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Movies Quotes

Browse 297 quotes about Movies.

Movies Quotes

“Home is what we know we ought to want but can't really take. America is not so much a home for anyone as a universal dream of home, a wish whose attraction depends upon its remaining at the level of a wish. The movies bring the boys back but stop as soon as they get them back; for home, that vaunted, all-American ideal, is a sort of death, and an oblique justification for all the wandering that kept you away from it for so long.”

“He rows her out into this goose-infested swamp (the part this movie leaves out is that geese are rank, shit-covered, hissing demons, but I guess it’s okay because they are his kin), even though he knows it’s about to start pouring down rain and says so before they get in the boat.”

“You only realize what the really important things are once you've lost them.' That's what my mother would say at the end of La Strada. It seemed like the same thing was happening to me now. I was genuinely sad now that I'd actually lost movies. I knew I would miss them, and I know it's stupid, but it was only when I realized that the movies were really gone that it hit me how much they'd helped me emotionally, and how much they'd had a hand in making me who I was.”

“Hey! What have you been thinking? It's been an hour now and you are barely blinking. Is it stress of love or career that you seek, Or are you running a movie of all that you want to be? Are you scared of failing or trying to procrastinate, Oh! I get it, you are fumbling on that song to which you relate. To be in your head seems like a good place, You have your walls up and that is now your safe space. Staring at that wall with worn out paint, Your pupil just dilated,did you think of him again?”

“A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn’t all corruption. The movie doesn’t have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor’s scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.”

“Even the world’s greatest actor cannot fake an erection.”

“Bette Davis lived long enough to hear the Kim Carnes song, 'Bette Davis Eyes'. The lyrics to that song were not very interesting. But the fact of the song was the proof of an acknowledgement that in the twentieth century we lived through an age of immense romantic personalities larger than life, yet models for it, too - for good or ill. Like twin moons, promising a struggle and an embrace, the Davis eyes would survive her - and us. Kim Carnes has hardly had a consistent career, but that one song - sluggish yet surging, druggy and dreamy - became an instant classic. It's like the sigh of the islanders when they behold their Kong. And I suspect it made the real eyes smile, whatever else was on their mind.”

“In Woody Allen movies people stood in line for Ingmar Bergman films or Holocaust documentaries talking up media theory to pass the time. At 16 that was my idea of fun. Now that I live in New York I can tell you that people lined up for tickets don't debate theory. They talk about cute guys at the gym or whether or not they live within walking distance of a Krispy Kreme. I was such a young fogy that growing up involved becoming less mature.”

“On Atheism – If people continue to think of atheism as a kind of religion, then I demand all the perks that real religions get. I want to build big empty buildings where like-minded people can gather once a week to debate a non-existent deity. I want tax-exempt status. I want real food, not cheap wine and crackers. I want a rocking band. I want altar men! Not altar boys—altar MEN—and I want them to look like the chain-clad guy who hands an envelope to RuPaul at the beginning of “To Wong Foo, Thanks for Everything! Julie Newmar”.”

“Although well played by Billy Zane, Cal in the screenplay is one of the weakest part of the design, and would have been a more effective rival if he were more seductive, a better match for Rose, real competition for Jack, and not such an obvious monster. Then it would have been a real contest, and not a one-sided match between the most attractive young man in the universe and a leering, abusive cad with a bag of money in one hand and a pistol in the other.”

“The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")”

“Music is the fastest motivator in the world.”

“It was just a quick touch of his lips and it left her breathless, as always. In that moment his kiss infuriated her. This was only supposed to happen in the movies! It was a feeling designed by books! She wasn’t supposed to feel her lungs seize and butterflies were not supposed to run rampant in her stomach, just because a man pressed his lips to her lips”

“We loved it. We loved how slow it was. We love that it took forever. Actually, we never wanted it to end. We loved the jungle, the rafts, the ridiculous armor and helmets. . .I think most of all we loved that it didn't have a happy ending for anyone. The whole time we were sort of expecting that someone would survive because that's how stories work: Even if everything is a total disaster, someone lives to tell the tale. But not with Aguirre, the Wrath of God. Hell no. Everyone dies. That's awesome.”

“أحب الكتب أكثر من الأفلام. فالأفلام تخبرك ما تفكر به. أما الكتاب الجيد يدعك تختار أفكارك بنفسك. في الأفلام تشاهد بيتا باللون الأحمر. في الكتاب، يقول لك هناك بيت أحمر، ويتركك تضع التفاصيل، تختار تصميم السقف، تركن سيارتك أمامه...الخ خيالي دائما ما يتفوق على كل جديد تأتي به الأفلام”

“People used to read books and watch movies. Now people read memes and tweets and watch GIFs. I'm currently writing something about ducks that I hope you'll say is an instant classic six seconds into the experience.”