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Mark Quotes

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Mark Quotes

“To be lovingly present through the primal, naked pain that marks aspects of birth, and to be lovingly present through the difficult, heart-wrenching ending that marks aspects of death is to learn about life and love. Fear may be strong but love is stronger. Learning how to love includes learning how to make room for and transform fear. Learning how to live involves learning how to die. Love alone is the most potent power illuminating the breath's journey in between these thresholds. Love is the key. Love is the dance.”

“Age is as much an asset for character players as it is for good wine. Human experiences, both good and bad, leave their marks on one's face and bearing. A few lines on the face and a few gray hairs coupled with the idiosyncrasies an actor adopts throughout life help out round out the actor's personality. So far as I'm concerned, the older a character actor gets, the firmer his position is.”

“No one longs for what he or she already has, and yet the accumulated insight of those wise about the spiritual life suggests that the reason so many of us cannot see the red X that marks the spot is because we are standing on it. The treasure we seek requires no lengthy expedition, no expensive equipment, no superior aptitude or special company. All we lack is the willingness to imagine that we already have everything we need. The only thing missing is our consent to be where we are.”

“What I noticed at Grace-Calvary is the same thing I notice whenever people aim to solve their conflicts with one another by turning to the bible: defending the dried ink marks on the page becomes more vital than defending their neighbor. As a general rule, I would say that human beings never behave more badly toward one another than when they believe they are protecting God. In the words of Arun Gandhi, grandson of Mohandas, 'People of the Book risk putting the book above people.”

“Personally, I am always more impressed by simplicity, clarity; it is the mark of a writer who knows his subject well and is secure enough not to 'lay it on' in the telling. Aim for complexity of thought, not expression.”

“I have a great deal of respect for Mark Gordon’s work and am confident that together we can bring the beauty and magical delight that Narnia engenders in the hearts of those who read the books to the screen in ‘The Silver Chair.’ I am very much looking forward to diving once more into Narnia, this time with Mark Gordon and his team.”

“My white skin disgusts me. My passport disgusts me. They are the marks of an insufferable privilege bought at the price of others' agony. If I could peel myself inside out I would be glad. If I could become part of the oppressed I would be free.”

“Rely on your own strength of body and soul. Take for your star self-reliance, faith, honesty and industry. Don't take too much advice - keep at the helm and steer your own ship, and remember that the great art of commanding is to take a fair share of the work. Fire above the mark you intend to hit. Energy, invincible determination with the right motive, are the levers that move the world.”

“The English landscape at its finest - such as I saw this morning - possesses a quality that the landscapes of other nations, however more superficially dramatic, inevitably fail to possess. It is, I believe, a quality that will mark out the English landscape to any objective observer as the most deeply satisfying in the world, and this quality is probably best summed up by the term 'greatness.'”

“Copies have been dethroned; the economic model built on them is collapsing. In a regime of superabundant free copies, copies are no longer the basis of wealth. Now relationships, links, connections, and sharing are. Value has shifted away from a copy toward the many ways to recall, annotate, personalize, edit, authenticate, display, mark, transfer, and engage a work. Art is a conversation, not a patent office. The citation of sources belongs to the realms of journalism and scholarship, not art. Reality can’t be copyrighted.”

“Never lose yourself on the stage. Always act in your own person, as an artist. The moment you lose yourself on the stage marks the departure from truly living your part and the beginning of exaggerated false acting. Therefore, no matter how much you act, how many parts you take, you should never allow yourself any exception to the rule of using your own feelings. To break that rule is the equivalent of killing the person you are portraying, because you deprive him of a palpitating, living, human soul, which is the real source of life for a part.”

“I couldn’t get near what I wanted through seeing, recognizing and recreating, so I stood the problem on its head. I started studying squares, rectangles, triangles and the sensations they give rise to It is untrue that my work depends on any literary impulse or has any illustrative intention. The marks on the canvas are sole and essential agents in a series of relationships which form the structure of the painting.”

“All... religions show the same disparity between belief and practice, and each is safe till it tries to exclude the rest. Test each sect by its best or its worst as you will, by its high-water mark of virtue or its low-water mark of vice. But falsehood begins when you measure the ebb of any other religion against the flood-tide of your own. There is a noble and a base side to every history.”

“Best marks go to cheaters and memorizers. Marks depend on memorizing and not on real knowledge. When you cram into your head for a test you may get a high mark but forget it the next day. That's not an education. I suggest just Good and Bad at the end of the term on report cards. Or maybe nothing. Frank Allen”