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Femininity Quotes

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Femininity Quotes

“"Summer Sisters" was actually was a huge influence on "Girls" because it was the first thing I ever consumed that sort of looked at the way that female friendship can be glorious and can be complicated and can be so like a worse betrayal than something romantic and it just showed these archetypes of femininity than totally sort of individuated them and exploded them.”

“In my experience, the psychological aspect of femininity tends to be more receptive and apathetic and delicate. I think that because the feminine is a bit quieter, we live in a masculine-dominated society. It is the front-forward force that runs the world. And that's not the fault of men by any means, that's just the way the world works.”

“There was always a strong sense of femininity in the house, always that presence. And while it wasn't founded by a woman, the family always had this brilliant intuition for being surrounded by great women. Not that I am a great woman - I don't want to say that! - but there were always great women in different ages who had really a strong idea of style and could really translate the know-how of the house.”

“The word C.R.E.A.M. - which stands for "Cash Rules Everything Around Me" - is from Wu Tang Clan. This song is about a prostitute who falls in love with her client, who winds up being a drug girl in New York. It's an ode to the girl who works in the streets; it gives her a face and a name and a story. I used to go and admire those girls. I was inspired by their bravery and their femininity, and how they were just putting themselves out there. It was intense to see. It's strange, but they kind of inspired me in a way. I felt it was so bold.”

“Fashion has been collected and exhibited for many years. People were picking up clothing of famous individuals, like Marie Antoinette's shoe or Napoleon's hat. That part of the resistance to having fashion in museums had to do with it being associated with femininity, and with the female body. Yet, as early as the 18th century, some people were recognizing that just as you collected art, you, might think about collecting fashion for museums, because it would provide insight into the way people thought about their lives and, and the way they envisioned themselves.”

“A hijra is someone who has transitioned from male to female, but we don't consider ourselves female because culturally we belong to a completely different section of society. Many hijras are castrated, but it's not compulsory. They say it's the soul which is hijra. We feel we are neither man nor woman, but we enjoy femininity. I enjoy womanhood, but I am not a woman. It's very confusing.”

“I was first sexually exploited when I was seven, by a distant cousin at a family wedding. Even after that I was routinely molested by older cousins and their friends. See, my innocence was taken away and I became mature at one bloody incident. I believe I never had a childhood. I grew up as an elderly person. And that's what my femininity brought upon me. Of course, in a patriarchal society, hijras' bodies are thought of as toys.”

“It's interesting to think about connecting the dots within an archive in a different way than linearly or teleologically. It's a great delight to make art or use language or just have ideas, and put them together in a very unexpected way. Art gets categorized historically, geographically, by medium, not necessarily by concept or repeating imagery, or feminism or femininity.”

“One of the challenges is to create an equally positive, satisfying sense of femininity and feminine identity in a different way so that there are things you're saying yes to and satisfying that urge that your daughter has to be assert her girlness. The surface level of the culture, and really several inches into it, makes that very hard to do. I hate to put another thing on parents' plates. But the culture is very intentional in what it's telling your daughter and what it's telling you about the message of femininity. And if you're not intentional and conscious back, you lose.”

“Women who seek to be equal with men lack ambition.”

“A woman must wait for her ovaries to die before she can get her rightful personality back. Post-menstrual is the same as pre-menstrual; I am once again what I was before the age of twelve: a female human being who knows that a month has thirty day, not twenty-five, and who can spend every one of them free of the shackles of that defect of body and mind known as femininity.”

“On one hand the eternal attraction of man towards femininity (cf. Gn. 2:23) frees in him-or perhaps it should free-a gamut of spiritual-corporal desires of an especially personal and "sharing" nature (cf. analysis of the "beginning"), to which a proportionate pyramid of values corresponds. On the other hand, "lust" limits this gamut, obscuring the pyramid of values that marks the perennial attraction of male and female.”

“Why do women want to dress like men when they're fortunate enough to be women? Why lose femininity, which is one of our greatest charms? We get more accomplished by being charming than we would be flaunting around in pants and smoking. I'm very fond of men. I think they are wonderful creatures. I love them dearly. But I don't want to look like one. When women gave up their long skirts, they made a grave error.”

“A true poet is more than just a man who can write a poem with a pen. A true poet writes poetry with his very life. A true poet doesn't use poetic devices to con the heart of a woman but uses the beauty of all that is poetic to serve, cherish, and express love to the heart of a woman. Just as a true warrior is not a conqueror of femininity but a protector of femininity, a true poet is not just a wooer of a woman's heart but one who knows how to nurture and plant love in a woman's heart. Simply put, a true poet is a man who knows how to be intimate with a lover - first and foremost with Christ.”

“I tend to like strong female characters. It just interests me dramatically. A strong male character isn't interesting because it has been done and it's so cliched. A weak male character is interesting: somebody else hasn't done it a hundred times. A strong female character is still interesting to me because it hasn't been done all that much, finding the balance of femininity and strength. [From a 1986 Fangoria interview]”

“For an instant she felt them, their identities, almost their substance, pass over her head like a wave. At some time she would be — or no, already she was like that too; she was one of them, her body the same, identical, merged with that other flesh that choked the air in the flowered room with its sweet organic scent; she felt suffocated by this thick sargasso-sea of femininity.”

“To me, a lady is not frilly, flouncy, flippant, frivolous and fluff-brained, but she is gentle, she is gracious, she is godly and she is giving. You and I have the gift of femininity... the more womanly we are, the more manly men will be and the more God is glorified. Be women, be only women, be real women in obedience to God.”

“Be passive. In your passivity, God comes. Be feminine. In your femininity, God comes. Have you not watched it? Buddha looks very feminine, Krishna looks very feminine. Why? - because it is simply a metaphor. They have been depicted as feminine, graceful, to show that that is their inner quality - receptivity. When you are doing something you are being aggressive. When you are not doing anything you are non-aggressive. And God cannot be conquered; you can only allow him to conquer you.”

“I do not feel any less of a woman. I feel empowered that I made a strong choice that in no way diminishes my femininity.”