups too. When I was a kid I don't think there were quite as many sexy adult costumes and we definitely didn't have all these Spirit Halloween stores that pop up every October.”

“Don't forget that costumes, like dreams, are symbolic communication. Dreams teach us that a language for everything exists - for every object, every color worn, every clothing detail. Hence, costumes provide an aesthetic objectification that helps to tell the character's story.”