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Femininity Quotes

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Femininity Quotes

“When Margaret Thatcher transitioned her speaking voice to a more male register to be listened to by men of the House of Commons, she was not scrutinised in the same way a trans man would be - her voice was mainly praised ... becoming more masculine is always [socially] favoured over perceived femininity.”

“How can one explain why a six-year-old boy (the author) should class himself as a girl, give himself a girl’s name, fight against his parents’ course of bringing him up as a boy, and grieve because he could not be brought up as a girl, except on the assumption that the cells of his brain were identical with the cells of a girl’s brain and fundamentally different from those of a normal boy?”

“How dare a person tell a woman, how to dress, how to talk, how to behave! Any being who does that, is no human.”

“I refuse to have my vagina photographed because I have no interest in being desired on the basis of its appearance. It has taken me decades to appreciate its power and beauty, and not merely because it birthed a child. Responsive to tenderness and the source of a luminous ecstasy, my vagina has enabled me to transcend an otherwise limited sense of self. I feel no need to make it conform to another’s aesthetic or have it applauded by strangers.”

“What is a Wanderess? Bound by no boundaries, contained by no countries, tamed by no time, she is the force of nature’s course.”

“A woman must prefer her liberty over a man. To be happy, she must. A man to be happy, however, must yearn for his woman more than his liberty. This is the rightful order.”

“When no possessions keep us, when no countries contain us, and no time detains us, man becomes a heroic wanderer, and woman, a wanderess.”

“Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.”

“He was no god, just an artist; and when an artist is a man, he needs a woman to create like a god.”

“I’d loved women who were old and who were young; those extra kilos and large rumps, and others so thin there was barely even skin to pinch, and every time I held them, I worried I would snap them in two. But for all of these: where they had merited my love was in their delicious smell. Scent is such a powerful tool of attraction, that if a woman has this tool perfectly tuned, she needs no other. I will forgive her a large nose, a cleft lip, even crossed-eyes; and I’ll bathe in the jouissance of her intoxicating odour.”

“But Violet Antrim, who had also been staying with the Peacocks, had arrived home full of importance. She walked in on Stephen one afternoon to announce her engagement to young Alec Peacock. She was so much engaged and so haughty about it that Stephen, whose nerves were already on edge, was very soon literally itching to slap her. Violet was now able to look down on Stephen from the height of her newly gained knowledge of men—knowing Alec she felt that she knew the whole species. 'It's a terrible pity you dress as you do, my dear,' she remarked, with the manner of sixty, 'a young girl's so much more attractive when she's soft—don't you think you could soften your clothes just a little? I mean you do want to get married, don't you! No woman's complete until she is married. After all, no woman can really stand alone, she always needs a man to protect her.' Stephen said: 'I'm all right—getting on nicely, thank you!' 'Oh, no, but you can't be!' Violet insisted. 'I was talking to Alec and Roger about you, and Roger was saying it's an awful mistake for women to get false ideas into their heads. He thinks you've got rather a bee in your bonnet; he told Alec that you'd be quite a womanly woman if you'd only stop trying to ape what you're not.”

“Masculinity and femininity attract one another, and their attributes are complementary; however this entails more than simply a male being attracted to a female: What actually complements the immature man who runs around, or cheats, or neglects his duties, is the masculine woman because he needs her to lead and to take charge, to take care of him. Immaturity is a state of need, and one of those needs is the need to be kept in check.”

“Unconscious assumptions or opinions are the worst enemy of woman; they can even grow into a positively demonic passion that exasperates and disgusts men, and does the woman herself the greatest injury by gradually smothering the charm and meaning of her femininity and driving it into the background. Such a development naturally ends in profound psychological disunion, in short, in a neurosis.”

“To the "masculists" of both sexes, "femininity" implies all that men have built into the female image in the past few centuries: weakness, imbecility, dependence, masochism, unreliability, and a certain "babydoll" sexuality that is actually only a projection of male dreams. To the "feminist" of both sexes, femininity is synonymous with the eternal female principle, connoting strength, integrity, wisdom, justice, dependability, and a psychic power foreign and therefore dangerous to the plodding masculists of both sexes.”

“The misnamed "feminine" woman, so admired by her creator, man - the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more - is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.”

“For a woman ... to explore and express the fullness of her sexuality, her ambitions, her emotional and intellectual capacities, her social duties, her tender virtues, would entail who knows what risks and who knows what truly revolutionary alteration to the social conditions that demean and constrain her. Or she may go on trying to fit herself into the order of the world and thereby consign herself forever to the bondage of some stereotype of normal femininity - a perversion, if you will.”

“Imagine that for hundreds of years your most formative traumas, your daily suffering and pain, the abuse you live through, the terror you live with, are unspeakable - not the basis of literature. You grow up with your father holding you down and covering your mouth so another man can make a horrible searing pain between your legs.... You learn how to leave your body and create someone else who takes over when you cannot stand it any more. You develop a self who is ingratiating and obsequious and imitative and aggressively passive and silent - you learn, in a word, femininity.”